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The Vanishing Signs
What is a novel? What is a revolution? Is there anything new under the sun? In these essays, poet and critic Cam Scott contemplates the novel in various guises--as culture and technology; as a labyrinth, series, list, and sect. Far from an academic typology, these discrete and overlapping studies are excerpted from the activity of a politically interested readership, for whom literature makes real demands of the one world that it describes. Includes writings on Dennis Cooper, Guy Hocquenghem, Dionne Brand, Gail Scott, Robert Glück, Kevin Killian, Renata Adler, Renee Gladman, Ted Rees, Lyn Hejinian, Harryette Mullen, and Jordy Rosenberg.
All We Want is Everything
The debut collection of short stories by Canadian author Andrew F. Sullivan. Includes 20 stories.
Crossing Borders
Crossing Borders: Beyond Phenomenology and Critique is a collection of original and cutting- edge essays by thirteen outstanding and diverse Canadian and International scholars that engage with Professor Ian Angus' rich contributions to three distinct, albeit overlapping, fields: Canadian Studies, Phenomenology and Critical Theory, and Communication and Media Studies. These contributions are distinct, unique, and have had resonance across the intellectual landscape over the thirty years that Angus has been teaching communications, philosophy, Canadian Studies, theory, and humanities first in the United States and then in Canada.
Any Given Power
A searing debut collection of short stories. Fragments, and tales, of the ordinary, and the astounding. Already a huge smash in Canada, and ready to take on the rest of the world. "Alissa York cares fiercely for the integrity of her characters and never intrudes herself upon them, or us. These are truly orginal stories, charged with the luminous detail which makes us see life afresh." [Sean Virgo]
Preempting Dissent
The legacy of the Bush administration and its "War on Terror" includes a new logic of surveillance, suppressing public dissent and mobilizing both "fear" and "faith." In this accessible book, Elmer and Opel show that this new logic stretches well beyond the realm of airport security and international relations into everyday police techniques, including the use of Tasers, the deployment of "stealth" crowd control, the zoning of protestors and the suppression of public dissent. Drawing on social theories and media analyses, this book reveals the underlying "logic of preemption" whereby threats must be eliminated before they materialize. By addressing the implications of this new logic, Elmer and Opel lay the groundwork for more effective resistance.
My Claustrophobic Happiness
My Claustrophobic Happiness is a series of humorous, surreal, and viciously critical vignettes that dive deep into complex waters of identity's relationship to consumerism.
The Organic Line
A major rethinking of twentieth-century abstract art mobilized by the work of Brazilian artist Lygia Clark What would it mean to treat an interval of space as a line, thus drawing an empty void into a constellation of art and meaning-laden things? In this book, Irene Small elucidates the signal discovery of the Brazilian artist Lygia Clark in 1954: a fissure of space between material elements that Clark called “the organic line.” For much of the history of art, Clark’s discovery, much like the organic line, has escaped legibility. Once recognized, however, the line has seismic repercussions for rethinking foundational concepts such as mark, limit, surface, and edge. A spatial cavity th...
Last Supper
Next door to the chain stores are the cheap restaurants with chipped paint and handwritten signs which will never be featured in the Dining section of the Times. Alongside the renovated lofts are thousands of cramped apartments filled with books and cats, and actual studios where artists work with their hands. Ignored by the hype, without a website, the little shops and thrift stores and squats continue to thrive--sometimes at risk of being displaced, but always at risk of being simply overlooked or dismissed. Last Supper is a love letter to these places and the people who inhabit them: the vibrant beat beneath the bullshit that gives the city its charm.
Romans/snowmare
" Both a daybook of anti-capitalist ideation and a homoerotic reinvention of the prairie long poem, this unique debut resonates with a love of language and experiment. Written from within the strictures of the working day, the book's title poem issues from a practice of daily collage, comprising the first layer of a potentially interminable personal epic. As a lyric counterbalance, a central section follows a punk band throughout dozens of countries connected by and subjugated to capital. These poems attempt to preserve the superficiality and sincerity of fast-paced social engagement, alluding to the material conditions that permit some people--tourists, artists, musicians--free movement at the expense of others. Playful and meticulously written, ROMANS/SNOWMARE deftly circles the perimeter of the self while drawing the communal inward. "
