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Introduction to Aegean Art
This textbook is a compilation of the author's more than 35 years of teaching and excavation experience in the field of Aegean Bronze Age art history and archaeology. It is geared toward an audience of undergraduate and graduate students as an introduction to the Bronze Age art objects and architecture that have been uncovered on Crete, the Greek peninsula, and the Cycladic Islands.
The Art and Archaeology of the Aegean Bronze Age
The Art and Archaeology of the Aegean Bronze Age offers a comprehensive chronological and geographical overview of one of the most important civilizations in human history. Jean-Claude Poursat's volume provides a clear path through the rich and varied art and archaeology of Aegean prehistory, from the Neolithic period down to the end of the Bronze Age. Charting the regional differences within the Aegean world, his study covers the full range of material evidence, including architecture, pottery, frescoes, metalwork, stone, and ivory, all lucidly arranged by chapter. With nearly 300 illustrations, this volume is one of the most lavishly illustrated treatments of the subject yet published. Suggestions for further reading provide an up-to-date entry point to the full richness of the subject. Originally published in French, and translated by the author's collaborator Carl Knappett, this edition makes Poursat's deep knowledge of the Aegean Bronze Age available to an English-language audience for the first time.
Aegean Art and Architecture
A general introduction to the art and architecture of Greece, the Cycladic islands and Crete, from c.3300 - 1000 BC. The authors have been highly selective in their choice of sites and objects, providing key examples which illustrate the clearly written text. They emphasize the importance of context and the complexities of meaning and function of objects within different environments and situations, and through time. A book geared more to the interested reader and students embarking on Aegean courses, than serious scholars who will already be familiar with the content.
Aegean Bronze Age Art
Offers an innovative theory for ancient art and its creativity, demonstrated through the rich material and visual culture of the protohistoric Aegean.
Performance, Power and the Art of the Aegean Bronze Age
Are we to believe that Late Minoan Crete was over-run with dancers and bull leapers? As Senta German shows, dancing and bull-leaping were the most prevalent themes of Late Bronze Age glyptic art although, aside from their demonstration of a social and perhaps symbolic activity, they also had a much deeper function in Late Minoan society.
Studies in Aegean Art and Culture
The papers published here are dedicated to the memory of Ellen N. Davis, one of the most valued and beloved Aegean scholars of her generation. All of the articles are in some way inspired or influenced by Davis' own contributions to the field. In the area of metalwork, several papers investigate interconnections within and around the Aegean during the Early, Middle, and Late Bronze Ages (Betancourt, Ferrence, and Muhly, Weingarten, Kopcke), while others examine metal ware in its social context (Wiener). Papers on wall painting range from studies of pigments and optical illusions (Vlachopoulos), to representations of water (Shank). Anthropomorphic representations, or their absence, of goddesses or priestesses (Jones), rulers (Palaima), or initiates (Koehl) are also studied here with new eyes and fresh insights.
A Consideration of Gender Roles and Relations in the Aegean Bronze Age Interpreted from Gestures and Proxemics in Art
"This monograph analyses human figures that appear in Aegean Bronze Age art, considering the roles and relations between genders, and interpreting differential status or power implications. Susan E. Poole studies a comprehensive range of figures that appear on wall paintings, glyptics (seals, seal impressions and finger rings), and some three-dimensional objects. The gestures and postures displayed in the body language are examined, together with placements and orientations between the figures. The author considers the way figures occupy their surrounding space, possible gender distinct activities, the seating of figures, and processions. A structural iconographic method is used to interpret the material, together with ethological, sociological and linguistic approaches, and a combination of qualitative and quantitative analysis is applied. The research includes a rich corpus of images from a wide range of sources to illustrate observations."--Back cover.
Aegean Wall Painting
Until his premature death in 1984 at the age of 45, Mark Cameron made a unique contribution to the study of Minoan wall painting; his published articles continue to inspire a new generation of Aegean wall painting and have expanded our perception of the Aegean and its relations with the neighboring cultures during the second millennium BC. This volume, dedicated to the memory of Mark Cameron, now brings together leading scholars in a presentation of some of the latest ideas in the field of Aegean painting. Contributors include: M. Bietak, A. Chapin, S. Hood, S. Immerwahr, R. Jones, N. Marinatos, L. Morgan, M. Shaw, C. Palyvou, E. Photos-Jones, I. Tzachili and P. Warren.
