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A powerful account of the resistance group made up of German students who opposed Nazism, written by the sister of two members who were killed. The White Rose tells the story of Hans Scholl and Sophie Scholl, who in 1942 led a small underground organization of German students and professors to oppose the atrocities committed by Hitler and the Nazi Party. They named their group the White Rose, and they distributed leaflets denouncing the Nazi regime. Sophie, Hans, and a third student were caught and executed. Written by Inge Scholl (Han’s and Sophie’s sister), The White Rose features letters, diary excerpts, photographs of Hans and Sophie, transcriptions of the leaflets, and accounts of the trial and execution. This is a gripping account of courage and morality. “A sad and beautiful book; timely and timeless.” —The Wall Street Journal “The existence of an organized resistance in Germany during the Third Reich has often been glossed over or ignored . . . Now for the first time this fascinating story, told by the surviving sister of two of the students, is available in accurate and readable English.” —Library Journal
A unique study of the WW2 culture of Germany.
The debate over the central issue confronted in Closing--the role of the university and the liberal arts in the United States--has become increasingly urgent and contentious. The goal of this collection of essays is to consider what we can learn about the dilemmas confronting American culture through a consideration of both The Closing of the American Mind and the debate it has aroused. The contributors differ among themselves as to the validity of both the diagnoses and the solutions Bloom offers, yet they do not engage in "Bloom-bashing" or hero-worship. The goal of the book is to place the debate over Closing into the larger context than can be achieved in a book review format. To provide...
Dying Is Not Death examines from a traditional humanistic position the act of dying. The author views death as a universal experience that can and perhaps should force us to explore various technological intrusions upon it. Each chapter is an independent narrative, and some chapters tell stories of those struggling to die when confronted with the medical system's technological artifacts. Recounting different persons' experiences of death, Lee Hoinacki suggests that the medical system's conventional approaches to dying and death can distort our preparation for this most important experience. Borrowing from Jacques Ellul and Ivan Illich, Hoinacki acknowledges technology as an all-embracing system with powerful symbolic effects on the human condition and argues to a conflict between faith and technology. Indeed, with Ellul, he holds that in order to criticize technology, one must find some “place" outside the technological milieu that would act as a kind of Archimedean lever. One must somehow get to the Beyond to judge where one stands in the world.
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