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Alongside Picasso and Warhol, Joan Miró (1893-1983) is one of the twentieth century's most influential artists. Miró created a pictorial world of intense imaginative power, in which visionary and cosmic elements are inextricably intertwined with the earthly and mundane. The research for this six-volume catalogue raisonné of Miró's paintings, spanning the years 1908 to 1981, was begun in 1957. The artist himself and later the Miró Estate were largely involved in its preparation--Jacques Dupin, Ariane Lelong-Mainaud and Joan Punyet Miró. The catalogue includes all the artist's oils, acrylics and works in various media--on canvas, cardboard, wood, masonite, copper and other hard supports. In the six volumes--all published only in English--all paintings are reproduced in color, whenever possible, accompanied by their title, date, technique and dimensions, with indication of signature and inscriptions on the back, as well as their collection, provenance, important exhibitions and major publications in which they are reproduced.
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Alongside Picasso and Warhol, Joan Miró (1893-1983) is one of the twentieth century's most influential artists. Miró created a pictorial world of intense imaginative power, in which visionary and cosmic elements are inextricably intertwined with the earthly and mundane. The research for this six-volume catalogue raisonné of Miró's paintings, spanning the years 1908 to 1981, was begun in 1957. The artist himself and later the Miró Estate were largely involved in its preparation--Jacques Dupin, Ariane Lelong-Mainaud and Joan Punyet Miró. The catalogue includes all the artist's oils, acrylics and works in various media--on canvas, cardboard, wood, masonite, copper and other hard supports. In the six volumes--all published only in English--all paintings are reproduced in color, whenever possible, accompanied by their title, date, technique and dimensions, with indication of signature and inscriptions on the back, as well as their collection, provenance, important exhibitions and major publications in which they are reproduced.
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Alongside Picasso and Warhol, Joan Miró (1893-1983) is one of the twentieth century's most influential artists. Miró created a pictorial world of intense imaginative power, in which visionary and cosmic elements are inextricably intertwined with the earthly and mundane. The research for this six-volume catalogue raisonné of Miró's paintings, spanning the years 1908 to 1981, was begun in 1957. The artist himself and later the Miró Estate were largely involved in its preparation--Jacques Dupin, Ariane Lelong-Mainaud and Joan Punyet Miró. The catalogue includes all the artist's oils, acrylics and works in various media--on canvas, cardboard, wood, masonite, copper and other hard supports. In the six volumes--all published only in English--all paintings are reproduced in color, whenever possible, accompanied by their title, date, technique and dimensions, with indication of signature and inscriptions on the back, as well as their collection, provenance, important exhibitions and major publications in which they are reproduced.
"In a career spanning over six decades, the New York art dealer Pierre Matisse (1900-1989) contributed substantially to the advancement of modern art. At his eponymous gallery on East Fifty-seventh Street, he showed several now legendary artists for the first time outside Europe. The collection--paintings, sculpture, and drawings by Balthus, Bonnard, Chagall, Derain, Dubuffet, Giacometti, Magritte, and the dealer's own father, Henri Matisse, among others--was donated to The Metropolitan Museum of Art in 2004 by the foundation established by his widow. These extraordinary artworks are presented with informative entries addressing the circumstances of each work's creation and the dealer's relationship to the artist. In the introduction, the story of Pierre Matisse's early struggles in New York is told for the first time and illustrated with previously unpublished archival photographs."--Provided by publisher.
This is the first extended analysis of Simon’s novels, examining the relationship between the work of the French Nobel prize-winning novelist Claude Simon and that of a number of visual artists whose work he has used as stimuli in the production of his novels.