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Critical Essays on Twin Peaks: The Return
This edited collection offers an interdisciplinary study of Twin Peaks: The Return, the third season of a TV program that has attracted the attention (and appreciation) of spectators, fans, and critics for over two decades. The book takes readers into several distinct areas and addresses the different approaches and the range of topics invited by the multidimensionality of the subject itself: the philosophical, the artistic, the socio-cultural, and the personal. The eighteen chapters constituting the volume are academic in their approach to the subject and in their methodology, whether they apply a historical, psychoanalytical, film studies, or gender studies perspective to the text under examination. The variety and range of perspectives in these aforementioned chapters reflect the belief that a study of the full complexity of Twin Peaks: The Return, as well as a timely assessment of the critical importance of the program, requires both an interdisciplinary perspective and the fusion of different intellectual approaches across genres. The chapters demonstrate a collective awareness of the TV series as a fundamental milestone in contemporary culture.
Alice in Wonderland in Film and Popular Culture
This book examines the many reincarnations of Carroll’s texts, illuminating how the meaning of the original books has been re-negotiated through adaptations, appropriations, and transmediality. The volume is an edited collection of eighteen essays and is divided into three sections that examine the re-interpretations of Alice in Wonderland and Through the Looking-Glass in literature, film, and other media (including the branches of commerce, music videos, videogames, and madness studies). This collection is an addition to the existing work on Alice in Wonderland and its sequels, adaptations, and appropriations, and helps readers to have a more comprehensive view of the extent to which the Alice story world is vast and always growing.
Arthur Machen
Arthur Machen: Critical Essays offers a study of the works by Arthur Machen (1863-1947), the Welsh writer who has attracted a cult following for decades, especially among fans and scholars of weird fiction and Gothic studies. These essays take readers into different areas and address several topics in Machen's literary production: the literary, the artistic, the scientific, the religious, the socio-cultural, and the personal. The twelve chapters constituting the volume examine the representation of human beings in the writer's works and their relationship with the surrounding environment, whether it is the omnipresent London or the mysterious, menacing nature. The contributors also interpret Machen's writings through a series of disciplines and academic theories that were contemporary to the writer (such as paleontology and medicine) and demonstrate how he was influenced by the scientific discourses of his time and reproduced them in his works. The last section of the volume considers Machen's interest in the occult and mysticism and the religious themes present in many of his works.
A Critical Companion to Robert Zemeckis
A Critical Companion to Robert Zemeckis offers a comprehensive, academic and detailed study of the works of Robert Zemeckis, whose films include successful productions such as the Back to the Future trilogy (1985-90), Forrest Gump (1994), Contact (1997), Cast Away (2000) and The Polar Express (2004), but also lesser known films such as I Wanna Hold Your Hand (1978), Used Cars (1980), and Allied (2015). Most of Zemeckis’ major productions were not only successful when they were first released but continue to enjoy popularity—with critics and fans alike—even today. This volume investigates several distinct areas of Zemeckisʼ works and addresses the different approaches: the philosophica...
A Critical Companion to Steven Spielberg
This comprehensive, up-to-date analysis of all the works of Steven Spielberg is written by some of the top scholars working in fields ranging from philosophy and art to history and film studies. The chapters illuminate for scholars and fans the entire artistic career of Steven Spielberg.
Pirates in History and Popular Culture
This collection of new essays covers the myriad portrayals of the figure of the pirate in historical records, literary narratives, films, television series, opera, anime and games. Contributors explore the nuances of both real and fictional pirates, giving attention to renowned works such as Robert Louis Stevenson's Treasure Island, J.M. Barrie's Peter Pan, the Pirates of the Caribbean saga, and the anime One Piece, as well as less well known works such as pirate romances, William Clarke Russell's The Frozen Pirate, Lionel Lindsay's artworks, Steven Speilberg's The Adventures of Tintin, and Pastafarian texts.
A Critical Companion to Terry Gilliam
A Critical Companion to Terry Gilliam provides a fresh, up-to-date exploration of the director’s films and artistic practices, ranging from his first film Monty Python and the Holy Grail (1975) to his recently released and latest film The Man Who Killed Don Quixote (2018). This volume presents Gilliam as a director whose films weave together an avant-garde cinematic style, imaginative exaggeration, and social critique. Consequently, while his films can seem artistically chaotic and thus have the effect of frustrating and upsetting the viewer, the essays in this volume show that this is part of a very disciplined creative plan to achieve the defamiliarization of various accepted notions of human and social life.
Pirates in History and Popular Culture
This collection of new essays covers the myriad portrayals of the figure of the pirate in historical records, literary narratives, films, television series, opera, anime and games. Contributors explore the nuances of both real and fictional pirates, giving attention to renowned works such as Robert Louis Stevenson’s Treasure Island, J.M. Barrie’s Peter Pan, the Pirates of the Caribbean saga, and the anime One Piece, as well as less well known works such as pirate romances, William Clarke Russell’s The Frozen Pirate, Lionel Lindsay’s artworks, Steven Speilberg’s The Adventures of Tintin, and Pastafarian texts.
A Critical Companion to Mel Gibson
"The thirteen essays in this book offer various interpretations of Mel Gibson's work, treating this brilliant but controversial figure not only as a filmmaker but as a historian, religious thinker, and social philosopher"--
A Critical Companion to Sofia Coppola
This volume offers eight interdisciplinary readings to the films of Sofia Coppola, analyzing her oeuvre with a focus on her treatment of masculinity, sexual politics, bodies, and love.
