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A New Matrix for Modernism
Many studies of poetic modernism focus on the avatars of High Modernism, Eliot, Pound and Yeats, who created a critical coterie based on culture and class. A New Matrix for Modernism introduces a matrilineage for modernism that traces a distinct women's poetic voice from the Bronte sisters through Alice Meynell to modernists Charlotte Mew and Anna Wickham who combine feminist content with an innovative exploration of formalist prosody. Shifting emphasis from woman to child, mother to daughter, and urbs to suburb, relocating modernism's matrilingua to the boundaries of London society and culture, A NewMatrix for Modernism ranges widely among architecture, mental illness, Fabianism, Positivism, Theosophy, women's suffrage and education to a new house for modernism-a woman's place of secret joys and sorrows. Well researched yet passionate, this book will appeal to both the scholar and the generalist interested in modernism, poetry, feminism, culture and British literary history.
Developing and Sustaining Successful First-Year Programs
Developing and Sustaining Successful First -Year Programs First-year programs and interventions have become critical launching pads for student success and retention in higher education. However, these programs often flounder not because of what they are trying to do, but because of the ways in which they are implemented. Developing and Sustaining Successful First-Year Programs offers faculty, academic administrators, and student affairs professionals a comprehensive and practical resource that includes step-by-step guidance for developing new first-year programs and enhancing existing programs. The book explores the key elements that contribute to sustained student success and the programs ...
Beating the Bounds
Exploring the role of boundaries and limits in the writing of James Joyce Beating the Bounds examines the role of boundaries and limits in James Joyce’s later works, primarily Finnegans Wake but also Ulysses and other texts. Building on the ideas of philosophers Friedrich Nietzsche, Giordano Bruno, and scholar Fritz Senn, Roy Benjamin explains and reconciles Joyce’s contrary tendencies to establish and transgress limits. Benjamin begins by contrasting Joyce’s exploration of the artificial impositions of ritual and political power with the writer’s attention to natural boundaries of rivers and mountains. The next section considers sexual, spiritual, and interpersonal boundaries in the...
Progress & Identity in the Plays of W.B. Yeats, 1892-1907
Progress and Identity in the Poems of W. B. Yeats explores the ways in which Yeats's plays offer an alternative form of progress via a philosophical system of opposites: Always seeking the opposite, the nature of which changes as we change, we continually augment our personalities, and ultimately improve society, with the inclusion of the Other. This system, which eventually became Yeats's doctrine of the mask, provided his contemporaries with a method of changing what science, Platonism, and Victorian bourgeois ideologies claimed to be inescapable qualities of self. Progress and Identityn relocates Yeats's literary, social, and political relevance from his essentializing cultural nationalism to his later, more broad-minded definitions of progress.
Anna Wickham
Anna Wickham's life is characterized by the turbulent, burgeoning feminism of the early 20th century. A woman whose incisive mind and inquisitive nature sent her husband into jealous rages, she was forcibly committed to a mental hospital at the age of 30. Upon her release, she began a life-long quest for happiness, exhibited first and foremost through her poetry. Anna Wickham became a widely acclaimed writer whose life, at times immersed in scandal, is a story of success and sadness. Eventually leaving her husband and four sons to live in Paris's left bank, she became a confidante of D.H. Lawrence, the long-time lover of millionairess Natalie Clifford Barney, and a strong-willed literary icon, rumored to have once thrown Dylan Thomas into a snowstorm. Despite her fame and achievement, Wickham's struggles with depression and anxiety would eventually lead to her untimely death.
American Flaneur
American Flaneur investigates the connections between Edgar A. Poe and the nineteenth-century flaneur - or strolling urban observer - suggested in Walter Benjamin's discussion of Baudelaire. This study illustrates the centrality of the flaneur to Poe's literary aims, and uses the flaneur to illuminate Poe's intimate yet ambivalent relationship to his surrounding culture. While James V. Werner concentrates on Poe's fiction, this book treats many areas of nineteenth-century intellectual and popular culture, including science and pseudo-science, the American magazine marketplace, urban topology, the grotesque, labyrinths, narratives of exploration and discovery, and cosmological treatises. Werner draws on Marxist, reader response and periodical theories while reconstructing Poe through examinations of ephemeral texts of the time.
George Orwell, Doubleness, and the Value of Decency
In its analysis of Animal Farm , Burmese Days , Keep the Aspidistra Flying and Nineteen Eighty-Four , this book argues that George Orwell's fiction and non-fiction weigh the benefits and costs of adopting a doubled perspective - in other words, seeing one's own interests in relation to those of others - and illustrate how decency follows from such a perspective. Establishing this relationship within Orwell's work, Anthony Stewart demonstrates how Orwell's characters' ability to treat others decently depends upon the characters' relative capacities for doubleness.
James Joyce & the Perverse Ideal
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Conrad's Narratives of Difference
In Joseph Conrad’s tales, representations of women and of "feminine" generic forms like the romance are often present in fugitive ways. Conrad’s use of allegorical feminine imagery, fleet or deferred introductions of female characters, and hybrid generic structures that combine features of "masculine" tales of adventure and intrigue and "feminine" dramas of love or domesticity are among the subjects of this literary study. Many of Conrad’s critics have argued that Conrad’s fictions are aesthetically flawed by the inclusion of women and love plots; thus Thomas Moser has questioned why Conrad did not "cut them out altogether." Yet a thematics of gender suffuses Conrad’s narrative str...
