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Unworthy
Abram Singer is a Catholic priest with an unusual name and a dark secret. Against the backdrop of gritty 1970s New York, in a simple, straightforward style, he tells us his story. The son of an absent Jewish father and a devout Italian mother, Abram was drawn to the meaningful structure of the seminary, eventually becoming a parish priest in Manhattan. His sincerest wish is to do God’s work, but he is not without human failings: he is irresistibly attracted to women and has a secret lover named Lisa. But when an anonymous letter arrives threatening to expose his liaison, he is forced to decide whether the risks of his sin have become too great. Riveting and powerfully intimate, Unworthy unflinchingly explores the nature of faith, loyalty, and identity—and gives us a timeless portrait of a man trying to make his way in America’s greatest city.
Do You Believe?
Informal, revealing, unexpected, this book is a captivating and thought-provoking meditation how faith, in all its facets, remains profoundly relevant for and in our culture. “When the Italian writer Antonio Monda sat down to talk religion with American cultural leaders... he went straight for the big questions.” —O, The Oprah Magazine Some of the most well-known and well-respected cultural figures of our time enter into intimate and illuminating conversation about their personal beliefs, about belief itself, about religion, and about God. Antonio Monda is a disarming, rigorous interviewer, asking the most difficult questions (he often begins an interview point blank: “Do you believe...
INTRODUCTION TO COLLEGE PHILOSOPHY
This college course, an Introduction to Philosophy, is not a history of the great philosophers and their systems. It is not a survey of the traditional divisions of philosophy--metaphysics, epistemology, phenomenology, ethics, politics, and aesthetics. It is, however, a process of doing philosophy that takes up some of the basic questions and problems that we will all encounter in life--sooner or later. It is also an application of the Socratic method of teaching and learning that develop habits of independent, critical, and reflective thinking. It is a series of Socratic seminars on the Great Books by the greatest faculty of the Western world and a process that illustrates how to pass from the world of work, need, and empirical science into "the world of all things" (beings) that Being provides
Julie Taymor
This traces Taymor's background & achievements in theater, opera, & film. Taymor herself provides notes on each of her projects, along with her original drawings for costumes & characters.
Encounters with the Real in Contemporary Italian Literature and Cinema
This volume explores the Italian contribution to the current global phenomenon of a “return to reality” by examining the country’s rich cultural production in literature and cinema. The focus is particularly on works from the period spanning the Nineties to the present day which offer alternatives to notions of reality as manufactured by the collusion between the neo-liberal state and the media. The book also discusses Italy’s relationship with its own cultural past by investigating how Italian authors deal with the return of the specter of Neorealism as it haunts the modern artistic imagination in this new epoch of crisis. Furthermore, the volume engages in dialogue with previous works of criticism on contemporary Italian realism, while going beyond them in devoting equal attention to cinema and literature. The resulting interactions will aid the reader in understanding how the critical arts respond to the triumph of hyperrealism in the current era of the virtual spectacle as they seek new ways to promote cognitive transformations and foster ethical interventions.
Dvd Savant
A compilation of selected review essays from Erickson's DVD Savant internet column.
The Searchers
Scholar Joseph Loconte examines one of the most remarkable passages of Scripture, an exchange in the gospel of Luke between two disciples of Jesus of Nazareth---uttered just days after his execution---about the longings of the human heart and the mysterious purposes of God.
Situating the Feminist Gaze and Spectatorship in Postwar Cinema
Marcelline Block’s Situating the Feminist Gaze and Spectatorship in Postwar Cinema breaks new ground in exploring feminist film theory. It is a wide-ranging collection (re)visiting important theoretical questions as well as offering close analyses of films produced in the United States, France, England, Belgium, and Russia. This anthology investigates exciting areas of research for critical inquiry into film and gender studies as well as feminist, queer, and postfeminist theories, and treats film texts from Marguerite Duras to 21st century horror films; from Agnès Varda’s 2007 installation at the Panthéon to the post-Soviet Russian filmmakers Aleksei Balabanov and Valerii Todorovskii; ...
Memory in World Cinema
Film itself is an artifact of memory. A blend of all the other fine arts, film portrays and preserves human memory, someone's memory, faulty or not, dramatically or comically, in a documentary, feature film or short. Hollywood may dominate 80 percent of cinema production but it is not the only voice. World cinema is about those other voices. Drawn initially from presentations from a series of film conferences held at the University of Texas at San Antonio, this collection of essays covers multiple geographical, linguistic, and cultural areas worldwide, emphasizing the historical and cultural interpretation of films. Appendices list films focusing on memory and invite readers to explore the films and issues raised.
Faith and Spirituality in Masters of World Cinema, Volume III
Faith and Spirituality in Masters of World Cinema, Volume III continues the work presented in the first two volumes of this title, published by Cambridge Scholars Publishing in 2008 and 2011. It provides informed yet accessible articles that will provide readers with an introduction to masters of world cinema whose works explore the themes of human spirituality and religious faith. Volume III contains essays dealing with canonical directors notably absent from the first two entries of the series, such as De Sica and Hitchcock, while also including examinations of contemporary auteurs who are still actively working, like Asghar Farhadi and Apichatpong Weerasethakul. While retaining an interna...
