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Alan Arkin, one of the most beloved and accomplished actors of our time, reveals a side of himself not often shown on stage or screen. Like many teenagers, 16-year-old Alan Arkin had it all figured out. Then came young adulthood, and with it a wave of doubt so strong it caused him to question everything he thought he knew about himself and the world. Ever skeptical and full of questions, Arkin embarked on a spiritual journey to find something—anything—to believe in. An existential crisis in his 30s led him to the study of Eastern philosophy. Soon he began opening himself to the possibility that there was more to life than what he had simply seen, heard, or been taught. In this "mini-memoir," the 84-year-old actor shares his powerful spiritual experiences, from his brush with reincarnation to the benefits of meditation. In a gruff, earthy voice that sounds more suited to a New York cabbie than a spiritual guide, he shows us that wisdom can come from the most unexpected places and teachers. Out of My Mind is a candid, relatable, and delightfully irreverent take on how one man went searching for meaning and ended up discovering himself.
Alan Arkin knew he was going to be an actor from the age of five: "Every film I saw, every play, every piece of music fed an unquenchable need to turn myself into something other than what I was." An Improvised Life is the Oscar winner's wise and unpretentious recollection of the process--artistic and personal--of becoming an actor, and a revealing look into the creative mind of one of the best practitioners on stage or screen. In a manner that is direct, down-to-earth, accessible, and articulate, Arkin reveals insights not only about himself (and his audience and students), but also truths for the rest of us about work, relationships, and sense of self.
Alan Arkin knew he was going to be an actor from the age of five: "Every film I saw, every play, every piece of music fed an unquenchable need to turn myself into something other than what I was." An Improvised Life is the Oscar winner's wise and unpretentious recollection of the process--artistic and personal--of becoming an actor, and a revealing look into the creative mind of one of the best practitioners on stage or screen. In a manner that is direct, down-to-earth, accessible, and articulate, Arkin reveals insights not only about himself (and his audience and students), but also truths for the rest of us about work, relationships, and sense of self.
Foreword by Michael Arbib This introduction to the principles, design, and practice of intelligent behavior-based autonomous robotic systems is the first true survey of this robotics field. The author presents the tools and techniques central to the development of this class of systems in a clear and thorough manner. Following a discussion of the relevant biological and psychological models of behavior, he covers the use of knowledge and learning in autonomous robots, behavior-based and hybrid robot architectures, modular perception, robot colonies, and future trends in robot intelligence. The text throughout refers to actual implemented robots and includes many pictures and descriptions of hardware, making it clear that these are not abstract simulations, but real machines capable of perception, cognition, and action.
Expounding on the results of the author's work with the US Army Research Office, DARPA, the Office of Naval Research, and various defense industry contractors, Governing Lethal Behavior in Autonomous Robots explores how to produce an "artificial conscience" in a new class of robots, humane-oids, which are robots that can potentially perform more et
During the course of her fieldwork in Paris, anthropologist Kimberly Arkin heard what she thought was a surprising admission. A French-born, North African Jewish (Sephardi) teenage girl laughingly told Arkin she was a racist. When asked what she meant by that, the girl responded, "It means I hate Arabs." This girl was not unique. She and other Sephardi youth in Paris insisted, again and again, that they were not French, though born in France, and that they could not imagine their Jewish future in France. Fueled by her candid and compelling informants, Arkin's analysis delves into the connections and disjunctures between Jews and Muslims, religion and secular Republicanism, race and national ...
First published in 1982. Routledge is an imprint of Taylor & Francis, an informa company.
A stunning exploration of the subtle erosion of freedom in an age of concocted fear and de facto military authority. When we think of a military coup, the first image that comes to mind is a general, standing at a podium with a flag behind him, declaring the deposing of elected leaders and the institution of martial law. Think again. In American Coup, William Arkin reveals the desk-bound takeover of the highest reaches of government by a coterie of "grey men" of the national security establishment. Operating between the lines of the Constitution, this powerful and unelected group fights to save the nation from "terror" and weapons of mass destruction while at the same time modifying and undermining the very essence of the country. Many books are written about secrecy, surveillance, and government law-breaking; none so powerfully expose the truth of everyday life in this state of war.