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Technique and Sensibility in the Fiction and Poetry of Raymond Carver
A comprehensive examination of the fiction and poetry of Raymond Carver.
Technique and Sensibility in the Fiction and Poetry of Raymond Carver
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
The Visual Poetics of Raymond Carver
The Visual Poetics of Raymond Carver draws on the study of visual arts to illuminate the short stories of noted author Raymond Carver, in the broader context of vision and visualization in a literary text. Ayala Amir examines Carver's use of the eye-of-the-camera technique. Amir uncovers the tensions that structure his visual aesthetics and examines assumptions that govern scholarly discussions of his work, relating these matters to the complex nature of photography and to the current 'visual turn' of cultural studies. The research uses visual approaches to reflect upon traditional issues of narrative study-duration, dialogue, narration, description, frame, character, and meaning. Amir shows how Carver's visual aesthetics shapes the meaning of his stories, while also challenging accepted notions of the boundaries of 'the literary.'
The Twentieth-Century American Fiction Handbook
THE TWENTIETH-CENTURY AMERICAN FICTION Accessibly structured with entries on important historical contexts, central issues, key texts and the major writers, this Handbook provides an engaging overview of twentieth-century American fiction. Featured writers range from Henry James and Theodore Dreiser to contemporary figures such as Joyce Carol Oates, Thomas Pynchon, and Sherman Alexie, and analyses of key works include The Great Gatsby, Lolita, The Color Purple, and The Joy Luck Club, among others. Relevant contexts for these works, such as the impact of Hollywood, the expatriate scene in the 1920s, and the political unrest of the 1960s are also explored, and their importance discussed. This is a stimulating overview of twentieth-century American fiction, offering invaluable guidance and essential information for students and general readers.
Paradigms of Authority in the Carver Canon
Raymond Carver's personal story as a writer became publicly known through an unusually intense cooperation with his literary agent Gordon Lish. Carver’s career can be viewed as the story of a fight for the control of his writerly voice in which he is doomed to fail due to the heterogeneity characterizing the genesis of his works. The parallel versions of the same stories in the Carver canon not only pose a threat to any attempt of a simplistic evaluation of his literary legacy but also raise questions about the authority of the writer. The author of the present book considers the choices Carver, Lish and other editors made part of the collective social act of manufacturing and attempts to carry out a neutral analysis of the various versions.
Raymond Carver's Short Fiction in the History of Black Humor
This first book-length study on the black humor in Raymond Carver's work includes valuable interpretations of Carver's aesthetics as well as the psycho-social implications of his short fiction. The presence of an indeterminate «menace» in the oppressive situations of black humor in Carver - as compared to a European tradition of existentialist writing and his American predecessors including Twain, Heller, Barth and others - is mitigated through humor so it is not dominant. As a result, a subtle promise emerges in the characters' lives.
The Dirty Realism Duo
CHARLES BUKOWSKI & RAYMOND CARVER Charles Bukowski and Raymond Carver were credited as the fathers of the "Dirty Realism" genre in the 1980s--branching out from minimalism, the stripping of fiction down to the least amount of words and a concentration on the subject's view of the object. The characters are usually run-of-the-mill, every day people--the lower and middle class worker, the unemployed, the alcoholic, the beaten-down-by-life. In this experimental monograph (in the vein of D. H. Lawrence's Studies in Contemporary American Fiction), avante/pop literary critic Michael Hemmingson examines these dirty works of Bukowski and Carver through the lens of late twentieth-century American cul...
Minimalism and Affect in American Literature, 1970-2020
Theorizes the development of a minimalist mode in American fiction since 1970, frequently seen to interrogate US postmodernity. Minimalism and Affect in American Literature, 1970-2020 responds to existing studies of literary minimalism by pursuing three original and interrelated objectives. It provides a more inclusive and precise definition of minimalism that enables further inquiry into the mode. It also exposes the presence of minimalism beyond critical demarcations that attempt to limit the aesthetic to a particular school, medium, movement, form or decade. Finally, it argues that writers of American literary minimalism are uniquely privileged in their ability to formalize precarity and ...
The Hemingway Review
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The Carver Chronotope
Raymond Carver's fiction is widely known for its careful documentation of lower-middle-class North America in the 1970s and 80s. Building upon the realist understanding of Carver's work, Raymond Carver's Chronotope uses a central concept of Bakhtin's novelistics to formulate a new context for understanding the celebrated author's minimalist fiction. G. P. Lainsbury describes the critical reception of Carver's work and stakes out his own intellectual and imaginative territory by arguing that Carver's fiction can be understood as diffuse, fragmentary, and randomly ordered. Offering a fresh analysis of Carver's body of work, this book offers an extensive meditation on this major figure in postmodern U.S. fiction.
