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Aus Nächster Nähe. English. 1970
Arnold Brecht witnessed and participated in the course of German history from the late 19th century to the present. Serving under seven Reich chancellors, he became acting Secretary of State, and was finally removed from office by Hitler in 1933. This is an absorbing account of these momentous years: a Germany preoccupied with conquest, the catastrophe of World War I, the nerve-wracking decisions of the Armistice, the fateful Kapp Putsch, the failures of the Weimar Republic, the tragedy of the death of Rathenau and the ensuing swing to the Right. Professor Brecht depicts in detail the social milieu of pre-war Germany and the political decisions—internal and external—of a country abased b...
Political Education of Arnold Brecht
Arnold Brecht witnessed and participated in the course of German history from the late 19th century to the present. Serving under seven Reich chancellors, he became acting Secretary of State, and was finally removed from office by Hitler in 1933. This is an absorbing account of these momentous years: a Germany preoccupied with conquest, the catastrophe of World War I, the nerve-wracking decisions of the Armistice, the fateful Kapp Putsch, the failures of the Weimar Republic, the tragedy of the death of Rathenau and the ensuing swing to the Right. Professor Brecht depicts in detail the social milieu of pre-war Germany and the political decisions--internal and external--of a country abased bef...
Prelude to Silence
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Political Theory
In this distinguished work Arnold Brecht, who served under more than a dozen German Chancellors and whose work in defense of democracy received recognition by the Adenauer government in 1953, surveys the philosophical and scientific foundations of political theory in the twentieth century. His wide-ranging treatise sweeps over the entire scope of this century's contributions, including the philosophical, juridical, scientific, sociological, methodological, and historical. The book is a pioneering effort toward an integrated presentation, a first attempt to offer a comprehensive modern political theory. The aim is both a systematic presentation and a full description of the recent genesis of ...
Brecht at the Opera
From an award-winning author, the first thorough examination of the important influence of opera on Brecht’s writings. Brecht at the Opera looks at the German playwright's lifelong ambivalent engagement with opera. An ardent opera lover in his youth, Brecht later denounced the genre as decadent and irrelevant to modern society even as he continued to work on opera projects throughout his career. He completed three operas and attempted two dozen more with composers such as Kurt Weill, Paul Hindemith, Hanns Eisler, and Paul Dessau. Joy H. Calico argues that Brecht's simultaneous work on opera and Lehrstück in the 1920s generated the new concept of audience experience that would come to define epic theater, and that his revisions to the theory of Gestus in the mid-1930s are reminiscent of nineteenth-century opera performance practices of mimesis.
The Making Of
Peterson, a moderately successful artist, is finally given a chance to shine at the Beerpoele biennial festival. However, upon arrving in the village, he realises the festival is a little more amateur and its organisers a little more laid-back than he had expected. Still hoping for his fifteen minutes of fame, Peterson takes matters into his own hands and tries to rally the other participants with a grandiose project. It will not go to plan. The Making Of is a graphic novel like no other. It explodes from the confines of the page with the unique and unmistakable style that has made Brecht Evens an international sensation.
Weimar on the Pacific
In the 1930s and '40s, LA became a cultural sanctuary for a distinguished group of German artists and intellectuals - including Thomas Mann, Theodor W. Adorno, Bertolt Brecht, Fritz Lang, and Arnold Schoenberg - who were fleeing Nazi Germany. This book is the first to examine their work and lives.
Philosophizing Brecht
This anthology unites scholars from varied backgrounds with the notion that the theories and artistic productions of Bertolt Brecht are key missing links in bridging diverse discourses in social philosophy, theatre, consciousness studies, and aesthetics. It offers readers interdisciplinary perspectives that create unique dialogues between Brecht and important thinkers such as Althusser, Anders, Bakhtin, Benjamin, Godard, Marx, and Plato. While exploring salient topics such as consciousness, courage, ethics, political aesthetics, and representations of race and the body, it penetrates the philosophical Brecht seeing in him the never-ending dialectic—the idea, the theory, the narrative, the character that is never foreclosed. This book is an essential read for all those interested in Brecht as a socio-cultural theorist and for theatre practitioners. Contributors: Kevin S. Amidon, José María Durán, Felix J. Fuch, Philip Glahn, Jim Grilli, Wolfgang Fritz Haug, Norman Roessler, Jeremy Spencer, Anthony Squiers, Peter Zazzali.
