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The Fleming Files: Allan Fleming's Life and Works delves into the wide-ranging body of work produced by Canadian graphic designer Allan Fleming. His designs, familiar not only to typophiles, have become part of the Canadian landscape, from the iconic CN Rail logo to stamps for Canada Post. This edition, which containes over 55 photographs, illustrates the personal and professional life of one of Canada's most influential graphic designers.
Mobile Museums presents an argument for the importance of circulation in the study of museum collections, past and present. It brings together an impressive array of international scholars and curators from a wide variety of disciplines – including the history of science, museum anthropology and postcolonial history - to consider the mobility of collections. The book combines historical perspectives on the circulation of museum objects in the past with contemporary accounts of their re-mobilisation, notably in the context of Indigenous community engagement. Contributors seek to explore processes of circulation historically in order to re-examine, inform and unsettle common assumptions abou...
Frankie Valen's autobiography, "Chasing An Illusive Dream," is a story that contains the drama and pathos that inspired the old cliché, "Truth is stranger than fiction." This story of a pop-singer is about fame and the loss of it, separation from family and children, and a dramatic return to the Lord. "Frankie's story is a story of rags to riches to rags that started back in 1967 but left him with an enduring celebrity status." Linda Stinnett, Derby, KS Informer. This book will help give the reader his family history, and the story of the mistakes and accomplishments he made, and the incredible journey he took. His feelings of rejection at every turn, the constant fear of never being accept...
Chief among its contents we find abstracts of land grants, court records, conveyances, births, deaths, marriages, wills, petitions, military records (including a list of North Carolina Officers and Soldiers of the Continental Line, 1775-1782), licenses, and oaths. The abstracts derive from records now located in the state archives and from the public records of the following present-day counties of the Old Albemarle region: Beaufort, Bertie, Camden, Chowan, Currituck, Dare, Gates, Halifax, Hyde, Martin, Northampton, Pasquotank, Perquimans, Tyrrell, and Washington, and the Virginia counties of Surry and Isle of Wight.
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The large-scale building projects of artists Martha Fleming & Lyne Lapointe are legendary in certain circles. And yet, because of the independent nature of their production, a comprehensive overview of this seminal work has not yet been published. This book fills that gap. A document, a bookwork, a manifesto, Studiolo explores the extensive and varied creative process of this collaborative pair. It covers not only the site works produced for entire abandoned buildings in Montréal and New York City, but also the discursive underpinnings of their fifteen-year practice. The artists' image research and aesthetic are part and parcel of showing and telling in Studiolo - itself a work of art.
Knocka-knocka-knocka! That's the sound of three little bunnies on Mr. McGreely's doorstep, begging to come inside for the winter. But while Mr. McGreely shared his carrots with the bunnies last summer, he has no intention of sharing his house! So... Hammer Bam! Smack Slam! That's the sound of Mr. McGreely boarding up his windows to keep the bunnies out in the cold where they belong! The trouble is, no matter what Mr. McGreely does, the pesky pufftails have a way of sneaking inside -- and taking his things to make a warm, cozy nest for themselves. Will Mr. McGreely ever get the best of these infuriating flopears? The three wily bunnies from Muncha! Muncha! Muncha! return in a sequel that's even funnier than their first adventure.
The Neoliberal Undead describes the frightening world of class restoration, neoliberal austerity, ecological meltdown, and neo-imperialism a disaster capitalism that breeds mutant ideological justifications for itself and the inevitability of disorder, poverty and suffering. What role does culture play in this world of markets and how do new contestatory forms enable a leftist solidarity that can move cultural radicalism beyond the postmodern obsession with new subjectivities? Rather than become the symptoms of democratic materialism, signing up for endless culture wars, The Neoliberal Undead argues for a rethinking of radical cultural leftism against the terms of the dominant global situation. The relentless reduction of art criticism and art production under capitalist relations requires that the living separate themselves from the abstractions of globalization and reconnect with revolutionary theory. ,
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