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In this pioneering study, Antony Augoustakis reconstructs the role of women in the epic poems of the Flavian period of Latin literature, examining the role of female characters from the perspective of Julia Kristeva's theories on foreign otherness and motherhood.
This collection addresses the role of ritual representations and religion in the epic poems of the Flavian period. Drawing on various studies on religion and ritual and the relationship between literature and religion in the Greco-Roman world, it explores the poets' use of the relationship between gods and humans and religious activities.
This is the first book-length study to reconstruct the role of women in the epic poems of the Flavian period of Latin literature. Antony Augoustakis examines the role of female characters from the perspective of Julia Kristeva's theories on foreign otherness and motherhood to underscore the on-going negotiation between same and other in the Roman literary imagination as a telling reflection on the construction of Roman identity and of gender and cultural hierarchies.
The epics of the three Flavian poets--Silius Italicus, Statius, and Valerius Flaccus--have, in recent times, attracted the attention of scholars, who have re-evaluated the particular merits of Flavian poetry as far more than imitation of the traditional norms and patterns. Drawn from sixty years of scholarship, this edited collection is the first volume to collate the most influential modern academic writings on Flavian epic poetry, revised and updated to provide both scholars and students alike with a broad yet comprehensive overview of the field. A wide range of topics receive coverage, and analysis and interpretation of individual poems are integrated throughout. The plurality of the critical voices included in the volume presents a much-needed variety of approaches, which are used to tackle questions of intertextuality, gender, poetics, and the social and political context of the period. In doing so, the volume demonstrates that by engaging in a complex and challenging intertextual dialogue with their literary predecessors, the innovative epics of the Flavian poets respond to contemporary needs, expressing overt praise, or covert anxiety, towards imperial rule and the empire.
The book lays bare the narrative form of Silius’ text. It focuses on the phenomenon of ambiguity due to the epic’s constant oscillation between fact and fiction, highlighting Roman triumph in defeat and defeat through triumph.
A comprehensive collection of essays by leading scholars in the field that address, in a single volume, several key issues in interpreting Terence offering a detailed study of Terence’s plays and situating them in their socio-historical context, as well as documenting their reception through to present day • The first comprehensive collection of essays on Terence in English, by leading scholars in the field • Covers a range of topics, including both traditional and modern concerns of gender, race, and reception • Features a wide-ranging but interconnected series of essays that offer new perspectives in interpreting Terence • Includes an introduction discussing the life of Terence, its impact on subsequent studies of the poet, and the question of his ethnicity
thersites is an international open access journal for innovative transdisciplinary classical studies edited by Annemarie Ambühl, Filippo Carlà-Uhink, Christian Rollinger and Christine Walde. thersites expands classical reception studies by publishing original scholarship free of charge and by reflecting on Greco-Roman antiquity as present phenomenon and diachronic culture that is part of today’s transcultural and highly diverse world. Antiquity, in our understanding, does not merely belong to the past, but is always experienced and engaged in the present. thersites contributes to the critical review on methods, theories, approaches and subjects in classical scholarship, which currently s...
The history of the Roman Republic was a military success story. Texts, monuments and rituals commemorated Rome's victories, and this emphasis on its own triumphs formed a basis for the Roman nobility's claim to leadership. However, the Romans also suffered numerous heavy defeats during the Republic. This study is the first to comprehensively examine how Rome's defeats at the hands of the Celts, Samnites, and Carthaginians were explained and interpreted in the historical culture of the Republic and early imperial period. What emerges is a specifically Roman culture of dealing with defeats, which helped the Romans to find meaning in the stories of their failures and to assign them a place in their own past.
This is the first in-depth exploration of the extent and significance of Ovidian intertexts in Statius' Thebaid, with particular emphasis on the interplay between poetics, politics, and material culture. Introducing New Historicist, Cultural Materialistic, and Intermedial approaches to Latin literature, it suggests that, despite their Virgilian patina, Statius' depictions of landscapes, heroes, and gods are pervaded by verbal and semantic allusions to Ovid's mythical narratives. This multi-layered allusivity not only prompts alternative readings of the Augustan classics, but also challenges the reader's perceptions of the Augustanising worldview that the urban landscape of Flavian Rome was arguably meant to convey. The poetic and political significance of Statius' Theban saga thereby moves from critically rewriting the Aeneid to reflecting on the new socio-political issues of Flavian Rome. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
The construction of a new Latin library between the end of the Republic and the Augustan Principate was anything but an inhibiting factor. The literary flourishing of the Flavian age shows that awareness of this canon rather stimulated creative tension. In the changing socio-cultural context, daring innovations transform the genres of poetry and prose. This volume, which collects papers by influential scholars of early Imperial literature, sheds light on the productive dynamics of the ancient genre system and can also offer insightful perspectives to a non-classicist readership.