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The Presented Past is concerned with the differences between the comparatively static, well-understood way in which the past is presented in schools, museums and at historic sites compared to the approaches currently being explored in contemporary archaeology. It challenges the all-too-frequent representation of the past as something finished, understood and objective, rather than something that is `constructed' and therefore open to co-existing interpretations and constant re-interpretation. Central to the book is the belief that the presentation of the past in school curricula and in museum and site interpretations will benefit from a greater use of non-documentary sources derived from archaeological study and oral histories. The book suggests that a view of the past incorporating a larger body of evidence and a wider variety of understanding will help to invigorate the way history is taught. The Presented Past will be of interest to teachers, archaeologists, cultural resource managers, in fact anyone who is concerned with how the past is presented.
Archaeology and Language IV examines a variety of pressing issues regarding linguistic and cultural change. It provides a challenging variety of case-studies which demonstrate how global patterns of language distribution and change can be interwoven to produce a rich historical narrative, and fuel a radical rethinking of the conventional discourse of linguistics within archaeology.
Hausa society in West Africa has attracted researchers’ attention for decades, and has featured in the historical record for at least 500 years. Yet, no clear picture is available of the historical trajectories that underpin Hausa ethnogenesis. This book addresses this gap, deploying interdisciplinary approaches to revisit questions to which single disciplines have given partial answers, often due to the paucity of written sources for early periods of Hausa history. Contributors draw from the disciplines of anthropology, linguistics, economic history, and archaeology to enquire into how a ‘Hausa’ identity took shape and what have been its changing material and cultural manifestations. The result is a compelling overview of one of the most iconic groups of modern West Africa.
Towns were a recurrent feature of African civilizations and archaeology is a key discipline for the study of urban life before the colonial period but this volume also addresses aspects of modern urban culture: funerary arts, modern sculpture, cholera awareness and the ingenuity of the urban recycling artisan. Published in association with The West African Museums Programme and the International African Institute.
Theory in Africa, Africa in Theory explores the place of Africa in archaeological theory, and the place of theory in African archaeology. The centrality of Africa to global archaeological thinking is highlighted, with a particular focus on materiality and agency in contemporary interpretation. As a means to explore the nature of theory itself, the volume also addresses differences between how African models are used in western theoretical discourse and the use of that theory within Africa. Providing a key contribution to theoretical discourse through a focus on the context of theory-building, this volume explores how African modes of thought have shaped our approaches to a meaningful past outside of Africa. A timely intervention into archaeological thought, Theory in Africa, Africa in Theory deconstructs the conventional ways we approach the past, positioning the continent within a global theoretical discourse and blending Western and African scholarship. This volume will be a valuable resource for those interested in the archaeology of Africa, as well as providing fresh perspectives to those interested in archaeological theory more generally.
In this holistic approach to the study of textiles and their makers, Colleen Kriger charts the role cotton has played in commercial, community, and labor settings in West Africa. By paying close attention to the details of how people made, exchanged, and wore cotton cloth from before industrialization in Europe to the twentieth century, she is able to demonstrate some of the cultural effects of Africa's long involvement in trading contacts with Muslim societies and with Europe. Cloth in West African History thus offers a fresh perspective on the history of the region and on the local, regional, and global processes that shaped it. A variety of readers will find its account and insights into the African past and culture valuable, and will appreciate the connections made between the local concerns of small-scale weavers in African villages, the emergence of an indigenous textile industry, and its integration into international networks.