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Drafts, Fragments, and Poems
The first appearance of this award-winning writer's work since the 1940s, this collection, which includes an introduction by John Ashbery, restores Joan Murray's striking poetry to its originally intended form. Though John Ashbery hailed Joan Murray as a key influence on his work, Murray’s sole collection, Poems, published after her death at the early age of twenty-four and selected by W. H. Auden for inclusion in the Yale Series of Younger Poets, has been almost entirely unavailable for the better part of half a century. Poems was put together by Grant Code, a close friend of Murray’s mother, and when Murray’s papers, long thought to be lost, reappeared in 2013, it became clear that Code had exercised a heavy editorial hand. This new collection, edited by Farnoosh Fathi from Murray’s original manuscripts, restores Murray’s raw lyricism and visionary lines, while also including a good deal of previously unpublished work, as well as a selection of her exuberant letters.
Sweet Devilry
Yi-Mei Tsiang's debut collection of poetry, Sweet Devilry, explores the tenderness of loss that informs motherhood as well as the power and the conflict that come with being a woman. Both celebration and elegy, these poems find their centre in familial love. Lyric and traditional, though attuned to the visual and the experimental, Sweet Devilry also has a whimsical, and sometimes biting, sense of humour. Tsiang's smart, imaginative, and emotionally resonant work offers a keen and woman-centred perspective on the stories we tell ourselves about love, personal and societal struggle, and the inevitability of death.
We All Begin in a Little Magazine
When Arc began publishing in 1978, it had one aim: to publish the best work by Canada's new and established poets. Celebrating Arc's first two decades, We All Begin in a Little Magazine testifies to how fully the editors realized their aspirations. It provides a rich cross section of Canada's poetry of the time, the most vital years thus far in the history of Canadian Literature. Read the work of your favourite poets just as they first made names for themselves. Rediscover the excitment you felt when you came across their poems in Arc Canada's best "little magazine."
The Lonely Funeral
Every year, people living in our towns and cities - the homeless, suicides, old people living alone - are found dead. Their funerals are held without relatives or friends. In Amsterdam in 2002, F Starik established a network of poets who would write a personal poem for the deceased and read it at their funeral as an affirmation of their existence.
Nothing Will Save Your Life
An explosion of pop culture, femininity, sex, religion and motherhood held together with humour and joy, this a collection deeply rooted in the messy day-to-day of life. In traditional poetic forms, it takes on serious issues such as body image, aging, climate change, capitalism and death.
As Slow as Possible
None
The Glass-blower
This first full-length volume of Daruwalla's poetry to be published outside India provides a long-overdue opportunity to become better acquainted with a poet previously encountered in the UK only in anthologies.
The Resurrectionists
The living and the dead are working side by side in John Challis's dramatic debut collection, The Resurrectionists. Whether in London's veg and meat markets, far below the Dartford Crossing, or on the edge of the Western world, these poems journey into a buried and sometimes violent landscape to locate the traces of ourselves that remain. Amidst the political disquiet rising from the groundwater, or the unearthing of the class divide at the gravesides of plague victims, the veil between the living and the dead is at its thinnest when a child is born, and something close to hope for the future is resurrected.
Isn't Forever
None
I Am a Rohingya
"The Rohingya poets gathered here for the first time in English hold a mirror to the light for the rest of humanity, flashing their poems of misery and warning from the genocidal zone and refugee camp of Cox's Bazaar. Their songs are more accurate than news reports for word of the plight of the most oppressed. These are poems that begin with the fragrance on the bird's handkerchief and end by walking among the mass graves. They write from a dire present to a possible future, wondering in their peril if the world outside was too quiet to hear them. Let the world not be quiet, let the world listen to these poems." - Carolyn Forché "I Am a Rohingya implores the world to listen to the spirit of a people who have experienced some of the worst human rights abuses on the planet. These poems have no alternative but to speak out, they are from a crisis that must be addressed. There is brilliance in here!" - John Kinsella
