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Gendering Awakening
Who is the hero-subject, who the object to be awakened? What ordeals must the hero suffer to become a New Man? Will the New Women awake and speak? What is woman's symbolic place? How is it constructed? What happens to the sexual difference in the evolutionary Utopia of the 'new' dawn with woman as a rational subject? How do women define the 'new' femininity? These are questions, that Gendering awakening deals with. The great modernization process in Russia in the 1860s is recast by the work through the discourse of gender.
Water in Social Imagination
Water in Social Imagination studies meanings of water in cultural and environmental contexts, from medieval Stockholm to post-Soviet Russia. Authors consider both state policy and modern technologies along with creative resistance to the exploitative imagination.
Models of Self
How do Russian women represent themselves in life-writing and life stories? Are there any general models of selves? Can autobiography be a genre for women? These and other related questions are discussed in this book featuring contributions from scholars in both East and West. The authors discuss images of female subjectivity in Russian women's autobiographical texts from the early 19th century until the present. The contributors analyse the diverse models of self that Russian women have constructed in diaries, memoirs, correspondence, autobiographical portraits, and self-writing through fiction and poetry.
Russian Mass Media and Changing Values
This book provides a multi-faceted picture of the many complex processes taking place in the field of contemporary Russian media and popular culture. Russian social and cultural life today is strongly individualised and consumers are offered innumerable alternatives; but at the same time options are limited by the new technologies of control which are a key feature of Russian capitalism. Based on extensive original research by scholars in both Russia itself and in Finland, the book discusses new developments in the media industry and assesses a wide range of social and cultural changes, many of which are related to, and to an extent generated by, the media. The book argues that the Russian m...
Displacement and (Post)memory in Post-Soviet Women’s Writing
The book examines prominent literary works from the past two decades by Russian women writers dealing with the Soviet past. It explores works such as Daniel Stein, Interpreter by Ludmilla Ulitskaya, The Time of Women by Elena Chizhova, Secondhand Time: The Last of the Soviets by Svetlana Alexievich, and In Memory of Memory by Maria Stepanova, and uncovers connecting thematic structures and features. Focusing on the concepts of displacement and postmemory, the book shows how these works have given voice to those on the margins of society and of ‘great history’ whose resistance was often silent. In doing so, these women writers portray the everyday experiences and trauma of displaced women and girls during the second half of the twentieth century. This study offers new insights into the importance of these women writers’ work in creating and preserving cultural memory in post-Soviet Russia.
Masquerade and Femininity
Masquerade and Femininity: Essays on Russian and Polish Women Writers introduces the reader to the diversity of women’s writing in Poland and Russia in the 19th and 20th centuries in the light of the notion of masquerade. The present articles scrutinize particular works by women writers (Nadezhda Dmitrievna Khvoshchinskaia, Irina Odoevtseva, Vera Pavlova, Narcyza Żmichowska, Maria Komornicka, Irena Krzywicka and others) and the strategies of masquerading female experience. Taken together, the articles draw attention to the feeling of an inexpressible gap between the living body (and its everyday life experience of pain and suffering or happiness and pleasure) and the culturally constructe...
Narrative, Space and Gender in Russian Fiction: 1846-1903
The present volume has as its primary aim readings, from a feminist perspective, of a number of works from Russian literature published over the period in which the ‘woman question’ rose to the fore and reached its peak. All the works considered here were produced in, or hark back to, a fairly narrowly defined period of not quite 20 years (1846-1864) in which issues of gender, of male and female roles were discussed much more keenly than in perhaps any other period in Russian literature. The overall project is summed up by the three key words of this book’s title, narrative, space and gender, and, especially, the interconnections between them. That is, what do the way these stories were told tell us about gender identities in mid-nineteenth-century Russia? Which spaces were central to these fictional worlds? Which spaces suggested which gender identities? The discussions therefore focus on issues of narrative and space, and how they acted as ‘technologies of gender’. This volume will be of interest to all interested in nineteenth-century Russian literature, as well as students of gender, and of the semiotics of narrative space.
Visual Representations of the Arctic
Privileging the visual as the main method of communication and meaning-making, this book responds critically to the worldwide discussion about the Arctic and the North, addressing the interrelated issues of climate change, ethics and geopolitics. A multi-disciplinary, multi-modal exploration of the Arctic, it supplies an original conceptualization of the Arctic as a visual world encompassing an array of representations, imaginings, and constructions. By examining a broad range of visual forms, media and forms such as art, film, graphic novels, maps, media, and photography, the book advances current debates about visual culture. The book enriches contemporary theories of the visual taking the Arctic as a spatial entity and also as a mode of exploring contemporary and historical visual practices, including imaginary constructions of the North. Original contributions include case studies from all the countries along the Arctic shore, with Russian material occupying a large section due to the country’s impact on the region
Finding the Middle Ground
An examination of two influential women writers in the mid-nineteenth century which challenges many common assumptions about the development of the Russian literary tradition
Cold Waters
This book addresses the Arctic and the northern regions by exploring cold waters and northern seascapes. It focuses on cultural discourses and artistic representations concerning the human experience and imagination of how the Arctic Ocean has been explored and used. It aims to assess what is specific to the northern waters vis-à-vis other sea and water areas in the world. The contextual background is provided by the fundamental shift from terra-based thinking towards aqua-based thinking, including the histories of the northern waters and the innovative ocean studies of the last decades. This book will be of interest to readers in Arctic studies and Sea and Ocean studies (including those wi...
