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No. 1 - Limited Edition
Set in Regency England 1810-1825, 'No. 1' draws on the real and the imagined from the North East of England present at the birth of the railways, starting on 18th September 1810 and finishing there on 28th September 1825, the day after the first ever railway trip between two towns, a first that changed history. History didn't record it inadvertently carrying a boy fleeing from a miscarriage of justice and an ex-Waterloo veteran intent on silencing him, but history can now be straightened out. In this ambiitous recreation by Darlington-born writer Antony J (Tony) Stowers, fact and fiction are blended through real-life personalities, known historical events and ordinary people whose lives were impacted by this revolutionary technology. It also features a re-imagined but detailed account of the opening itself on 27th September 1825. This is a special limited 500 edition print run featuring the cover by Terence Cuneo and available exclusively to buyers/residents of the United Kingdom.
Plays: Five
A Horse With No Name - Iraq, the spring of 2003. The Battle of Baghdad rages. One retired Iraqi soldier - Ali - and one active American soldier - Rick - are trapped by rubble in a secret basement bar. Rick and Ali somehow make it through the two acts without killing each other but getting to know each other instead, finally ending up on the roof where they play a real-time game of Classic pool - not a staged game - which, depending on who wins the game - offers alternate endings to the play. . . . One Of The Lads - As NATO forces enter Iraq the media feeds a constant river of images of war into the daily lives of millions in Britain through TV. One such home is that of a young waster who has...
Romans 4 and the New Perspective on Paul
In addition to examining Romans IV, includes discussion of writings supporting and opposing the New Perspective position.
Reading Romans as a Diatribe
This book illustrates how the macro-structure of the «body» of Romans essentially follows that of the diatribes in Epictetus's Discourses. As in Discourses, the diatribe in Romans begins with the thesis (1.16-17), then follows an indictment (1.18-32) and dialogues with a fictitious second-person singular in chapter two. Arguments with the mē genoito formula dominate the middle part of the diatribe. In the middle of chapter eleven, the phase changes back to dialogues with the second-person singular. The ending of the diatribe Romans also, like Discourses, includes cynic and hyperbolic statements (14.21 and 14.23). Thus, the «body» of Romans should not be read as a real letter, but as a diatribe that was distributed in Paul's schoolroom and later appropriated as a letter. This teaching was not directed to a specific group of people, viz., the Christians in Rome, but rather intrinsically universalized. Therefore, its message is intrinsically more powerful for us.
Plays: Three
Somebody Up There Likes Us - In a country of much water but little fertile land and the other of abundant crops but limited water, two border guards diligently guard the frontier between them. With no common language, they maintain a fragile peace until one day an unidentified aircraft drops a small wooden box by parachute, inside is a bottle that contains a strange liquid. . . . Le Petoman - Based loosely on the biography 'Le Petomane' by Caradec and Nohain, 'Le Petomane' was aka Joseph Pujol, a real-life baker who hit upon the novelty of turning wind into a ribald entertainment, packing the Moulin Rouge, proof positive that sophistication and crudity make strange bed-fellows! . . . Pressur...
Romans and the Apologetic Tradition
Of all the letters in the Pauline corpus, the Letter to the Romans has attracted the greatest degree of scholarly attention. Yet surprisingly scant consideration has been given to the question of its literary genre. Taking up the comparatively brief suggestions of previous scholars, Dr Guerra argues that the Letter belongs to the protreptic genre - the class of writing in antiquity which urges the adoption of a particular way of life (or a deeper commitment to it), setting out its advantages, replying to objections, and demonstrating its superiority. Working through each chapter of the Letter in turn, he indicates how Paul provides a critique of non-Christian ways of life (both Jewish and Gentile) and affirms the superiority of the Christian Gospel. It becomes apparent that the Pauline apologetics of Romans stand between the hellenistic Jewish tradition and the later Greek Christian apologists, and may have influenced the latter.
Letter Writing in Greco-Roman Antiquity
Making use of letters--both formal and personal--that have been preserved through the ages, Stanley Stowers analyzes the cultural setting within which Christianity arose. The Library of Early Christianity is a series of eight outstanding books exploring the Jewish and Greco-Roman contexts in which the New Testament developed.
