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Axel Boethius's account begins about 1400 B.C. with the primitive villages of the Italic tribes. The scene was transformed by the arrival of the Greeks and by the Etruscans who by about 600 had Rome and Central Italy under their cultural spell.
Beginning in the eighth century B.C., an expanse of central Italy extending from the edges of the Po River plain to the shores of the Tyrrhenian Sea became the setting for the civilization of the Etruscans. Although this people's geographic and linguistic origins remain controversial, the Etruscans were deeply rooted in the region and wove a tightly knit fabric of commercial and artistic trade throughout the Mediterranean. This well-organized and richly illustrated book examines the discoveries and masterpieces of the Etruscan world. Unforgettable paintings, works in gold, and sculpture in terracotta and bronze were created by the Etruscans, while extraordinary painted vases were imported fr...
Every society builds, and many, if not all, utilize architectural structures as markers to define place, patron, or experience. Often we consider these architectural markers as “monuments” or “monumental” buildings. Ancient Rome, in particular, is a society recognized for the monumentality of its buildings. While few would deny that the term “monumental” is appropriate for ancient Roman architecture, the nature of this characterization and its development in pre-Roman Italy is rarely considered carefully. What is “monumental” about Etruscan and early Roman architecture? Delving into the crucial period before the zenith of Imperial Roman building, Monumentality in Etruscan and...
Reconnects ancient buildings with the people who made them, with their surroundings, and with practices in other times and cultures.
Religious Architecture in Latium and Etruria, c. 900-500 BC presents the first comprehensive treatment of cult buildings in western central Italy from the Iron Age to the Archaic Period. By analysing the archaeological evidence for the form of early religious buildings and their role in ancient communities, it reconstructs a detailed history of early Latial and Etruscan religious architecture that brings together the buildings and the people whoused them.
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Architecture, which can be understood in its most basic sense as a form of enclosure created with an aesthetic intent, first made its appearance in the Prehistoric Age. From its earliest developments, architecture changed over time and in different cultures in response to changing cultural needs, aesthetic interests, materials, and techniques. The A to Z of Architecture provides information on architects like Frank Lloyd Wright, Tadao Ando, Leon Battista Alberti, Filippo Brunelleschi, Michelangelo, and Konstantin Stepanovich Melnikov, as well as on famous structures like the Acropolis, the Colosseum, the Forbidden City, Machu Pichu, Notre Dame, the Pyramids of Giza, Stonehenge, and the World Trade Center. The dictionary examines the development of architecture over the centuries through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on the major architects, well-known buildings, time periods, styles, building types, and materials in world architecture.
Etruscan architecture underwent various changes between the later Iron Age and the Archaic period. This book reconsiders these changes by focusing on the building materials and techniques used in the construction of domestic structures.
"Lavishly illustrated with 117 color images, 2 maps, and 15 black and white photographs, and including list of readings and an index, the Guide will be of interest to both general Museum visitors and scholars."--BOOK JACKET.