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Breaking with Tradition
This survey of young Belarusian prose is in many ways a sequel to Spring Shoots. It follows the same pattern of thematically arranged chapters, but makes less attempt to treat writers in only one chapter, preferring to allow some writers’ works to appear in several different parts of the book. The scope is only short prose (apaviadańni, apovieści), and, once again, debut writers rub shoulders with those of greater experience. The aim of the book is to show some of the variety and imagination that young prose writers bring to their work, and to illustrate a pragmatic selection of some of the topics in which they are interested. Naturally, some of the themes are far from country-specific (Love and sex; People and animals; Religion and philosophy) whilst others are highly relevant to contemporary Belarus (Leadership and the country; Writing; and History), although all literature written in an oppressed and neglected language is in itself very important for the development of national culture and consciousness.
Two Hundred Years of Pushkin
Pushkin's status as Russia's national poet rests as much on the breadth of his cultural influence as on the intrinsic quality of his works. Pushkin's Legacy reflects in various ways the areas in which this influence has been felt. Part I considers some of the key factors in defining Pushkin for posterity, in particular the crucial role played by the critic Belinskii and the problematics of periodising Pushkin. Part II examines the richness of Pushkin's poetics, including the ways in which his work challenged the established boundaries between poetry and prose. Part III examines Russian music's debt to Pushkin and vice versa: Russian music's role in popularising his works. Part IV examines Pu...
Under Eastern Eyes
This collection of essays concerns perceptions of the West as reflected in the work of Russian writers of the Third Wave of emigration. The authors include several well-known writers such as Aksenov, Gladilin, Zinik and Loseff as well as Soviet and Western scholars, and the result is both varied and surprising: in the light it throws on the Russian mentality, on the phenomenon of exile and on aspects of the West. It will interest students of contemporary literature, of the Soviet mentality, and of exile in general.
Spring Shoots: Young Belarusian Poets in the Early Twenty-First Century
Spring Shoots introduces individually the early work of two score young Belarusian poets, all of whom began writing a fter the start of the present regime. This is the first such survey in any language, including Belarusian. All poetic illustrations are cited in the original and accompanied by English prose translations. The poets’ work is presented in eight loosely thematic groups: the historical heritage, religion, protest at alienation and repression, use and defence of the language, the lyrical impulse, humour, performance poetry and the theme of writing itself and poetic inspiration. Also very important in these poems are the joys and tribulations of love. By using the Belarusian l...
Reconstructing the Canon
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
The Journal of Belarusian Studies
Established in 1965, the Journal of Belarusian Studies is the oldest English language periodical on Belarus. It covers Belarusian literature, linguistics, history and art as well as reviews of books and internet resources.
Changing Places
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Russian and Soviet Views of Modern Western Art, 1890s to Mid-1930s
From the first Modernist exhibitions in the late 1890s to the Soviet rupture with the West in the mid-1930s, Russian artists and writers came into wide contact with modern European art and ideas. Introducing a wealth of little-known material set in an illuminating interpretive context, this sourcebook presents Russian and Soviet views of Western art during this critical period of cultural transformation. The writings document complex responses to these works and ideas before the Russians lost contact with them almost entirely. Many of these writings have been unavailable to foreign readers and, until recently, were not widely known even to Russian scholars. Both an important reference and a valuable resource for classrooms, the book includes an introductory essay and shorter introductions to the individual sections.
