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Stories on the Four Winds
This collection brings together twenty short stories from eighteen of New Zealand’s accomplished writers. They explore the dark and dangerous milieu of our comfortable existence. There is humour, tenderness, surprise, anger, sorrow and abject desperation in these stories from the four winds.
Black Marks on the White Page
A stunning collection of Oceanic stories for the 21st century. Stones move, whale bones rise out of the ground like cities, a man figures out how to raise seven daughters alone. Sometimes gods speak or we find ourselves in a not-too-distant future. Here are the glorious, painful, sharp and funny 21st century stories of Maori and Pasifika writers from all over the world. Vibrant, provocative and aesthetically exciting, these stories expand our sense of what is possible in Indigenous Oceanic writing. Witi Ihimaera and Tina Makereti present the very best new and uncollected stories and novel excerpts, creating a talanoa, a conversation, where the stories do the talking. And because our commonalities are more stimulating than our differences, the anthology also includes guest work from an Aboriginal Australian writer, and several visual artists whose work speaks to similar kaupapa. Join us as we deconstruct old theoretical maps and allow these fresh Black Marks on the White Page to expand our perception of the Pacific world.
Huia Short Stories 11
Here are the best short stories and novel extracts from the Pikihuia Awards for Māori writers 2015 as judged by Witi Ihimaera, Sir Wira Gardiner and Poia Rewi. The book contains the stories from the finalists for Best Short Story written in English, Best Short Story written in Māori and Best Novel Extract. For more than ten years, the Māori Literature Trust and Huia Publishers have organised this biennial writing competition to promote Māori stories and writers. The awards and the publication of finalists’ stories have become popular as they celebrate Māori writing and uncover little-known writers.
Huia Short Stories
Authors published in the anthology are finalists from the 2015 Pikihuia Awards for Maori writers, with short stories written in both Te Reo Maori and English, and also novel extracts. The topics, themes and writing styles are diverse, as you might expect with 19 pieces written by 15 authors. Some of the stories are light of heart; `Kingdom of Maisey¿ by Aaron Ure had me laughing at loud as the narrator slowly succumbed to the will of a household invader. Others are pretty heavy; the judgement that is ignorantly heaped upon the narrator of `Tired Eyes¿ by Anya Ngawhare made me cringe; the despair felt by the job seeker in `The Job¿ by Lauren Keenan will resonate with many people who¿ve had to negotiate their way through an unforgiving job market.
Chappy
Spanning several decades and several continents and set against the backdrop of a changing New Zealand, Chappy is a compelling story of enduring love. Uprooted from his privileged European life and sent to New Zealand to sort himself out, twenty-one-year-old Daniel pieces together the history of his Maori family. As his relatives revisit their past, Daniel learns of a remarkable love story between his Maori grandmother Oriwia and his Japanese grandfather Chappy. The more Daniel hears about his deceased grandfather, the more intriguing – and elusive – Chappy becomes. In this touching portrayal of family life, acclaimed writer Patricia Grace explores racial intolerance, cross-cultural conflicts and the universal desire to belong. Also available as an eBook.
Maori Art
Up until now books on Maori art have described the work as either traditional (carving, weaving, painting) or contemporary, work produced post-1950s. This book presents a unique focus on Maori art by exploring the connection between the traditional and contemporary, and the place of Maori art within an international context. Maori Art provides a framework for looking at Maori art in a new way and fills a gap in Maori art history - while there are myriad surveys of Maori art there is currently very little critical writing on Maori art and artists. The book is extensively illustrated with over 400 art works, landscapes and meeting houses, many never published before, including 100 specially commissioned photographs from renowned New Zealand photographers Mark Adams and Haruhiko Sameshima.
Kupapa
Kupapahas been variously defined as being neutral (in a quarrel), being loyal, being an ally, or being a traitor. The word itself has come to be as hotly contested as its history. The Treaty of Waitangi struck a bargain between two parties: the Crown and Maori. Its promises of security, however, were followed from 1845 to 1872 by a series of volatile and bloody conflicts commonly known as the New Zealand Wars. Many people today believe that these wars were fought solely between the Crown and Maori, when the reality is that Maori aligned with both sides - resulting in three participants with differing viewpoints. It is rarely recognised, for instance, that Te Wherowhero, later the first Maori...
Pouliuli
What happens when an old man wakes up one morning and finds that everything around him now fills with revulsion? What happens when Faleasa Osovae, the highest ranking alii in the village of Maalaelua, feigns madness and throws away his responsibilities as a chief?
Haka
Te Rauparaha is pursued across the island by his enemies and he fears for his life. At Lake Rotoaira, he is hidden in a kumara pit, and Te Rangikoaea, a woman of great power, sits in front of its entrance. As he hears his enemies approach, Te Rauparaha whispers in the dark 'Will I die?' Will I live?' His enemies cannot find him, and he climbs back to the sunlight. This is the story of the great Ngāti Toa chief Te Rauparaha and how he came to compose the haka 'Ka Mate, Ka Mate'.
The Adventures of Vela
Journey through the many stories and worlds of the immortal Vela - Vela, so red and ugly at birth they called him the Cooked; Vela the lonely admirer of pigs and the connoisseur of feet; Vela the lover of song maker Mulialofa the Boneman. Follow him down through the centuries on his travels, encountering the single-minded society of the Tagatanei and the Smellocracy of Olfact. Accompany him, too, as he recounts the stories of Lady Nafanua, the fearsome warrior queen, before whose powers Palagi priests and travelling chroniclers still bow down today.
