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Aegean Art and Architecture
A general introduction to the art and architecture of Greece, the Cycladic islands and Crete, from c.3300 - 1000 BC. The authors have been highly selective in their choice of sites and objects, providing key examples which illustrate the clearly written text. They emphasize the importance of context and the complexities of meaning and function of objects within different environments and situations, and through time. A book geared more to the interested reader and students embarking on Aegean courses, than serious scholars who will already be familiar with the content.
Introduction to Aegean Art
This textbook is a compilation of the author's more than 35 years of teaching and excavation experience in the field of Aegean Bronze Age art history and archaeology. It is geared toward an audience of undergraduate and graduate students as an introduction to the Bronze Age art objects and architecture that have been uncovered on Crete, the Greek peninsula, and the Cycladic Islands.
Aegean Painting in the Bronze Age
Aegean Painting in the Bronze Age is intended as a handbook for the art historian and archaeologist, with a full catalogue of examples (arranged according to site), critical discussion of the problems of chronology, a comprehensive bibliography, maps, drawings of details, and more than 100 photographic plates, 23 in color. This is the only book to give a synthesis of painting and pictorial art from its beginnings in Prepalatial Crete to the collapse of Bronze Age civilization in the Aegean. Immerwahr traces the development of Aegean painting from its origins in Crete through its spread to the Cycladic islands and to the Greek mainland, where it gave rise to the specific Mycenaean style. She ...
Aegean Bronze Age Art
How do we interpret ancient art created before written texts? Scholars usually put ancient art into conversation with ancient texts in order to interpret its meaning. But for earlier periods without texts, such as in the Bronze Age Aegean, this method is redundant. Using cutting-edge theory from art history, archaeology, and anthropology, Carl Knappett offers a new approach to this problem by identifying distinct actions - such as modelling, combining, and imprinting - whereby meaning is scaffolded through the materials themselves. By showing how these actions work in the context of specific bodies of material, Knappett brings to life the fascinating art of Minoan Crete and surrounding areas in novel ways. With a special focus on how creativity manifests itself in these processes, he makes an argument for not just how creativity emerges through specific material engagements but also why creativity might be especially valued at particular moments.
The Art and Archaeology of the Aegean Bronze Age
The Art and Archaeology of the Aegean Bronze Age offers a comprehensive chronological and geographical overview of one of the most important civilizations in human history. Jean-Claude Poursat's volume provides a clear path through the rich and varied art and archaeology of Aegean prehistory, from the Neolithic period down to the end of the Bronze Age. Charting the regional differences within the Aegean world, his study covers the full range of material evidence, including architecture, pottery, frescoes, metalwork, stone, and ivory, all lucidly arranged by chapter. With nearly 300 illustrations, this volume is one of the most lavishly illustrated treatments of the subject yet published. Suggestions for further reading provide an up-to-date entry point to the full richness of the subject. Originally published in French, and translated by the author's collaborator Carl Knappett, this edition makes Poursat's deep knowledge of the Aegean Bronze Age available to an English-language audience for the first time.
Studies in Aegean Art and Culture
The papers published here are dedicated to the memory of Ellen N. Davis, one of the most valued and beloved Aegean scholars of her generation. All of the articles are in some way inspired or influenced by Davis' own contributions to the field. In the area of metalwork, several papers investigate interconnections within and around the Aegean during the Early, Middle, and Late Bronze Ages (Betancourt, Ferrence, and Muhly, Weingarten, Kopcke), while others examine metal ware in its social context (Wiener). Papers on wall painting range from studies of pigments and optical illusions (Vlachopoulos), to representations of water (Shank). Anthropomorphic representations, or their absence, of goddesses or priestesses (Jones), rulers (Palaima), or initiates (Koehl) are also studied here with new eyes and fresh insights.
Aegean Wall Painting
Until his premature death in 1984 at the age of 45, Mark Cameron made a unique contribution to the study of Minoan wall painting; his published articles continue to inspire a new generation of Aegean wall painting and have expanded our perception of the Aegean and its relations with the neighboring cultures during the second millennium BC. This volume, dedicated to the memory of Mark Cameron, now brings together leading scholars in a presentation of some of the latest ideas in the field of Aegean painting. Contributors include: M. Bietak, A. Chapin, S. Hood, S. Immerwahr, R. Jones, N. Marinatos, L. Morgan, M. Shaw, C. Palyvou, E. Photos-Jones, I. Tzachili and P. Warren.
A Consideration of Gender Roles and Relations in the Aegean Bronze Age Interpreted from Gestures and Proxemics in Art
"This monograph analyses human figures that appear in Aegean Bronze Age art, considering the roles and relations between genders, and interpreting differential status or power implications. Susan E. Poole studies a comprehensive range of figures that appear on wall paintings, glyptics (seals, seal impressions and finger rings), and some three-dimensional objects. The gestures and postures displayed in the body language are examined, together with placements and orientations between the figures. The author considers the way figures occupy their surrounding space, possible gender distinct activities, the seating of figures, and processions. A structural iconographic method is used to interpret the material, together with ethological, sociological and linguistic approaches, and a combination of qualitative and quantitative analysis is applied. The research includes a rich corpus of images from a wide range of sources to illustrate observations."--Back cover.
Cycladic Art
The N.P. Goulandris Collection of Early Cycladic art is the most notable in private hands and is unrivaled by any museum outside Greece. It contains over 200 objects, including many fine Cycladic figurines, as well as marble vessels, pottery and metalwork. The first Cycladic figurines acquired by travelers in Greece in the nineteenth century were described as 'rude','grotesque' and 'barbaric'. Yet now they are admired all over the world. They are the earliest sculptures from Greek Iands, but their simple form and purity of line speak directly to the modern eye. The introductory chapters by Professors, Renfrew and Doumas survey the historical and cultural background to the Collection, and discuss styles, materials and techniques. A short essay by Dr. P. Getz-Preziosi introduces a sculptor who created masterpieces over four thousand years ago. Three of his finest works are in the Collection and he is now known as the Goulandris Master. Christos Doumas is Professor of Archaeology at the University of Athens. He has worked in the Cyclades for many years, and has had a long and close association with the Goulandris Collection, which he was the first to catalogue in 1968.
