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Arno and His Horse
Arno had a horse, it was brown and it was black. He took it with him everywhere, but did he bring it back? When Arno loses his precious toy horse, all the kids in town help him to look for it. They look everywhere, but will Arno ever see his horse again? A touching story about memory, dreams, and the mysterious ways we feel connected to those we love.
Peter Arno
In the summer of 1925, The New Yorker was struggling to survive its first year in print. They took a chance on a young, indecorous cartoonist who was about to give up his career as an artist. His name was Peter Arno, and his witty social commentary, blush-inducing content, and compositional mastery brought a cosmopolitan edge to the magazine’s pages—a vitality that would soon cement The New Yorker as one of the world’s most celebrated publications.
Arno Schmidt's Zettel's Traum: An Analysis (Studies in German Literature, Linguistics, and Culture)
Arno Schmidt (1914-1979) is considered one of the most daring and influential writers of postwar Germany; the Germanist Jeremy Adler has called him a "giant of postwar German literature." Schmidt was awarded the Fontane Prize in 1964 and the Goethe Prize in 1973, and his early fiction has been translated into English to high critical acclaim, but he is not a well-known figure in the English-speaking world, where his complex work remains at the margins of critical inquiry. Volker Langbehn's book introduces Schmidt to the English-speaking audience, with primary emphasis on his most famous novel, Zettel's Traum. One reviewer called the book an "elephantine monster" because of its unconventional...
The Comic Worlds of Peter Arno, William Steig, Charles Addams, and Saul Steinberg
Iain Topliss presents a scholarly study of the drawings by Peter Arno, William Steig, Charles Addams & Saul Steinberg that have graced the pages of the New Yorker magazine.
The Lily of the Arno
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Arno
Depuis 40 ans, Danny Willems photographie le chanteur Arno. Leur amitié a débuté avant même que le rockeur belge soit connu du public. Arno dit de son ami qu'il est le seul photographe en qui il peut vraiment " avoir confiance ". Accompagnant la sortie du nouvel album d'Arno, en mars 2010 chez naïve, ce livre rassemble pour la première fois l'ensemble des photographies qui ont ponctué la carrière de l'artiste et la complicité des deux amis. L'objectif de Danny Willems réussit à saisir les différents visages d'Arno, parfois très inattendus, avec ses mises en scène, ses outrances joyeuses et pleines d'énergie mais aussi dans des moments d'abandon, de simplicité plus mélancoliq...
Val D'Arno
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