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German Colonialism, Visual Culture, and Modern Memory
Investigating visual communication and mass culture, print culture and suggestive racial politics, racial aesthetics, racial politics and early German film, racial continuity and German film, and photography, this title offers an evidence of a German society between 1884 and 1919 that produced vibrant and heterogeneous cultures of colonialism.
History Made Conscious
How History has changed in the half-century since the 1960s During the last fifty years, the writing of history underwent two massive transformations. First, powered by Marxism and other materialist sociologies, the great social history wave instated the value of social explanation. Then, responding to new theoretical debates, the cultural turn upset many of those freshly earned certainties. Each challenge was profoundly informed by politics, from issues of class, gender, and race to those of identity, empire, and the postcolonial. The resulting controversies brought historians radically changed possibilities, expanding subject matters, unfamiliar approaches, greater openness to theory and other disciplines, a new place in the public culture. History Made Conscious offers snapshots of a discipline continuously rethinking its charge. How might we understand "the social" and "the cultural" together? How do we collaborate most fruitfully across disciplines? If we take theory seriously, how does that change what historians do? How should we think differently about politics?
German Colonialism
Mohammad Salama teaches Arabic in the Department of Foreign Languages and Literatures at San Francisco State University. --Book Jacket.
Purging the Empire
While the fate of minorities under Nazism is well known, the earlier expulsions of Germany's unwanted residents are less well understood. Against a backdrop of raging public debate, and numerous claims of a 'state of exception', tens of thousands of vulnerable people living in the German Empire were the victims of mass expulsion orders between 1871 and 1914. Groups as diverse as Socialists, Jesuits, Danes, colonial subjects, French nationalists, Poles, and 'Gypsies' were all removed, under circumstances that varied from police actions undertaken by provincial governors through to laws authorising removals passed by the Reichstag. Purging the Empire examines the competing voices demanding the...
Heinrich Mann's Novels and Essays
The first full-length study in English of Heinrich Mann's literary work and political activism. Heinrich Mann, once counted among the most important literary figures in Germany, is known to most English-speaking readers only as the brother of Thomas Mann, or in connection with Marlene Dietrich and the film "The Blue Angel,"which was based on one of his novels. Only a few of his novels and stories and virtually none of his hundreds of provocative essays are available in English. But he deserves special attention for the window his work provides ontothe intellectual, social, and political history of Germany, especially Germany's struggle with the question of democracy in the early twentieth ce...
The Jazz Republic
Reveals the wide-ranging influence of American jazz on German discussions of music, race, and culture in the early twentieth century
Documenting Socialism
More than 30 years after the collapse of the German Democratic Republic, its cinema continues to attract scholarly attention. Documenting Socialism moves beyond the traditionally analyzed "feature film production" and places East Germany's documentary cinema at the center of history behind the Iron Curtain. Between questions of gender, race and sexuality and the complexities of diversity under the political and cultural environments of socialism, the specialist contributions in this volume cohere into an introductory milestone on documentary film production in the GDR.
War and Childhood in the Era of the Two World Wars
This innovative book reveals children's experiences and how they became victims and actors during the twentieth century's biggest conflicts.
Italian Fascism's Empire Cinema
Ruth Ben-Ghiat provides the first in-depth study of feature and documentary films produced under the auspices of Mussolini’s government that took as their subjects or settings Italy’s African and Balkan colonies. These "empire films" were Italy's entry into an international market for the exotic. The films engaged its most experienced and cosmopolitan directors (Augusto Genina, Mario Camerini) as well as new filmmakers (Roberto Rossellini) who would make their marks in the postwar years. Ben-Ghiat sees these films as part of the aesthetic development that would lead to neo-realism. Shot in Libya, Somalia, and Ethiopia, these movies reinforced Fascist racial and labor policies and were largely forgotten after the war. Ben-Ghiat restores them to Italian and international film history in this gripping account of empire, war, and the cinema of dictatorship.
The Kaiser and the Colonies
Many view Kaiser Wilhelm II as having personally ruled Germany, dominating its politics, and choreographing its leap to global power, but The Kaiser and the Colonies shows that he played a surprisingly muted role in the German Empire in contrast to the lively, varied, innovative responses to German imperialism from monarchs around the world.
