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Reforming the Art of Dying
The Reformation led those who embraced Martin Luther's teachings to revise virtually every aspect of their faith and to reorder their daily lives in view of their new beliefs. Nowhere was this more true than with death. By the beginning of the sixteenth century the Medieval Church had established a sophisticated mechanism for dealing with death and its consequences. The Protestant reformers rejected this new mechanism. To fill the resulting gap and to offer comfort to the dying, they produced new liturgies, new church orders, and new handbooks on dying. This study focuses on the earliest of the Protestant handbooks, beginning with Luther's Sermon on Preparing to Die in 1519 and ending with J...
The English Ars Moriendi
During a period when death was an ever-present reality, the tradition of the ars moriendi provided instructions on how one must prepare for God's inevitable judgement. While examples of the tradition are found in virtually every European language, the ars moriendi in English comprises a strikingly rich corpus of literature that provides remarkable insight into the religious concerns of those living between the fifteenth century and the end of the seventeenth. This book collects together for the first time representative texts from the traditon of the English ars moriendi, chosen because they reflect the religious and literary developments of the period. Each work is thoroughly annotated, and the book contains a comprehensive introductory essay that focuses on the particular importance to the tradition of each work included in the collection.
The Ars Moriendi
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Ars Moriendi (Editio Princeps, Circa 1450)
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Ars Moriendi (Editio Princeps, Circa 1450)
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Art of Dying
The Medicalization of dying and the disregard for the life of the soul within contemporary health care prompt the return of the Ars moriendi, or The Art of Dying. This widely influential fifteenth-century text was designed to guide dying persons and their loved ones in Catholic religious practices at a time when access to a priest and the sacraments was similarly limited. This remarkable and inspiring work serves as a valuable resource for Catholic today, encouraging their full participation in the rich sacramental and liturgical tradition of the Church and challenging them to keep their eyes fixed on Christ and the promise of eternal life with him. This new translation includes illuminating annotations on its theological and pastoral content. A scholarly introduction examines the book's history, use, and present application. The book contains exact reproductions of the original medieval woodblock prints. Additional prayers have been incorporated from the longer version of the work, newly translated with Latin originals. The appendix presents confessions of faith, explanations of the sacraments, and guides to the examination of conscience, the rosary, and the divine mercy chaplet.
Identity, Commemoration and the Art of Dying Well
This study considers how the treatment of death in related forms of material culture contributed to the definition of elite identity and the constitution of power structures throughout the changes which took place in England c.1350-1700. It examines the funerary material culture of a single region, Gloucestershire, alongside the ideal of 'dying well', as presented in the ars moriendi texts, to show how the pious death and its material expression formed a focus of competition for affluent elites.
