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Poetry. Visual Poetry. Long-cherished in out-of-print editions, anthologies and text books, and more recently celebrated on the internet, Aram Saroyan's groundbreaking concrete and minimalist poems of the 1960s are gathered together here in a single, much-needed volume. COMPLETE MINIMAL POEMS includes the entire contents of Aram Saroyan (Random House, 1968), Pages (Random House, 1969), The Rest (Telegraph, 1971), as well as Saroyan's contribution, "Electric Poems," to the anthology All Stars (Goliard-Grossman, 1972), and a sequence, "Short Poems," which hasn't appeared previously. With ties to the work of such writers and artists as e.e. cummings, Andy Warhol, Gertrude Stein, Donald Judd, Ian Hamilton Finlay and Steve Reich, COMPLETE MINIMAL POEMS confirms Aram Saroyan's place among the most daring and engaging figures in modern poetry.
Aram Saroyan's "minimal" poems of the 1960s demonstrated a completely unprecedented handling of words--often single words--that combined astounding economy with palpable textural warmth. Untitled poems that read in their entirety "eyeye" and "lobstee" evinced a pleasure in words that everybody could recognize--except Senator Jesse Helms, who publicly objected to Saroyan's poem "lighght" when its author received an NEA award--but which nobody else (except perhaps Gertrude Stein) had quite nailed until Aram Saroyan came along. In every one of Saroyan's page acts, the sound of typewriter keys inscribing blank paper are as audible to the mind's ear as the words themselves. Coffee Coffee was published as a mimeograph edition by Vito Acconci and Bernadette Mayer's 0 To 9 imprint in 1967, and was one of Saroyan's earliest collections, containing such gems as "guarantee," "added" and "rinse." Acconci has since recorded his admiration for these works: "In the late sixties, when I called myself a poet, Aram was the poet I envied."
"In late August of 1975 when my wife Gailyn and I and our one-and-a-half-year-old daughter arrived in Bolinas, I was almost 29 years old and had become known for writing minimal poetry sometimes consisting of a single word", Aram Saroyan writes in his introduction to Day and Night. "A young writer's ego is a delicate matter, subject as it is to routine battery and assault. When I wrote the first section of a long poem called 'Lines for My Autobiography' one afternoon on the typewriter in the poet Joanne Kyger's house. I was both exhilarated and uneasy. After all, it was two and a half pages long and I'd never before written a poem of even half its length. I ended up throwing it in the waste ...
The son of the late William Saroyan describes his father's struggle against cancer and the family's attempts to become closer to the dying writer.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
"Marvelously captivating." — The New York Times. First published in 1940, Saroyan's international bestseller recounts the exploits of an Armenian clan in northern California at the turn of the 20th century. Based on the author's loving and eccentric extended family, the characters in these 14 related short stories provide humorous and touching scenes from immigrant life.
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This collection of fourteen stories describes the various angles, acute and obtuse, at which certain individual artists, mainly aging actors and blocked and balky screenwriters, stand in relation to Hollywood's money-magnet. My Literary Life, one of the two novellas that anchor this collection, describes the dual life of Jamie Read, a Manhattan novelist who has compromised his self-image and his literary standing by adapting his "serious" first novel (Sometimes a Moron) into the screenplay for a big-budget "popcorn" comedy (Beverly Hills Moron). It and the twelve short stories gathered here each offer a satirical glimpse into the lives of Hollywood agents, actors, hacks, and flaks. In contra...
The saga of Lew Welch and the best generation.
Memoir. Cultural Writing. Son and biographer of William Saroyan, Aram Saroyan grew up in a world of celebrities and geniuses. His writings soon placed him among the best known figures in the New York School of poets, and his essays and reviews helped to characterize his generation. STARTING OUT IN THE SIXTIES is a powerful collection of essays, memoirs, and reflections with commentary and anecdotes about publishing, Allen Ginsberg, Andy Warhol, Jack Kerouac, the author's Armenian heritage, his famous father, Jerry Brown, and much, much more. Variously humorous, reflective, and profound, Saroyan's book should prove for years to come, a key guide to the taste and literary values of the generation that 'started out in the sixties.'