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In Freemasonry in Context: History, Ritual, Controversy editors Arturo de Hoyos and S. Brent Morris feature work by renown Masonic scholars. Essays explore the rich and often times controversial events that comprise the cultural and social history of Freemasonry.
For as long as there have been Freemasons, there has been a calculated effort to disparage and their practices. In this insightful text, masons de Hoyos and Morris explore the origins of the anti-Masonic mindset and delve into the falsehoods on which critics have based these perennial sentiments. Confronting opponents one at a time, the authors methodically debunk the myths that have surrounded Freemasonry since its establishment, investigating the motives and misconceptions that derive antagonists to spread deceit about Masonic traditions.
Using the same texts on which Carlson bases his accusations, Dr. Thorn demonstrates, point by point, how the material has been deliberately manipulated and misquoted to denounce the Order. Thorn proves that conflicts between Freemasonry and religious beliefs are pure fabrication.
Religion. For thousands of years this thing has dictated which people should live and which people should die, what shape our buildings should have or what colors our garments should contain, what food people should eat or what words people should speak. If religion is the opium of the masses, then beliefs about the end of the world are like overdoses. People touched by such beliefs no longer rely on a hidden, personal and intimate god, contemplated upon from the safe distance of the beating human heart. They live with the promise of divine intervention at a grand scale on the current coordinates of space and time. This can be an exceptional motivator and a game changer in terms of civil obedience, both at an individual and collective level. In the name of an immediate and palpable deity people can commit shocking cruelties. However, such belief can also account for some of the most exceptional social developments in human history.
The Legends of many cultures claim that the world was once destroyed in a cataclysmic flood. Many cultures also claim that someday the world will again be destroyed in a similar fashion. In the Bible we are told that the disciples once asked Jesus if there would be a warning sign prior to this destructive event. He said that there would indeed a sign. Jesus said that whatever was happening in the Days of Noah will happen again before the end of this age. The Bible has only a few verses about Noah's Flood. So we are forced to turn to the ancient flood legends of over 350 other cultures to learn more about this prophecy. But Noah's days did not end with the flood, he lived for many years afterward. He saw the creation of a tower in Babylon. This is interesting because the Freemasons claim that their Order originated here. Here is the most thorough examination of Freemasonry ever undertaken, using their own texts, to solve the Days of Noah prophecy.
The essays in Imagining the East explore how Theosophists during the formative period imagined the religions and cultures of the East. The authors examine the relationship of such representations to orientalism, the history of ideas, politics, and culture at large and discuss how these esoteric or theosophical representations mirrored conditions and values current in nineteenth-century mainstream intellectual culture. The essays also look at how the early Theosophical Society's representations of the East differed from mainstream 'orientalism' and how the Theosophical Society's mission in India was distinct from that of British colonialism and Christian missionaries.
Rulon Tingey Burton was born 3 March 1926 in Salt Lake City, Utah. His parents were Fielding Garr Burton and Mela Stewart Lindsay. He served in the Navy in World War II. He married Josephine Omer. They had three children. He established a law firm.
This innovative collection details critical biographies of twelve key Chicana writers, offering an engaging look at their work, contributions to the field, and major achievements. Portraits of the authors are each examined by a noted scholar, who delves deep into the authors' lives for details that inform their literary, artistic, feminist, and political trajectories and sensibilities. What results is a brilliant intersection of visual and literary arts that explores themes of sexism and misogyny, the fragility of life, Chicana agency, and more.