Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Art of the 20th Century
The original edition of this ambitious reference was published in hardcover in 1998, in two oversize volumes (10x13"). This edition combines the two volumes into one; it's paperbound ("flexi-cover"--the paper has a plastic coating), smaller (8x10", and affordable for art book buyers with shallower pockets--none of whom should pass it by. The scope is encyclopedic: half the work (originally the first volume) is devoted to painting; the other half to sculpture, new media, and photography. Chapters are arranged thematically, and each page displays several examples (in color) of work under discussion. The final section, a lexicon of artists, includes a small bandw photo of each artist, as well as biographical information and details of work, writings, and exhibitions. Ruhrberg and the three other authors are veteran art historians, curators, and writers, as is editor Walther. c. Book News Inc.
Imi Knoebel
Besides important key works such as Raum 19 III (1968/2006), Batterie (2005), and the 21-part complex of works from the so-called Core Pieces, this catalog presents new works of art created by the artist Imi Knoebel (*1940) especially for the exhibition Guten Morgen, weisses Kätzchen (Good morning, white kitten) at the Museum Haus Konstruktiv. They position Knoebel's work in a dialogue with the historical legacy of constructive, concrete, and conceptual art. Along with many photographs of the works and the exhibition itself, the catalog also features texts by Sabine Schaschl, Max Wechsler, and Beat Wismer.
Imi Knoebel
"The Dia Foundation's exhibition of works by Imi Knoebel also furthers Dia's primary commitment to collaboration with artists to the ends of long-term, carefully designed installations of their work."--Page 5.
Art International
None
Art and Place
The book brings together a series of essays about art in Hong Kong written over the last ten years, with the intention of offering a personal chronicle of the Hong Kong art world during a time of great change. Many of the essays concern themselves with the work of local artists, but Western and Chinese artists whose works have been exhibited in Hong Kong during this period are also discussed. In addition to a consideration of particular artists and works of art, there are also essays which engage with debates that have been taking place in Hong Kong concerning curatorship and various arts policy issues. Fully illustrated and written in a straightforward style, Art and Place is one of the first serious attempts to evaluate the art of Hong Kong. It should be of use to anyone interested in the cultural life of one of Asia's leading cities.
Regarding the Popular
Regarding the Popular charts the complex relationship between the avant-gardes and modernisms on the one hand and popular culture on the other. Covering (neo-)avant-gardists and modernists from various European countries, this second volume in the series European Avant-Garde and Modernism Studies explores the nature of so-called “low” culture, dealing with aspects as diverse as the everyday and the folkloric. Regarding the Popular charts the many ways in which the allegedly “high” modernists and avant-gardists looked at and represented the “low”. As such, this book will appeal to all those with an interest in the dynamic of modern experimental arts and literatures.
Imi Knoebel
None
The DIY Movement in Art, Music and Publishing
This book considers the history of Do It Yourself art, music and publishing, demonstrating how DIY strategies have transitioned from being marginal, to emergent, to embedded. Through secondary research, observation and 30 original interviews, each chapter analyses one of 15 creative cities (San Francisco, Los Angeles, Dusseldorf, New York, London, Manchester, Cologne, Washington DC, Detroit, Berlin, Glasgow, Olympia (Washington), Portland (Oregon), Moscow and Istanbul) and assesses the contemporary situation in each in the post-subcultural era of digital and internet technologies. The book challenges existing subcultural histories by examining less well-known scenes as well as exploring DIY "best practices" to trace a template of best approaches for sustainable, independent, locally owned creative enterprises.
Kulturchronik
None
