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The Art of Beowulf
During the twenty years that have passed since the publication of J.R.R. Tolkien's famous lecture, "Beowulf, the Monsters and the Critics," interest in Beowulf as a work of art has increased gratifyingly, and many fine papers have made distinguished contributions to our understanding of the poem as poetry and as heroic narrative. Much more, however, remains to be done. We have still no systematic and sensitive appraisal of the poem later than Walter Morris Hart's Ballad and Epic, no thorough examination of the poet's gifts and powers, of the effects for which he strove and the means he used to achieve them. More than enough remains to occupy a generation of scholars. It is my hope that this book may serve as a kind of prolegomenon to such study. It makes no claim to completeness or finality; it contributes only the convictions and impressions which have been borne in upon me in the course of forty years of study of the poem. - Preface.
He Rules Who Can
Harald Sigurdsson, Norwegian prince, arrives in Constantinople in 1038 with 500 soldiers, whereupon he is offered command of the Varangian Guard, the Norse half of the Emperor's bodyguard. Harald, entangled in Greek lies and intrigue, hardly knows whom to trust: John, the real ruler of the Eastern Empire; Zoe, the widowed Empress, or the Patriarch of the Eastern Church who had schemes of his own. Written by longtime Adventure magazine contributor, Arthur Gilchrist Brodeur, He Rules Who Can is one of the most authentic historical action stories to see print in Argosy magazine.
Interpretations of Beowulf
Interpretations of Beowulf brings together over six decades of literary scholarship. Illustrating a variety of interpretative schools, the essays not only deal with most of the major issues of Beowulf criticism, including structure, style, genre, and theme, but also offer the sort of explanations of particular passages that are invaluable to a careful reading of a poem. This up-to-date collection of significant critical approaches fills a long-standing need for a companion volume for the study of the poem. Larger patterns in the history of Beowulf criticism are also traceable in the chronological order of the collection. The contributors are Theodore M. Andersson, Arthur Gilchrist Brodeur, Jane Chance, Laurence N. de Looze, Margaret E. Goldsmith, Stanley B. Greenfield, Joseph Harris, Edward B. Irving, Jr., John Leyerle, Francis P. Magoun, Jr., M. B. McNamee, S. J., Bertha S. Phillpotts, John C. Pope, Richard N. Ringler, Geoffrey R. Russom, T. A. Shippey, and J. R. R. Tolkien.
Prose Edda
The Edda is a thoroughly researched study on the Norse mythology through the analysis of an Old Norse work of literature written in Iceland during the early 13th century. Edda is considered the fullest and most detailed source for modern knowledge of Norse mythology. Scholarly approach and conducted research have allowed the author to determine the age of the different versions of various myths.
The Adventures of Faidit and Cercamon
Arthur Gilchrist Brodeur (1888-1971) is the "Dr. Jekyll and Mr. Hyde" among the pulp writers-as a professor of English and Germanic Philology at Berkeley, University of California, he is known for his translation of the 13th century Scandinavian mythological work Edda and his scholarly work on the Old English epic poem Beowulf, but in the early stages of his career he also wrote exciting historical adventures-sometimes in collaboration with his friend Farnham Bishop-for the pulp magazines Adventure and Argosy. This volume collects all the stories of Brodeur's medieval heroes Pierre of the Sword and Cercamon the Troubadour which were published in Adventure between 1921 and 1925. Set in the mi...
