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It’s 2006 and George Bush is about to come to India on state visit. As part of his tour, armed with the knowledge that 70 per cent of India is below thirty, he asks to meet one young Indian achiever who represents the new face of the nation. The US consulate shortlists India Today’s six ‘top Indian achievers under thirty. They are a stockbroking genius, unfortunately named Kapil Dev, a possibly lesbian novelist, the CEO of a lipstick company, a not-for-profit activist with sexist views, a call center owner who once lived in America, and a Microsoft programmer who likes the ladies. The winner will be selected through a round of tests, each more absurd than the other. The next day, the President will shake their hand among a long line of waiting Indian luminaries. And all six candidates are desperate to win—some are even prepared to sell their soul for it. Who will come out first? Smart, slick, and sarcastic, The President is Coming is a searing comedy that captures the pulse of the nation like no other book has.
2009—year of the slump. America is in the grip of severe economic hardship and unemployment. The only numbers that are on the rise is the suicide rate. Arun Gupta, entrepreneur, lothario, Aramis cologne user, evangelist of new India’s new dreams, sees a glimmer of a business plan form out of the American crisis. He wants to save lives. And he wants to do it sitting in his baroque Navi Mumbai office. His idea is simple. If everything can be outsourced to India, why not the saving of American lives? Part rant, part satire, 1888 Dial India documents, through the politically incorrect words of its anti-hero, the dreams of corporate India.
Do you eat, drink, sleep, think Hindi Cinema all the time like an obsession? Then we are already friends and sure going to have a great time together discovering many hidden and interesting facts about Hindi Cinema. Facts that are not just two-line trivia but studied in depth along with other finer details about the subject. For instance: • The ageless Guide and its English version • The spiritual connect in Silsila and Rab Ne Bana Di Jodi • Bertrand Russell & Jagjit Singh in a Hindi film cameo • A bold film suggesting castration for rapists in 1988 • Utpal Dutt - not just a comedian • The two Hindi film songs that won the Grammy Award • Amitabh-Bally Sagoo’s Aby Baby and Adalat • The lost art of riddle-based songs in Hindi film music • Three unusually sensual movies by Hrishikesh Mukherjee • Shocking Hindi films made on the subject of Incest And if this all sounds interesting, then do give it a try as ‘Picture Abhi Baaki Hai, Dost”
Sunita and Mukesh are friends. He's cynical, from Calcutta, cocky and well-read. She's clever, curious and amused by him. It's the 1960s, Delhi University. Fashionable movies play at the art deco cinemas, Nehruvian poshness is stylish, The Beatles are the rage. They meet over a quotation game involving William Shakespeare and whisky. They both realise there's something special here. They have burning questions, as young people do, about things literary, philosophical, existential, romantic. The answers lie in an endless set of conversations with Sunita over Scotch, Mukesh imagines. Till she thinks America will be the answer, and leaves for a PhD in her search. He follows her. What happens, o...
Researching Popular Entertainment is an essential volume for scholars delving into the vibrant yet complex world of popular entertainment. Written by a global network of experts, this book addresses the unique challenges researchers face in this field. The often-dismissed status of popular entertainment, coupled with its reliance on physicality and improvisation over scripted performances, has meant archival and textual sources tend to be more limited than in related theatre and performance disciplines. This scarcity requires historians to find alternative pathways through the available materials to recuperate seemingly insignificant figures and performance forms from our cultural past. This...
This book, the first cross-cultural study of post-1970s anglophone Canadian and American multi-ethnic drama, invites assessment of the thematic and aesthetic contributions of this theater in today’s globalized culture. A growing number of playwrights of African, South and East Asian, and First Nations heritage have engaged with manifold socio-political and aesthetic issues in experimental works combining formal features of more classical European dramatic traditions with such elements of ethnic culture as ancestral music and dance, to interrogate the very concepts of theatricality and canonicity. Their “mouths on fire” (August Wilson), these playwrights contest stereotyped notions of a...
This project offers a critical overview of how online activities and platforms are becoming an important source for the production and promotion of women’s films. Inspired by a transnational feminist framework, Maule examines blogs, websites, online services and projects related to women’s filmmaking in an interrogation of the very meaning of women’s cinema at the complex intersection with digital technology and globalization. It discusses women’s cinema 2.0 as a resistant type of cinematic expression and brings attention to the difficulties inherent in raising and expanding visibility for women’s filmic expression within a global sphere dominated by neo-liberalism and post-feminism. The author pays close attention to the challenges and contradictions involved in bringing a niche area of filmmaking and feminist discourse to the broad and diverse communities of the Internet and global media market, while also highlighting the changing forms of media and feminism.
Ever since demonetization, Dr. Fr. John P J has been thinking about publishing a book. He tossed the idea to us about what it could be and how we could go for really formalizing it. It just seemed like a neat idea, and gave us a ton of latitude to take things in our own way and focused heavily on the conceptualization of the entire process that could provide useful information about the impact of Demonetization to a broad audience.