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Arthur Saint-Léon
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Letters from a Ballet-master
Arthur Saint-Leon, the choreographer of Coppélia, was an indefatigable and articulate letter writer. This collection, translated and edited by Ivor Guest, dates mostly from the 1860s, when Saint-Leon dominated the ballet in both Paris and St. Petersburg, and casts new light on the man and his work.
La Vivandiere Pas de Six
World renowned ballet historian Ivor Guest provides the historical background of the piece -- the period, choreography and style. The Study and Performance Notes are the result of productions of the Labanotation, the contemporary dance notation system, and make the choreography accessible internationally to researchers, students, teachers and dancers. While the steps are challenging on a technical level, the ballet is an excellent piece for students of dance, and provides insight into the Romantic Ballet style. The "Pas de Six" from "La Vivandiere" is the only ballet that has been preserved intact from the glorious Romantic period of ballet. Recorded in detail by the choreographer Arthur Saint-Leon in his own dance notation system, it can now be revived for audiences to enjoy and scholars to study.
La Vivandière Pas de Six
"The Pas de Six from La Vivandiere is the only ballet preserved intact from the glorious period of the Romantic Ballet. Because it was recorded in detail by the choreographer Arthur Saint-Leon in his own dance notation system it could be revived faithfully for audiences to enjoy and students and scholars to study. The historical background of the piece - the period, the choreography, the style - has been provided by world renowned ballet historian Ivor Guest. The Study and Performance Notes which provide a guide in studying and reviving the ballet are the result of productions of the work for professional companies. Publication of the ballet in Labanotation, the contemporary dance notation system, makes the choreography accessible internationally to researchers, students, teachers and dancers. While the steps are technically challenging, the ballet is an excellent piece for students to dance, thereby gaining insight into the Romantic Ballet style."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Coppélia
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Coppelia
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Fiammetta/Nemea
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La Vivandiere Pas de Six
The Pas de Six from La Vivandiere is the only ballet preserved intact from the glorious period of the Romantic Ballet. Because it was recorded in detail by the choreographer Arthur Saint-Leon in his own dance notation system it could be revived faithfully for audiences to enjoy and students and scholars to study. The historical background of the piece - the period, the choreography, the style - has been provided by world renowned ballet historian Ivor Guest. The Study and Performance Notes which provide a guide in studying and reviving the ballet are the result of productions of the work for professional companies. Publication of the ballet in Labanotation, the contemporary dance notation system, makes the choreography accessible internationally to researchers, students, teachers and dancers. While the steps are technically challenging, the ballet is an excellent piece for students to dance, thereby gaining insight into the Romantic Ballet style.
Coppélia ... Excerpts from Act 1 1870 Version
The National Ballet, Frederic Franklin, artistic director, Oleg Tupine, ballet master, Ottavio de Rosa, principal conductor, James MacInnes, associate conductor, John Gamble, stage manager, May Ishimoto, costumer, Ralph Black, general manager, sponsored by George Washington University, "Coppelia," choreography after Nicholas Sergeyev and Arthur Saint-Leon, restaged by Frederic Franklin, music by Leo Delibes, scenery by James Waring, costumes by Joseph Lewis, ladies' costumes executed by May Ishimoto, men's costumes executed by Jacob Zulin, conductor: Ottavio DeRosa.
