Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Waltercio Caldas in Conversation with Ariel Jiménez
Waltercio Caldas (born 1946) is one of Brazil's most recognized and respected contemporary artists. He occupies a key role in the generation that bridges the historical innovations of the Concrete and Neo-Concrete artists of the 1950 and '60s and today's younger artists. In this ninth volume of the Conversacionesseries, writer, curator and art historian Ariel Jiménez engages Caldas in a lively dialogue covering more than five decades of artistic production, exploring the connections between perception and history, and the way in which artist, viewer, context and history all play roles in how art is seen and experienced. Combining a formal intelligence, eclectic materials and provocative games, Caldas' works raise subtle questions about the unique nature of art and its place in a world of redundancy.
Carlos Cruz-Diez in Conversation with Ariel Jiménez
This book is the result of decades of conversations between curator Ariel Jiménez and the Venezuelan kinetic artist Carlos Cruz-Diez. Their discussions provide compelling insights into Cruz-Diez's lifelong search to dematerialize color.
Refined Material
"Beginning with the oil blowout in 1922 that is considered the moment that marked Venezuela's entry into a 'modern' era, Refined Material explores the integral relationship between Venezuelan oil industry and artistic production. In this groundbreaking study, Sean Nesselrode Moncada examines Venezuela's mid-century art and architecture in an argument that reinforces the inextricability of the rise of a capitalist and centralized state from life, activism, and art. Oil provided the crucible for national reinvention, ushering in a period of dizzying optimism and bitter disillusion as artists, architects, graphic designers, activists, and critics sought to define the terms of modernity. Looking at five different but interrelated case studies--a print magazine, a planned housing community, a luxury hotel, a kinetic museum installation, and a documentary film--this book brings forth a novel reading to the renowned Venezuelan modernist canon and reveals how the logic of refinement conditioned the terms of development and redefined our relationship to nature, matter, and one another"--
Abstraction in Reverse
Introduction: spectatorship after abstract art -- Concrete art, and invention -- Time-objects -- Subjective instability -- The instituting subject -- Conclusion
Radical Form
A timely reassessment of some of the most daring projects of abstraction from South America. Emphasizing the open-ended and self-critical nature of the projects of abstraction in South America from the 1930s through the mid-1960s, this important new volume focuses on the artistic practices of Joaquín Torres-García, Tomás Maldonado, Alejandro Otero, and Lygia Clark. Megan A. Sullivan positions the adoption of modernist abstraction by South American artists as part of a larger critique of the economic and social transformations caused by Latin America’s state-led programs of rapid industrialization. Sullivan thoughtfully explores the diverse ways this skepticism of modernization and social and political change was expressed. Ultimately, the book makes it clear that abstraction in South America was understood not as an artistic style to be followed but as a means to imagine a universalist mode of art, a catalyst for individual and collective agency, and a way to express a vision of a better future for South American society.
Representing the Barrios
Against a backdrop of rapid urbanization and the growth of a global economy powered by carbon, Rebecca Jarman argues that in Venezuela, urban poverty has become one of the most important resources in national culture and statecraft. Attracting the attentions of writers, artists, filmmakers, and musicians from within and beyond the limits of Caracas, the barrios are fetishized in the cultural domain as sites of rampant sex, crime, revolution, disease, and violence. The appeal of the urban poor in entertainment is replicated in the policies of autocratic leaders who, operating within an extractivist matrix that prizes the acquisition of land and capital, have sought to expand their reach into ...
Modern Women: Women Artists at The Museum of Modern Art
This text examines the collection of feminist art in the Museum of Modern Art. It features essays presenting a range of generational and cultural perspectives.
Forming Abstraction
Art produced outside hegemonic centers is often seen as a form of derivation or relegated to a provisional status. Forming Abstraction turns this narrative on its head. In the first book-length study of postwar Brazilian art and culture, Adele Nelson highlights the importance of exhibitionary and pedagogical institutions in the development of abstract art in Brazil. By focusing on the formation of the São Paulo Biennial in 1951; the early activities of artists Geraldo de Barros, Lygia Clark, Waldemar Cordeiro, Hélio Oiticica, Lygia Pape, and Ivan Serpa; and the ideas of critics like Mário Pedrosa, Nelson illuminates the complex, strategic processes of citation and adaption of both local and international forms. The book ultimately demonstrates that Brazilian art institutions and abstract artistic groups—and their exhibitions of abstract art in particular—served as crucial loci for the articulation of societal identities in a newly democratic nation at the onset of the Cold War.
