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Race-ing Art History
Race-ing Art History is the first comprehensive anthology to place issues of racial representation squarely on the canvas. Art produced by non-Europeans has naturally been compared to Western art and its study, which refers to a binary way of viewing both. Each essay in this collection is a response to this vision, to the distant mirror of looking at the other.
Race, Sex and Gender in Contemporary Art
One of the most significant developments in the art world of the 1970s, 1980s, and 1990s has been the rise to prominence of art made by minority cultures. Race, Sex, and Gender examines the controversial challenges these groups present to today's artists and critics. Works by African-Americans, feminists, homosexuals, and Latino-Hispanics - once considered marginal - have come to transform contemporary art. As this so-called minority art has moved into a more dominant position, museums - once official symbols of culture - have formed a more secure alliance with the avant-garde. The result is that "minority" art has become, in effect, our most major concern. In this provocative volume, art hi...
Art Therapy, Race and Culture
The book is a stimulating and inspiring collection which explores the often contentious themes of race, racism and culture in relation to the experience of art therapy, in a constructive way. Contributors examine the impact of racial perceptions in their own experience, their clients' lives, and on the interaction of therapist and client.
Race and Racism in Nineteenth-Century Art
Painters Robert Duncanson (ca. 1821–1872) and Edward Bannister (1828–1901) and sculptor Mary Edmonia Lewis (ca. 1844–1907) each became accomplished African American artists. But as emerging art makers of color during the antebellum period, they experienced numerous incidents of racism that severely hampered their pursuits of a profession that many in the mainstream considered the highest form of social cultivation. Despite barriers imposed upon them due to their racial inheritance, these artists shared a common cause in demanding acceptance alongside their white contemporaries as capable painters and sculptors on local, regional, and international levels. Author Naurice Frank Woods Jr....
The Palgrave Handbook of Race and the Arts in Education
The Palgrave Handbook of Race and the Arts in Education is the first edited volume to examine how race operates in and through the arts in education. Until now, no single source has brought together such an expansive and interdisciplinary collection in exploration of the ways in which music, visual art, theater, dance, and popular culture intertwine with racist ideologies and race-making. Drawing on Critical Race Theory, contributing authors bring an international perspective to questions of racism and anti-racist interventions in the arts in education. The book’s introduction provides a guiding framework for understanding the arts as white property in schools, museums, and informal education spaces. Each section is organized thematically around historical, discursive, empirical, and personal dimensions of the arts in education. This handbook is essential reading for students, educators, artists, and researchers across the fields of visual and performing arts education, educational foundations, multicultural education, and curriculum and instruction.
Whitewalling
In 2017, the Whitney Biennial included a painting by a white artist, Dana Schutz, of the lynched body of a young black child, Emmett Till. In 1979, anger brewed over a show at New York's Artists Space entitled The Nigger Drawings. In 1969, the Metropolitan Museum of Art's exhibition Harlem on My Mind did not include a single work by a black artist. In all three cases, black artists and writers and their allies organized vigorous responses using the only forum available to them: public protest. Whitewalling: Art, Race & Protest in 3 Acts reflects on these three incidents in the long and troubled history of art and race in America. It lays bare how the art world--no less than the country at la...
Art of the Race
* Art Of The Race is Darren Heath's first photography book, and is book 1 in a series of collaborations with Art Of Publishing Limited* Darren Heath is one of the preeminent photographers in F1 today, with a unique ability to capture speed, color and noise through the medium of a still photograph, often eschewing the obvious in favor of the abstract; he has 46,000 Twitter followers* Formula One is a global sport with an affluent and loyal fanbaseSpeed, color, noise, excitement. Art Of The Race, V14 encapsulates the very essence of Formula 1 motor racing through the lens of Darren Heath, one of the sport's most celebrated photographers. Art Of The Race captures the key moments and rarely seen footage of each race as the season unfolds, whether it's the epic battle between Mclaren teammates Hamilton and Rosberg, or the humbling drivers' gathering in support of their colleague Jules Bianchi.
Making Race
Malvin Gray Johnson, Yasuo Kuniyoshi, and Max Weber were three New York City artists whose work was popularly assigned to the category of "racial art" in the interwar years of the twentieth century. The term was widely used by critics and the public at the time, and was an unexamined, unquestioned category for the work of non-whites (such as Johnson, an African American), non-Westerners (such as Kuniyoshi, a Japanese-born American), and ethnicized non-Christians (such as Weber, a Russian-born Jewish American). The discourse on racial art is a troubling chapter in the history of early American modernism that has not, until now, been sufficiently documented. Jacqueline Francis juxtaposes the w...
Art of the Race V17
- Encapsulating the speed, noise, excitement and color of Formula 1, and highlighting the key moments of each race as the 2017 season unfolded - Art of The Race, V17 is book 4 in a series of collaborations with Art of Publishing Limited - Darren Heath is one of the pre-eminent photographers in F1 today, with a unique ability to capture speed, color and noise through the medium of a still photograph, often eschewing the obvious in favor of the abstract Formula 1 is the aesthete's ultimate sport: an intoxicating cocktail of speed, spectacle, competition and power, at the heart of which are the thoroughbred racing machines - exquisite manifestations of form following function, driven at dizzyin...
The Urban Scene
Examines the portrayal of race in interwar American art. Focuses on the works of urban realist Reginald Marsh and his contemporaries to show how black figures acted as cultural and visual markers and embodied complex concerns about the presence of African Americans in urban centers.
