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'Although he writes about queer lives and loves in Nigeria, Arinze Ifeakandu's voice is sensually alert to the human and universal in every situation. These quietly transgressive stories are the work of a brilliant new talent' DAMON GALGUT, Booker Prize-winning author of The Promise 'Contemporary love stories with moments of real surprise and revelation' BRANDON TAYLOR, author of Real Life 'Gorgeous... A hugely impressive collection, full of subtlety, wisdom and heart' SARAH WATERS, author of Fingersmith 'Captures the tenderness and tumult of queer love, familial love, self-love, and the many ways love elates and eludes us.... Masterful. What a glorious collection!' DEESHA PHILYAW, author of...
When twelve-year-old Onyeka discovers that she has psychokinetic powers, her mother reveals that she is Solari, part of a secret group of Nigerian mutants that trains at the Academy of the Sun.
After Caravaggio -- Elegies. Room 406; Mama's shroud; Four elegies; two elegies; A letter ot John Berger; A quartet for Edward Said -- Shadows. Gossamer world : on Santu Mofokeng; An incantation for Marie Cosindas; Pictures in the aftermath; Shattered glass; What does it mean to look at this?; A crime scene at the border; Shadow cabinet : on Kerry James Marshall; Nighted color : on Lorna Simpson; The blackness of the panther; Restoring the darkness -- Coming to our senses. Experience; Epiphany; Ethics -- In a dark time. A time for refusal; Resist, refuse; Through the door; Passages north; On carrying and being carried -- Epilogue. Black paper.
'A dazzling and joyous celebration' i-D 'Dazzling . . . East Side Voices is a thoughtful, painful reminder of the grand narratives that get buried under belittling stereotypes' Bidisha, Observer In this bold, first-of-its kind collection, East Side Voices invites us to explore a dazzling spectrum of experience from the East and Southeast Asian diaspora living in Britain today. Showcasing original essays and poetry from well-known celebrities, prize-winning literary stars and exciting new writers, East Side Voices takes us many places: from the frontlines of the NHS in the midst of the Covid pandemic, to the set of a Harry Potter film, from a bustling London restaurant to a spirit festival in...
Ogadinma Or, Everything Will be All Right is a tale of departure, loss and adaptation; of mothers whose experience at the hands of controlling men leave them with burdens they find too much to bear. After an unwanted pregnancy leaves her exiled from her family in Kano, thwarting her plans to go to university, seventeen-year-old Ogadinma is sent to her aunt's in Lagos. When a whirlwind romance with an older man descends into indignity, she is forced to channel her strength and resourcefulness to escape a fate that appears all but inevitable. A feminist classic in the making, Ukamaka Olisakwe's sophomore novel introduces a heroine for whom it is impossible not to root and announces the author ...
When Ifiok travels to his hometown to do a documentary on some ex-militants' apparent redemption, a tragi-comic series of events will make him realise he is unable to swim against the tide of corruption in this satirical portrait of (post) post-colonial Nigeria.
Rediscover the diversity of modern African literatures with this authoritative resource edited by a leader in the field How have African literatures unfolded in their rich diversity in our modern era of decolonization, nationalisms, and extensive transnational movement of peoples? How have African writers engaged urgent questions regarding race, nation, ethnicity, gender, and sexuality? And how do African literary genres interrelate with traditional oral forms or audio-visual and digital media? A Companion to African Literatures addresses these issues and many more. Consisting of essays by distinguished scholars and emerging leaders in the field, this book offers rigorous, deeply engaging di...
To define Nigeria is to tell a half-truth. Many have tried, but most have concluded that it is impossible to capture the true scope and significance of Africa’s most populous nation through words or images.
Poems on Black joy, masculinity, and the music that transforms a space into a home Jorrell Watkins's debut poetry collection is a polyvocal, musically charged disruption of the United States's fixation on drug and gun culture. The poems in Play|House embody many identities, including son, brother, fugitive, bluesman, karate practitioner, and witness. Throughout, Watkins inflects a Black/trap vernacular that defamiliarizes the urban Southern landscape. Across three sections of poetry scored by hip-hop, blues, and trap, Watkins considers how music is a dwelling and wonders which histories, memories, and people haunt each home. Past figures such as John Coltrane, Billie Holiday, and the short-lived 1940s trio Day, Dawn & Dusk intermingle with Migos, the Watkins family, childhood friends, and loved ones both parted and departed. At its core, Play|House reckons with the truths and failures of masculinity for Black boys and men, all the while documenting moments of triumphant Black joy and love.