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The critically acclaimed author of the “bold, innovating, and thrilling” (Stephen King) novel The Twenty-Year Death and the “brilliant” (Booklist, starred review) novel Barren Cove returns with a dark and compelling mystery set in the near future. Decimated by plague, the human population is now a minority. Robots—complex AIs almost indistinguishable from humans—are the ruling majority. Nine months ago, in a controversial move, the robot government opened a series of preserves, designated areas where humans can choose to live without robot interference. Now the preserves face their first challenge: someone has been murdered. Chief of Police Jesse Laughton on the SoCar Preserve is...
"Sapien is a relic of a bygone age, searching for meaning in a world where his outdated allegiances to a time long past have left him isolated and hopeless. Seeking peace and quiet, he retires to a beach house at Barren Cove, a stately Victorian manor even more antiquated than he. He becomes increasingly fascinated with the family whose lives are entwined with the home angry and rebellious Clark; flamboyant Kent; fragile, beautiful Mary; and most of all, Beachstone, the mysterious man whose history may hold all the answers Sapien has been searching for. As Sapien unlocks their secret loves and betrayals, the dangerous past of Barren Cove will indelibly change him...and who he is fated to become."--Provided by publisher
In this wry and witty picture book, an only child learns that in a classroom of multiples, individuality can be awesome. All the kids in Lysander Singleton’s class are either twins or triplets, which means Lysander Singleton is the only “only child” at Twin Oaks Elementary. He tries to do what he can to fit in—making photocopies of himself, or attempting to play games with the other kids—though his efforts are usually met with unfortunate results. But when it comes time for the schoolwide Twindividuation competition, a series of events meant to encourage individuality, Lysander quickly realizes that being the only “only child” does have its advantages—and that being unique isn’t such a bad thing after all.
Young Jimmy is fascinated by the idea that a ghost appears each Christmas Eve, but when he investigates he discovers a lonely old neighbour and some happy memories.
The first-ever U.S. edition of this delightful gem based on a letter Joyce wrote to his grandson, revealing the modernist master’s playful side—filled with one-of-a-kind illustrations—the perfect gift for Joyce fans and cat lovers alike. The Cats of Copenhagen was first written for James Joyce’s most beloved audience, his only grandson, Stephen James Joyce, and sent in a letter dated September 5, 1936. Cats were clearly a common currency between Joyce and his grandson. In early August 1936, Joyce sent Stephen “a little cat filled with sweets”—a kind of Trojan cat meant to outwit grown-ups. A few weeks later, Joyce penned a letter from Copenhagen that begins “Alas! I cannot send you a Copenhagen cat because there are no cats in Copenhagen.” The letter reveals the modernist master at his most playful, yet Joyce’s Copenhagen has a keen, anti-authoritarian quality that transcends the mere whimsy of a children’s story. Only recently rediscovered, this marks the inaugural U.S. publication of The Cats of Copenhagen, a treasure for readers of all ages. A rare addition to Joyce’s known body of work, it is a joy to see this exquisite story in print at last.
A lost classic from the illustrator of The Story of Ferdinand and Mr. Popper’s Penguins. CLANG! THUMP! WHOOSH! BANG! The big city is a noisy place. But the little woman doesn’t mind, the big city is her home. Then one day she is given a wonderful gift, a “pleasant, peaceful farm” in the country. The farm is nearly perfect—only with all the quiet, the little woman can’t relax. So she buys a cow, she buys a dog, a cat and a duck, a rooster, a pig. Now the farm is noisy indeed. Still, something’s missing. She decides to return to the city for that one special thing she knows will make her farm feel just like home. And by the end of her tale the little woman is happy to find that even though she has no rest, she has peace of mind. Published only seven years after The Story of Ferdinand, The Little Woman Wanted Noise shows Robert Lawson at the peak of his talent and contains some of the most stunning and innovative black-and-white drawings in all of American picture-book history. They are the joyous accompaniment to Val Teal’s story, which reminds us that a life without a little chaos is no life at all.
The poems in Sylvia Plath's Ariel, including many of her best-known such as 'Lady Lazarus', 'Daddy', 'Edge' and 'Paralytic', were all written between the publication in 1960 of Plath's first book, The Colossus, and her death in 1963. 'If the poems are despairing, vengeful and destructive, they are at the same time tender, open to things, and also unusually clever, sardonic, hardminded . . . They are works of great artistic purity and, despite all the nihilism, great generosity . . . the book is a major literary event.' A. Alvarez in the ObserverThis beautifully designed edition forms part of a series with five other cherished poets, including Wendy Cope, Don Paterson, Philip Larkin, Simon Armitage and Alice Oswald.
Explains how, long ago, a bridge was built almost overnight, across the Loire River at Beaugency, France. The bridge is still standing today.
Small time America...a college student...organised crime - and murder. A brilliantly dark tale from the noir master 'The best suspense writer going, bar none' NEW YORK TIMES 'My favorite crime novelist - often imitated but never duplicated' Stephen King 'The master of the American groin-kick novel' VANITY FAIR Under the guise of a college student, Carl Bigelow moves into a small town and into the life of Jake Winroy, a one-time crook who now plans to testify against an organised crime figure. The tricky thing is to kill Jake without making it look like a hit. But Jake's wife is more than willing to help Carl with anything he requires...
With intimacy and humour award-winning poet Ariel Gordon walks us through the streets of Winnipeg and into the urban forest that is, to her, the city's heart. Along the way she shares with us the lives of these urban trees, from the grackles and cankerworms of the spring, to the flush of mushrooms on stumps in the summer and through to the red-stemmed dogwood of the winter. After grounding us in native elms and ashes, Gordon travels to BC's northern Rockies, to Banff National Park and a cattle farm in rural Manitoba, and helps us to consider what we expect of nature. Whether it is the effects of climate change on the urban forest or foraging in the city, Dutch elm disease in the trees or squ...