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The Mammoth Book of Erotica presents The Best of Michael Hemmingson
  • Language: en
  • Pages: 169

The Mammoth Book of Erotica presents The Best of Michael Hemmingson

  • Type: Book
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  • Published: 2012-07-26
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  • Publisher: Robinson

Movements A married couple explores the possibilities of swinging, partner-swapping, and making money online through amateur pornography... The Dress A man finds a skimpy, sexy black dress and convinces his wife to wear it in public, enticing her exhibitionist desires and his voyeuristic delights. What seems to be a mere item of clothing has transformative properties for them both... Hollow Hills Cinda explores her sexuality one night in a car full of men, as the man she plans to marry watches her indulge in every debauchery... The Misery and Agony of Bodies... In the roaring 1920s, a young woman finds herself a willing sex slave for a wealthy man with very perverted ideas... The Comfort of Women An author with his first novel published finds a cure to several years of isolated celibacy: wanton and sultry women in the academic and literary world all willing to give the young author new sensuous material to write about...

The Dirty Realism Duo
  • Language: en
  • Pages: 186

The Dirty Realism Duo

CHARLES BUKOWSKI & RAYMOND CARVER Charles Bukowski and Raymond Carver were credited as the fathers of the "Dirty Realism" genre in the 1980s--branching out from minimalism, the stripping of fiction down to the least amount of words and a concentration on the subject's view of the object. The characters are usually run-of-the-mill, every day people--the lower and middle class worker, the unemployed, the alcoholic, the beaten-down-by-life. In this experimental monograph (in the vein of D. H. Lawrence's Studies in Contemporary American Fiction), avante/pop literary critic Michael Hemmingson examines these dirty works of Bukowski and Carver through the lens of late twentieth-century American cul...

Zona Norte
  • Language: en
  • Pages: 214

Zona Norte

Zona Norte: The Post-Structural Body of Erotic Dancers and Sex Workers in Tijuana, San Diego and Los Angeles: An Auto/ethnography of Desire and Addiction started out as an ethnographic study of prostitution on both sides of the U.S./Mexican border and, as cultural anthropologist Michael Hemmingson explains, turned inward as a study of the self, or what is referred to as â oeauto/ethnographyâ in todayâ (TM)s lexicon of qualitative research. The author studies himself within the culture of the Other â "- he examines his feelings, memories, and reactions as he conducts his participant observations and interviews in the field, questioning why he chose to research erotic and exotic dancers, s...

Star Trek
  • Language: en
  • Pages: 156

Star Trek

Well-known writer Michael Hemmingson offers a history and critique of the original Star Trek TV series, and the impact it has had on our culture, language, and science. Also included is the first coverage in book form of the 2009 Star Trek motion picture.

The Mammoth Book of Short Erotic Novels
  • Language: en
  • Pages: 530

The Mammoth Book of Short Erotic Novels

In the tradition of Carroll & Graf's The Mammoth Book of Erotica, The Mammoth Book of International Erotica, The Mammoth Book of New Erotica, and The Mammoth Book of Historical Erotica - which together have sold more than 400,000 copies - comes this provocative new volume in a hot-selling series, featuring such top writers of erotic fiction as Robert Coover, O'Neil De Noux, Mark Ramsden, Gene Santagarda, and Lucy Taylor along with the editors of this sizzling collection, Michael Hemmingson and Maxim Jakubowski. Written especially for this anthology, these piquant tales do not only titillate. As novellas, they also expatiate, involving the reader in the complications of plot as well as of lust and exploring the emotional interiors of their characters as well as in their sensual intrigues and sexual gymnastics. From Michael Perkins's "Night Moves" to William Vollmann's "De Sade's Last Stand," from Josephine Jarmaine's "The Doll" to M. Christian's "Speaking Parts" - whether disturbingly autobiographical or wildly fantastical, meditative or action-packed - these tales will arouse, fascinate, astound, and delight in their racy variety.

Pictures of Houses with Water Damage
  • Language: en

Pictures of Houses with Water Damage

  • Type: Book
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  • Published: 2010
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  • Publisher: Unknown

Hemmingson, who's been called Raymond Carver on acid, writes from within the everyday man's murky nightmares.

The Mammoth Book of Legal Thrillers
  • Language: en
  • Pages: 560

The Mammoth Book of Legal Thrillers

Tales of he tension of crowded courtrooms, jaded DAs, surprise witnesses, stunning defenses, and divided juries fill an anthology of legal thrillers featuring contributions from acclaimed authors such as Graham Greene, Mark Leyner, Irwin Shaw, Scott Turow, Andrew Vachss, John Grisham, and others. Original.

The Mammoth Book of Erotica
  • Language: en
  • Pages: 599

The Mammoth Book of Erotica

  • Type: Book
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  • Published: 1994
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  • Publisher: Unknown

This gathering of writings from well-known authors is a celebration of sensual love from classic times to the present day. Representing some of literature's brightest lights, this anthology aptly fulfills the many purposes of erotic writing. Included here are selections from Anais Nin, Anne Rice, Pat Califia, Alice Joanou, and many others.

Nice Little Stories Jam-packed with Depraved Sex & Violence
  • Language: en
  • Pages: 88

Nice Little Stories Jam-packed with Depraved Sex & Violence

  • Type: Book
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  • Published: 1995
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  • Publisher: Unknown

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Pursuing Hollywood
  • Language: en
  • Pages: 210

Pursuing Hollywood

Before coming to the academy, Nathaniel Kohn was a screenwriter and producer in Hollywood, London, and South Africa. He produced the epic film Zulu Dawn (with Burt Lancaster, Peter O'Toole and 6,000 Zulu extras), and was involved in other projects in that wheel-and-deal world. Moving to the communications research world, he struggled to apply theory to his personal experiences, showing how everyday life and the pursuits of Hollywood interact and how communication and cultural theory (mis)inform those exchanges. The book is filled with priceless tales of finding a black market money changer in Johannesburg to pay off his extras during the filming of Zulu Dawn, the on again/off again nature of movie projects, the obsessed women and dreadful men, the egos, and the duplicity. His experimental writing style--descriptive ethnography, imaginary screen dialogue, recounted conversations--makes this a highly readable work.