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The Legacy of Genghis Khan
Komaroff (curator of Islamic Art, Los Angeles County Museum of Art) and Carboni (curator of Islamic Art, Metropolitan Museum of Art) produced this fine catalog to accompany a major show of Ilkhanid (as the Mongol dynasty was called after conversion to Islam) art exhibited at the authors' museums in New York and Los Angeles in 2002-2003. Most of the manuscripts, metalwork, textiles, ceramics, and other finely decorated objects were created in Iran. Many objects are also included from the Yuan Dynasty in China, during which the Mongols ruled. Eight full-length essays are built around the objects of the exhibition and other works, all depicted in color. The essays describe the history, culture, courtly life, artistic exchanges, religious art, arts of the book, and creation of a new visual language. Distributed by Yale U. Press. Annotation copyrighted by Book News, Inc., Portland, OR
Islamic Chinoiserie
The Mongol invasion in the thirteenth century marked a new phase in the development of Islamic art. Trans-Eurasian exchanges of goods, people and ideas were encouraged on a large scale under the auspices of the Pax Mongolica. With the fascination of portable objects brought from China and Central Asia, a distinctive, hitherto unknown style - Islamic chinoiserie - was born in the art of Iran.Highly illustrated, Islamic Chinoiserie offers a fascinating glimpse into the artistic interaction between Iran and China under the Mongols. By using rich visual materials from various media of decorative and pictorial arts - textiles, ceramics, metalwork and manuscript painting - the book illustrates the...
A Companion to Islamic Art and Architecture
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments ...
Glass from Islamic Lands
"The splendor of Islamic glass is revealed in this publication, the first major study of the subject in over seventy years. Glass objects rarely bear inscriptions that provide vital information, and being so readily portable, they have throughout history been carried far from their place of origin. In a feat of patient scholarship, Stefano Carboni draws on a hugh range of sources in many languages and from many disciplines to produce this comprehensive history of Islamic glassmaking. The book is a catalogue of the superb al-Sabah Collection in Kuwait and includes clear and informative introductions to each period, as well as detailed descriptions of some 500 individual objects and fragments,...
The Ilkhanids in Anatolia
Starting from Spring 2014, VEKAM has been organizing yearly international symposiums to introduce various cultures that lived in Anatolia and support research in these fields of study. The symposium proceeding volume titled Cultural Encounters in Anatolia in the Medieval Period: Ilkhanids in Anatolia which was held on may 21st-22nd May, 2015 at the premises of VEKAM in Ankara/ Turkey focuses on the fields such as; history, literature, mysticism, art, urban history and architecture during the Ilkhanid Period. In this respect we believe that the Ilkhanids in Anatolia symposium proceedings will fill an important gap and lead up new researches in this field.
Art, Trade and Culture in the Islamic World and Beyond
The essays in this volume bring to light the artistic exchanges that occurred between successive Islamicdynasties and those further afield in China, Armenia, India and Europe from the 12th to the 19th centuries. All the articles present original research, many of them taking advantage of innovative scientific means allowing us to look at already familiar objects in a new light. Subjects include tile production during the reign of Qaytbay, book bindings associated with Qansuh al-Ghuri, depictions of fish on Mamluk textiles, the relationship between Mamluk metalwork and Rasulid Yemen and Italy respectively. A number of the articles are concerned with epigraphic inscriptions found on the buildi...
The Diez Albums
The five Diez albums in Berlin, acquired by Heinrich Friedrich von Diez in Constantinople around 1789, contain more than 400 figurative paintings, drawings, fragments, and calligraphic works originating for the most part from Ilkhanid, Jalayirid, and Timurid workshops. Gonnella, Weis and Rauch unite in this volume 21 essays that analyse their relation to their “parent” albums at the Topkapı Palace or examine specific works by reflecting upon their role in the larger history of book art in Iran. Other essays cover aspects such as the European and Chinese influence on Persianate art, aspects related to material and social culture, and the Ottoman interest in Persianate albums. This book m...
The Mongols' Middle East
The Mongols’ Middle East: Continuity and Transformation in Ilkhanid Iran offers a collection of academic articles that investigate different aspects of Mongol rule in 13th- and 14th-century Iran. Sometimes treated only as part of the larger Mongol Empire, the volume focuses on the Ilkhanate (1258-1335) with particular reference to its relations with its immediate neighbours. It is divided into four parts, looking at the establishment, the internal and external dynamics of the realm, and its end. The different chapters, covering several topics that have received little attention before, aim to contribute to a better understanding of Mongol rule in the Middle East and its role in the broader medieval Eurasian world and its links with China. With contributions by: Reuven Amitai, Michal Biran, Bayarsaikhan Dashdondog, Bruno De Nicola, Florence Hodous, Boris James, Aptin Khanbaghi, Judith Kolbas, George Lane, Timothy May, Charles Melville, Esther Ravalde, Karin Rührdanz
Illustrated Poetry and Epic Images
Two 14th-century manuscripts are the focus of this catalog, published in conjunction with a Museum exhibit, February-May 1994. Essays and illustrations (93 total, 39 in color) present the Mu'nis al-ahrar an anthology of poetic devices, and the Shahnama, a copy of the Persian national epic in which events are depicted in 41 extant miniatures. Annotation copyright by Book News, Inc., Portland, OR
New Approaches to Ilkhanid History
New Approaches to Ilkhanid History examines moves the study of the Ilkhanate beyond the court of the Ilkhan as well as considers new source material.
