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Handbook of Painting
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Handbook of Painting
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Handbook of painting
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The Return of Politics
By the spring of 1998, it had become clear that Italy, after considerable effort, had succeeded in bringing its public finances into line with the Maastricht parameters for joining the European Monetary Union. This was generally viewed as an important success of the Olive Tree coalition government led by Romano Prodi, and a sign that Italian political life had become "normal." Nevertheless, the Bicameral Commission, which should have fostered a radical consitutional reform with the aim to stabilize and strengthen the bipolar structure of the party system and the majoritarian functioning of democracy in Italy, was dismantled in June. Moreover, in October 1998 the Prodi government suddenly collapsed because of the internal opposition of the Neo-Communist wing of its parliamentary majority, a further demonstration that the Italian transition towards a more effective democratic rule is far from complete. David Hine is Fellow and Senior Censor at Christ Church College, Oxford. Salvatore Vassallo is senior civil servant in the Emilia-Romagna regional government's Institutional Affairs Bureau and Professor of Public Policy Analysis at the University of Trento.
From Scratch
PUBLISHERS WEEKLY BESTSELLER Gold Award Winner in “Food, Cooking, & Healthy Eating” Category of the the Nautilus Awards “Unadulterated, smart, beautifully rendered, and often thrilling… This is delicious, adventuresome entertainment for the mind, soul, heart, and stomach.” —Kirkus Review “Adventurous Anthony Bourdain-esque eaters and readers will savor David Moscow’s every word as he travels far (Ciao, sea of Sardinia) and near (howdy, Texas plains) to learn from farmers, hunters, fisherfolk, and scientists about how our food reaches our plates.” —Reader's Digest David Moscow, the creator and star of the groundbreaking series From Scratch, takes us on an exploration of ou...
Giotto the Painter. Volume 1-3
Vol. 1: Life Giotto (1334) is the first European artist about whom it is possible to write following the schema of "life and work". The situation of the sources, however, is complicated: On Giotto's life, there are – on the one hand – biographical accounts from the mid-fourteenth century onwards that responded to various ideological requirements (patriotism, humanism, Renaissance ideology, cult of the artist); on the other, there is extensive documentary material from Giotto's lifetime, which seems to reflect less the biography of an artist than that of a bourgeois businessman resolutely climbing the social ladder. The present volume focuses on this second aspect of the Giotto figure's d...
