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Alyda’S Bluff
It is the summer of 1972, and writer Rianne Tavener returns to the seaside village of Port Carlyle, Nova Scotia, her childhood home. Owen Sweeney, an eccentric museum curator and guardian of the local burying ground, hires Rianne to oversee projects for the villages upcoming bicentennial celebrations. He shows her the damaged Victorian-era journal of the young woman who is buried beneath the graveyards most distinctive headstone. Alyda Teasdale was seventeen and unmarried in 1897, the year she and her newborn baby died under mystifying circumstances. Intrigued by the journal, Rianne carefully reconstructs its entries. She traces Alydas history as the young woman grieves the loss of her sea c...
Sex, Lies, and Cigarettes
A cultural and historical investigation into why women smoke.
Hard Oiler!
A hard-luck Yankee fortune seeker. A Hamilton wagon maker hoping to sell cars to the new railways. A howling swamp so isolated and foul that pioneer farmers had steered it a wide miss. An unlikely trio indeed. And yet these three seemingly unconnected elements came together at just the right moment in time, to create one of the great but little known stories of Canada’s early years. Hard Oiler! is the story of how oil was discovered near Sarnia, Ontario, one hundred and forty years ago, and how the subsequent exploitation of that oil gave birth to what is arguably the world’s most important industry today. This great Canadian milestone can be traced back to the summer of 1858 when James ...
Picturing the Land
The vast Canadian landscape has captured the imagination of visual artists since the first European contact. Although artistic engagement with the landscape has a long history, some periods have drawn considerable critical attention, while others have been left almost unexamined. Picturing the Land surveys work from coast to coast, from the earliest maps to postwar painting in English and French Canada, To provide a comprehensive view of Canadian landscape art. Emphasizing the ways in which social, economic, and political conditions determine representation, Marylin McKay moves beyond canonical images and traditional nationalistic interpretations by analyzing Canadian landscape art in relation to different concepts of territory. Taking an expansive and inclusive perspective on Canadian landscape art, McKay depicts this tradition in all its diversity and draws it into the larger body of Western landscape art, broadening the horizon of future study, appreciation, and criticism. Richly illustrated and filled with sophisticated and innovative commentary, Picturing the Land provides new and distinct histories of the landscape art of French and English Canada.
Literature and Painting In Quebec
This unique study explores how Quebec's landscapes have been represented in both literature and visual art throughout the centuries, from the writing of early explorers such as Cartier and Champlain to work by prominent contemporary authors and artists from the province. William J. Berg traces recurrent images and themes within these creations through the most significant periods in the development of a Quebecois identity that was threatened initially by the wilderness and indigenous populations, and later by the dominance of British and American influences. Focusing on the interplay between nature and culture in landscape representation, Literature and Painting in Quebec contends that both have reflected and fashioned the meaning of French-Canadian nationhood. As such, Literature and Painting in Quebec presents a new perspective to approach the notion of national identity, a quest that few groups have engaged in more persistently than the Quebecois.
The Fleming Files
The Fleming Files: Allan Fleming's Life and Works delves into the wide-ranging body of work produced by Canadian graphic designer Allan Fleming. His designs, familiar not only to typophiles, have become part of the Canadian landscape, from the iconic CN Rail logo to stamps for Canada Post. This edition, which containes over 55 photographs, illustrates the personal and professional life of one of Canada's most influential graphic designers.
Aesthetic Practices and Politics in Media, Music, and Art
This volume analyzes innovative forms of media and music (art installations, television commercials, photography, films, songs, telenovelas) to examine the performance of migration in contemporary culture. Though migration studies and media studies are ostensibly different fields, this transnational collection of essays addresses how their interconnection has shaped our understanding of the paradigms through which we think about migration, ethnicity, nation, and the transnational. Cultural representations intervene in collective beliefs. Art and media clearly influence the ways the experience of migration is articulated and recalled, intervening in individual perceptions as well as public po...
The Great Canadian Book of Lists
Chronicles a century of achievements, trends, important and influential people, and events that have shaped this country.
I'm Not Myself at All
Notions of identity have long structured women’s art. Dynamics of race, class, and gender have shaped the production of artworks and oriented their subsequent reassessments. Arguably, this is especially true of art by women, and of the socially engaged criticism that addresses it. If identity has been a problem in women’s art, however, is more identity the solution? In this study of nineteenth- and early twentieth-century art in Canada, Kristina Huneault offers a meditation on the strictures of identity and an exploration of forces that unsettle and realign the self. Looking closely at individual artists and works, Huneault combines formal analysis with archival research and philosophica...
This Is Not a Hoax
This Is Not a Hoax shows how the work of some contemporary artists and writers intentionally disrupts the curatorial and authorial practices of the country’s most respected cultural institutions: art galleries, museums, and book publishers. This first-ever study of contemporary Canadian hoaxes in visual art and literature asks why we trust authority in artistic works and how that trust is manifest. This book claims that hoaxes, far from being merely lies meant to deceive or wound, may exert a positive influence. Through their insistent disobedience, they assist viewers and readers in re-examining unquestioned institutional trust, habituated cultural hierarchies, and the deeply inscribed racism and sexism of Canada’s settler-colonial history. Through its attentive look at hoaxical works by Canadian artists Iris Häussler, Brian Jungen, and Rebecca Belmore, photographer Jeff Wall, and writers and translators David Solway and Erin Mouré, this book celebrates the surprising ways hoaxes call attention to human capacities for flexibility, adaptation, and resilience in a cultural moment when radical empathy and imagination is critically needed.
