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'The gathering of the grain may not be permitted to those present; but we may rest content in the satisfaction that it will be reaped in all its fullness by those who may come after us. For let the love of art once take firm root among us and it will go on bearing increased supplies of fruit year by year.' - Thomas Mort, 1871 'The Sydney Gallery has one of the finest natural positions in the world, and the Sydney folk have made the most of it. Their gallery resembles a kind of golden temple, through which are seen spaces of lovely blue harbour water. Fine light, fine pictures, fine arrangement.' -Arthur Streeton, 1920 In 2021, the Art Gallery of New South Wales celebrates its 150th anniversa...
"This education resource has been developed to help students and educators understand and appreciate the richness and diversity of Aboriginal art in New South Wales. It includes 18 artworks in the collection of the Art Gallery of New South Wales (AGNSW) and key works in a number of regional collections, including Bidjigal Aboriginal Arts and Crafts, Huskisson; Goondee Aboriginal Keeping Place, Lightning Ridge; Grafton Regional Gallery; Mitchell Library, State Library of New South Wales, Sydney; Moree Plains Gallery; and Wollongong City Gallery."--Page 2.
In this highly original study, Vanessa Russ examines the gradual invention of Aboriginal art within the Art Gallery of New South Wales. This process occurred as the social histories of Australia expanded and recognised Aboriginal people, through wars and political shifts, and as international organisations began placing pressure on nation states to expand, diversify, and respect multicultural perspectives. This book explores a state art institution as a case study to consider these complex narratives through a single history of Aboriginal art from early colonisation until today. The book will be of interest to scholars working in art history, museum studies, and Indigenous studies.
This book, one of a series on the gallery's collections, has two broad objectives: firstly to introduce the contemporary collection and the ideas that have provided direction for its evolution; and secondly to address and discuss with brevity and clarity the individual works of art.
Hidden from view for decades, the work of Hilma af Klint (1862?1944) has captured the imagination of contemporary audiences. She is now widely regarded as a pioneer of twentieth-century abstract art. Her paintings are monumental in scale, with radiant color combinations, enigmatic symbols, and otherworldly shapes. In an era of limited creative freedom for women, her secret paintings were an outlet for her prodigious intelligence, spiritual quest, and groundbreaking artistic vision. Hilma af Klint: The Secret Paintings includes over 125 artworks, ranging from enormous canvasses to small watercolors; pages from her detailed notebooks; and a selection of photographs and other images. Five essays and an illustrated chronology reveal new research on af Klint, her practice, and her place in art history.
A tribute to portraiture, as well as the artists and sitters, Archie 100: A Century of the Archibald Prize marks 100 years of Australia's oldest and most-loved annual portraiture award. Curator Natalie Wilson unearths fascinating stories behind more than 100 artworks representing every decade. Arranged thematically, these works reflect not just how artistic styles and approaches to portraiture have changed over time but, importantly, how the Archibald Prize reflects our society. Resulting from many years of research for lost portraits, Archie 100 includes paintings from the Art Gallery of New South Wales' collection as well as works from libraries, galleries and museums across Australia and Aotearoa New Zealand, and private Australian and international collections. Some have not been exhibited since they first were seen in the Archibald Prize. Archie 100 includes: A fascinating essay by Wilson on her quest to find Archibald portraits from the past 100 years and the difficult task of selecting 100 for the centenary exhibition Illustrations of each portrait and accompanying text A timeline of Archibald Prize landmarks Some fabulous facts and figures An index of artists and sitters
Collection of essays and art by scholars, artists and activists both in and out of prison that reveal the many dimensions of women’s incarcerated experiences.
A magic pudding who changes from steak and kidney to jam roll and apple dumpling in seconds. A walking, talking dessert that never runs out of pleasing things to eat. A koala bear, named Bunyip Bluegum, A sailor named Bill Barnacle, and Sam Sawnoff the penguin have a wonderful hilarious magical adventure defending the Pudding against thieves who want it for themselves.