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Eyes as Big as Plates is an ongoing collaborative photography and sculpture project by Norwegian-Finnish artist duo Karoline Hjorth and Riitta Ikonen (both born 1980). Initially a play on characters from Nordic folklore, the series has evolved into a search for the human connection to nature. Hjorth & Ikonen work together throughout the process with their complementary skills (Karoline is the photographer in the duo, while Riitta works mainly with the creation of the wearable sculptures). Since 2011 the duo has collaborated with retired farmers, fishermen, zoologists, plumbers, opera singers, housewives, artists and academics. Each character inhabits the landscape in a wearable sculpture made from natural materials. The book features portraits, field notes, essays and behind-the-scenes stories from many of the project's 60 shoots. With international press coverage in the Huffington Post, the BBC, TIME LightBox, Life and elsewhere, plus a highly successful Kickstarter campaign attracting a large American audience, the series has developed into a project with universal appeal.
This is an indispensable and enlightening text by one of the most renowned art historians and design theorists, about the work of the great Marjan Unger. The Dutch art historian and jewellery expert Marjan Unger died back in 2018, at the age of seventy-two. Through her teaching and her myriad projects, exhibitions and publications, she influenced generations of jewellery artists and theorists in the applied disciplines. Yet one of her perhaps most enduring legacies is her doctoral thesis, Sieraad in Context, which she submitted in 2010.In her work, she endeavours to formulate a general definition of jewellery. Yet above all she also analyses to what extent jewellery is associated across the globe with different, sometimes contrary issues: in that all human fears but also desires have, in a sense, materialised around the world as objects of adornment.
A reflective book about international contemporary art jewellery that aims to open up new points of view about what art jewellery is or can be.
The Swiss Otto Künzli (born in 1948) revolutionised modern jewellery design and is regarded as ‘one of the most intelligent and at the same time most critical artists in the world of jewelry’ (Ralph Turner: The New Jewelry, 1985/1994). Over the course of his involvement with jewellery, spanning around 45 years, Otto Künzli achieved a unique status as an artist and pioneer, and also as an author and teacher, with widespread international influence. Renowned artists such as Karen Pontoppidan (Konstfack, Stockholm), Karl Fritsch (Royal Melbourne Institute of Technology), David Bielander and Lisa Walker are amongst the graduates of the jewellery class at the Academy of Fine Arts in Munich,...
Tadema Gallery was founded in 1978 by Sonya and David Newell-Smith in London's famed Camden Passage in Islington. They were successful photojournalists who ventured into the field of twentieth-century abstract art and the decorative arts of the nineteenth and twentieth centuries. By 1982 they had discovered a passion for artist-designed jewelry and showed in the gallery an eclectic choice of jewels from significant designers of the Revivalist, Art Nouveau, Arts & Crafts, Jugendstil, Art Deco, and Modernist movements. With over 500 unique jewelry pieces from the 1860s to 1960s, the book reflects the forty-year history of the gallery and the superb eye of its inspirational founders.
Impressionist paintings are among the most prized artworks in the world, yet little has been written about Canadian impressionism. Now, with this book, we have a full account of the development of this revolutionary style in painting during the four decades after 1875, first in France, then in the United States, and finally in Canada. From the late 1860s on, as ambitious young artists from North America went to study in the academies in Paris and travel in Europe, they absorbed the influence of impressionism. By the mid-1880s, after it crossed the Atlantic to Boston and New York, Impressionism quickly became the favored style of art in the United States. As the century came to a close in Can...
* Learn more about the Chinese culture with these everyday life depictions* Miniatures of all materials: bronze, jade, ivory, porcelain* An intriguing work on the smallest sculpture artSmall China presents Chinese miniatures from 5,000 BCE up to the 15th century. The pocketsize representations of supernatural beings, people, animals, or everyday objects are virtually uncharted in East Asian crafts -- even in China, these objects in jade, bronze, ivory, and porcelain are little known. Koos de Jong explores their arcane meanings and traces their production and the market for such treasures, which, contrary to official secular and religious art, include those devoted to taboo subjects such as erotica or humor. The miniatures had many different functions, from insignia, fetishes and devotional objects to burial gifts or toys. They could express good wishes or even serve as bribes. A rare glimpse into the everyday life of ordinary people and into Chinese handicrafts from thousands of years ago!
- Artist jeweller Mia Maljojoki's first monograph shows two decades of works - Extraordinary photos make visible the intimate connection between the jewelry and its wearer This book is an amusement park of emotions, which have become frozen in various forms of wearable art Mia Maljojoki (b. 1970) speaks passionately about the emotional potential of her jewelry. In her works, she wants to capture the moment, make feelings permanent and trigger social interaction. But her pendants and neckpieces, in which cold porcelain clashes with neon textiles, are never overly ornate, instead they show a playful lightness. The jewelry artist presents her work of the last twenty years in eight series. Large format photos show materiality and technique, while pictures of performances and exhibitions allow a personal point of view. The models of the Exactly-series, who are portrayed in the Finnish landscape, reveal the intimate relationship between jewelry and wearer.
- Impressive history of one of the oldest gemstone traders of Idar-Oberstein, the German center of lapidary art - Overview about the variety of colorful gemstones, their origins, the trade and the highly professional cutting - For gemstone and high end jewelry lovers Founded in Idar-Oberstein in 1847, the company Constantin Wild has left its mark on the world of gemstones like barely any other enterprise. For its 175th anniversary, Constantin Wild, great-grandson of the company's founder, has been out on the trail of history. He now takes us back to the beginnings of the Wild family, which looks back on a tradition of 400 years of artistic stonecutting and also in the trading of one-of-a-kin...
This book tells about the history of the Viennese Manufactory Friedrich Goldscheider which was founded in 1885 and soon became the leading company of ceramics production in Europe. It includes a catalogue of works containing over 4,000 model numbers and more than 1,600 models reproduced in color and b/w; further, a comprehensive list of artists with biographical information on 504 artists as well as marks table with 163 marks reproduced. With pointers for collectors.