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Up until now books on Maori art have described the work as either traditional (carving, weaving, painting) or contemporary, work produced post-1950s. This book presents a unique focus on Maori art by exploring the connection between the traditional and contemporary, and the place of Maori art within an international context. Maori Art provides a framework for looking at Maori art in a new way and fills a gap in Maori art history - while there are myriad surveys of Maori art there is currently very little critical writing on Maori art and artists. The book is extensively illustrated with over 400 art works, landscapes and meeting houses, many never published before, including 100 specially commissioned photographs from renowned New Zealand photographers Mark Adams and Haruhiko Sameshima.
Ten artists of Pacific Island descent talk candidly about their lives and work, and about finding themselves as artists.
Offers a look at the Maori visual arts, emphasising on the design. Covering tattooing, drawing and painting, carving and weaving, this book explores the origination, evolution, and significance of the designs, and explains the materials and techniques used to create them.
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In recent years, the number of conflicts related to the misuse of street art and graffiti has been on the rise around the world. Some cases involve claims of misappropriation related to corporate advertising campaigns, while others entail the destruction or 'surgical' removal of street art from the walls on which they were created. In this work, Enrico Bonadio brings together a group of experts to provide the first comprehensive analysis of issues related to copyright in street art and graffiti. Chapter authors shed light not only on the legal tools available in thirteen key jurisdictions for street and graffiti artists to object to unauthorized exploitations and unwanted treatments of their works, but also offer policy and sociological insights designed to spur further debate on whether and to what extent the street art and graffiti subcultures can benefit from copyright and moral rights protection.
"Encompassing thousands of islands from the remote shores of Rapa Nui to the dense rainforest of Papua New Guinea, Oceania is one of the world's most extraordinary and diverse regions. This book, accompanying the spectacular exhibition at the Royal Academy opening this September, showcases Oceanic art and the subsequent migrations of people, cultures and objects from the Pacific around the world, from the unrivalled navigational feats of the first settlers who traversed the open ocean in wooden canoes to the explorations of Captain Cook 250 years ago. Bringing together the most up-to-date scholarship by experts in the field, this book presents Oceania through the eyes of its own people - art...
Monique Fiso is a modern-day food warrior, taking Maori cuisine to the world. After years overseas in Michelin-star restaurants, Monique returned to Aotearoa to begin Hiakai, an innovative pop-up venture that's now a revered, award-winning restaurant in Wellington. Monique has also gone on to feature on Netflix's 'The Final Table', alongside 19 other international chefs, with Hiakai being lauded by the Wall Street Journal, New York Times, Los Angeles Times, National Geographic, Forbes and TIME magazine, which named Hiakai in 2019 as one of the '100 Greatest Places' in the world. This book is just as unforgettable- ranging between history, tradition and tikanga, as well as Monique's personal journey of self-discovery, it tells the story of kai Maori, provides foraging and usage notes, an illustrated ingredient directory, and over 30 breathtaking recipes that give this ancient knowledge new life. Hiakai offers up food to behold, to savour, to celebrate.
"It is not uncommon to hear the phrase 'take a picture' used in connection with photography, when really what photographers do is make pictures. Pictures They Want to Make presents a selection of works by twelve contemporary photographers, and examines the various ways in which the images are created, and the motivations that drive them. Each of the artists has a connection to the Auckland region; some of the photographs capture aspects of that region's culture and landscape, while others testify to the mobility and ambition of the artists - their familiarity with other places and people. The images reveal distinctive identities and characters, Auckland's place in the Pacific, the influence of history on the contemporary environment, the wonder of the commonplace, and much more. Most of all, they are personal statements; they are about how the artists see the world."--Publisher description.
A kaumatua &– an elder of the Maori people &– reflects in poetry and prose on his journey from te ao Maori on the East Coast to contemporary Auckland, New Zealand.Ko te kopara anake e tarere ki te tihi o te makauri. Oti rawa! Kia oti rawa, e!Haare Williams grew up with his Tuhoe grandparents on the shores of Ohiwa Harbour on the East Coast of New Zealand in a te reo world of Tane and Tangaroa, Te Kooti and the old testament, myths and legends and of Nani Wai and curried cockle stew &– a world that Haare left behind when he learnt English at school and moved to the city of Auckland.Over the last half-century, through the Maori arts movement, waves of protest and the rise of Maori broadcasting, Haare Williams has witnessed and played a part in the changing shape of Maoridom. And in his poetry and prose, in te reo Maori and English, Haare has a unique ability to capture both the wisdom of te ao Maori and the transformation of that world.This book, edited and introduced by acclaimed author Witi Ihimaera, brings together the poetry and prose of Haare Williams to produce a work that is a biography of the man and his times, a celebration of a kaumatua and an exemplar of his wisdom.
The new mobilities paradigm has yet to have the same impact on archaeology as it has in other disciplines in the social sciences - on geography, sociology and anthropology in particular - yet mobility is fundamental to archaeology: all people move. Moving away from archaeology’s traditional focus upon place or location, this volume treats mobility as a central theme in archaeology. The chapters are wide-ranging and methodological as well as theoretical, focusing on the flows of people, ideas, objects and information in the past; they also focus on archaeology’s distinctiveness. Drawing on a wealth of archaeological evidence for movement, from paths, monuments, rock art and boats, to skeletal and DNA evidence, Past Mobilities presents research from a range of examples from around the world to explore the relationship between archaeology and movement, thus adding an archaeological voice to the broader mobilities discussion. As such, it will be of interest not only to archaeologists and historians, but also to sociologists, geographers and anthropologists.