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‘A pioneer who brought out the poetry in art’—Mint Lounge B.N. Goswamy (1933–2023), one of the most eminent art historians of our times, put India’s art on the global map. His lucid interpretation of art made the subject accessible to a wider audience. He was a master chronicler who offered ‘slight sketches of large subjects’. Ruminations, Goswamy’s last work of, rues the vanishing traces of artisans’ guilds in Europe, celebrates the illustrations to La Fontaine’s fables produced in Lahore, opens a window to the Jain legend of Ilaputra who was driven to the edge of renunciation, explores the pioneering map of the world drawn by the Turkish admiral, Piri Reis, admires the dazzling range of embroideries in the Calico Museum, chronicles the ensigns of royalty that belong to the Mughal period, brings to light Timurid kitab-khanas, the Tibetan sand-mandalas and much more. Lucid, comprehensive and engaging, Ruminations is a the most definitive primer on art in India and South Asia.
The most authoritative publication in nearly fifty years on the subject of conserving paintings on canvas. In 2019, Yale University, with the support of the Getty Foundation, held an international conference, where nearly four hundred attendees from more than twenty countries gathered to discuss a vital topic: how best to conserve paintings on canvas. It was the first major symposium on the subject since 1974, when wax-resin and glue-paste lining reigned as the predominant conservation techniques. Over the past fifty years, such methods, which were often destructive to artworks, have become less widely used in favor of more minimalist approaches to intervention. More recent decades have witn...
Volume I: Archaeology covers various aspects of archaeological sites research carried out Worldwide. It contains 53 articles contributed by reputed archaeologists and covers topics on Prehistory, Rock-art, Indus Valley, Iron Age, Early history, Early medieval history, Ethno-archaeology, Palaeo-Botonical studies and Museology in India and Southeast Asia.This book serves as a valuable source book for students, research scholars and teachers in Archaeology, Ethno-archaeology, History and Museology who want to known about the evolution of mankind in different perspectives. This volume also highlights the love and affection of Prof. P. Chenna Reddy enjoys in the intellectual world. The felicitati...
Epigraphy and NumismaticsDescriptionVolume IV, Epigraphy and Numismatics: The Volume contains 34 articles in which there are 23 articles on Epigraphy and 11 articles on Numismatics. The epigraphy section covers studies on almost all the dynasties ruled over the Indian sub-continent and through valuable light on Political, social, economic, religious and other aspects of Indian history. The second section of the book covers important aspects of Coinage found from various regions of India right from the pre-Mauryan times to late medieval times. These articles shed light on the coinage on a Pan Indian context right from the Punch marked coins, Satavahana, Roman, Kshatrapa, Pandyas and Sultanate...
The National Mission For Manuscripts, Through Its Nationwide Documentation Efforts, Is Engaged In Preserving And Rendering Accessible India'S Knowledge Cultures. The Mission'S Seminar Series, Samrakshka, Which Began In February 2005, Presents Various Regional And Local Practices Employed In The Creation And Preservation Of Manuscripts.
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The Pushtimarg, a Hindu sect established in India in the fifteenth century, possesses a unique culture--reaching back centuries and still vital today--in which art and devotion are deeply intertwined. This important volume, illustrated with more than one hundred vivid images, offers a new, in-depth look at the Pushtimarg and its rich aesthetic traditions, which are largely unknown outside of South Asia. Original essays by eminent scholars of Indian art focus on the style of worship, patterns of patronage, and artistic heritage that generated pichvais, large paintings on cloth designed to hang in temples, as well as other paintings for the Pushtimarg. In this expansive study, the authors deftly examine how pichvais were and still are used in the seasonal and daily veneration of Shrinathji, an aspect of Krishna as a child who is the chief deity of the temple town of Nathdwara in Rajasthan. Gates of the Lord introduces readers not only to the visual world of the Pushtimarg, but also to the spirit of Nathdwara.