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NOW A MAJOR MOTION PICTURE The stunning Booker Prize–winning novel from the author of Amnesty and Selection Day that critics have likened to Richard Wright’s Native Son, The White Tiger follows a darkly comic Bangalore driver through the poverty and corruption of modern India’s caste society. “This is the authentic voice of the Third World, like you've never heard it before” (John Burdett, Bangkok 8). The white tiger of this novel is Balram Halwai, a poor Indian villager whose great ambition leads him to the zenith of Indian business culture, the world of the Bangalore entrepreneur. On the occasion of the president of China’s impending trip to Bangalore, Balram writes a letter to him describing his transformation and his experience as driver and servant to a wealthy Indian family, which he thinks exemplifies the contradictions and complications of Indian society. Recalling The Death of Vishnu and Bangkok 8 in ambition, scope, The White Tiger is narrative genius with a mischief and personality all its own. Amoral, irreverent, deeply endearing, and utterly contemporary, this novel is an international publishing sensation—and a startling, provocative debut.
'Novel of the year was Aravind Adiga’s Selection Day . . . Cricket never fails to bring out the best in novelists . . . and this is a fine study of the very different fates of two Indian boys blessed with supreme talent. Everything (the dialogue, psychological analysis, social portrayal) is done in a wonderful pacy narrative style.’ – Declan Kiberd, The Irish Times ‘Books of the Year’ From the Booker Prize winning author of The White Tiger 'The most exciting novelist writing in English today' – A. N. Wilson Manjunath Kumar is fourteen. He knows he is good at cricket – if not as good as his elder brother Radha. He knows that he fears and resents his domineering and cricket-obses...
From the bestselling, Booker Prize-winning author of The White Tiger, Aravind Adiga, comes the story of an undocumented immigrant who becomes the only witness to a crime and must face an impossible moral dilemma. 'Alive with empathy, indignation and the sharp satiric reportage at which Aravind Adiga excels, this novel grippingly extends his concern for deprivation and injustice.' - Sunday Times 'Books of the Year' Shortlisted for the Miles Franklin Award Danny – formerly Dhananjaya Rajaratnam – is an undocumented Sri Lankan immigrant. Denied refugee status, working as a cleaner and living out of a grocery storeroom in Sydney, for four years he has been trying to create a new identity for...
The magnificent new novel from the Booker Prize-winning author of The White Tiger: LONGLISTED FOR THE 2013 IMPAC AWARD. Ask any Bombaywallah about Vishram Society - Tower A of the Vishram Co-operative Housing Society - and you will be told that it is unimpeachably pucca. Despite its location close to the airport, under the flight path of 747s and bordered by slums, it has been pucca for some fifty years. But Bombay has changed in half a century - not least its name - and the world in which Tower A was first built is giving way to a new city; a Mumbai of development and new money; of wealthy Indians returning with fortunes made abroad. When real estate developer Dharmen Shah offers to buy out...
NOW A MAJOR MOTION PICTURE The stunning Booker Prize–winning novel from the author of Amnesty and Selection Day that critics have likened to Richard Wright’s Native Son, The White Tiger follows a darkly comic Bangalore driver through the poverty and corruption of modern India’s caste society. “This is the authentic voice of the Third World, like you've never heard it before” (John Burdett, Bangkok 8). The white tiger of this novel is Balram Halwai, a poor Indian villager whose great ambition leads him to the zenith of Indian business culture, the world of the Bangalore entrepreneur. On the occasion of the president of China’s impending trip to Bangalore, Balram writes a letter to him describing his transformation and his experience as driver and servant to a wealthy Indian family, which he thinks exemplifies the contradictions and complications of Indian society. Recalling The Death of Vishnu and Bangkok 8 in ambition, scope, The White Tiger is narrative genius with a mischief and personality all its own. Amoral, irreverent, deeply endearing, and utterly contemporary, this novel is an international publishing sensation—and a startling, provocative debut.
A Study Guide for Aravind Adiga's "The White Tiger", excerpted from Gale's acclaimed Novels for Students.This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Students for all of your research needs.
The present book offers varied interpretations of the novel by eminent Indian critics and is a welcome addition to the fast-growing corpus of Indian English fiction.
A stunning new novel of suspense set in modern-day China--already hailed as "the Chinese Gorky Park".
A single moment can change a life forever. A van full of men armed with AK47s is stopped by two policemen while driving through Bethlehem in the Free State. They open fire on the policemen and, from that moment, their lives are irrevocably changed. So too for Fusi Mofokeng, resident of Bethlehem, who was not at the scene of the crime but was the brother-in-law of one of the perpetrators. He is accused of being an accomplice and tried, sentenced and jailed. Nineteen years later, in 2011, Fusi is released into a world that has changed beyond recognition, a world in which his mother, father and brother have all died. Throughout his incarceration he fought for his release, appearing before the TRC, and schooling himself in law. Even today, he seeks a presidential pardon. It is to this life that award-winning author Jonny Steinberg turns his attention in One Day in Bethlehem. In examining the life and struggle of Fusi Mofokeng, Steinberg shines a searing light on the burden of the everyman in his quest for justice. In doing so, he also captures a country as it violently sheds the skin of the past to emerge, blinking, into the modern era.
Shifting the postcolonial focus away from the city and towards the village, this book examines the rural as a trope in twentieth-century South Asian literatures to propose a new literary history based on notions of utopia, dystopia, and heterotopia and how these ideas have circulated in the literary and the cultural imaginaries of the subcontinent.