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A woman's dismembered corpse is discovered in a suitcase, and police quickly identify her husband, Doctor Ibrahim Aziz, as their chief suspect. Incriminating evidence is discovered at his home and his wife was rumoured to be having an affair, giving him clear motive. With his reputation for winning hopeless cases, barrister Arthur Skelton is asked to represent the accused. Though Aziz's guilt does not seem to be in doubt, a question of diplomacy and misplaced larvae soon lead Skelton to suspect there may be more to the victim's death. Aided by his loyal clerk Edgar, Skelton soon finds himself seeking justice for both victim and defendant. But can he uncover the truth before an innocent man is put on trial and condemned to the gallows?
Shortlisted for the CWA Sapere Books Historical Dagger 2021. January 1929. When Arthur Skelton won the legal case of the century, he went from being an unremarkable barrister to front-page sensation. Now he faces a new challenge. Mary Dutton is accused of poisoning her husband and the police are utterly convinced she is guilty. Even her supporters think she did it. Skelton agrees to take on what many consider an unwinnable case, a decision wholly unconcerned with the defendant's resemblance to a beautiful actress. With an army of women set to vote for the first time in history, the fate of Mary Dutton will have a significant impact on Britain's political future. Skelton faces mounting pressure to find the truth, but will that be enough to save a young woman's life?
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From its establishment in 1745, Augusta County, Virginia served as a haven for Scotch-Irish, German, and, to a lesser extent, English immigrants who failed to find economic opportunity or religious freedom in the colonial settlements along the Middle Atlantic coastline. This little known but important work contains detailed genealogies of the twenty families mentioned in the title of the work, who settled in that region of "old western Augusta" that today encompasses Bath and Highland counties, Virginia. In addition to the family histories, the compiler has provided introductory chapters on the history of German and Scotch-Irish settlement to the region; a table of family members who fought in the Colonial, Revolutionary, and Civil Wars, and a full name index with approximately 10,000 entries.
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Directors have long been the main figures on Eastern European stages. During the last three decades some of the most outstanding among them have risen to international stardom thanks to their ground-breaking productions that speak to audiences far beyond local borders. Not by chance, a considerable number of these directors have won the second-biggest theatre award on the continent – the European Prize for (New) Theatrical Realities. It would not be an exaggeration to say that the top directors of the region have been pushing contemporary theatre as a whole ahead into new territories. This book offers informative and in-depth portraits of twenty of these directors, written by leading critics, scholars, and researchers, who shed light on the directors’ signature styles with examples of their emblematic productions and outline the reasons for their impact. In addition, in two chapters the selected directors themselves discuss their artistic family trees as well as the main stakes theatre faces today. The book will be of interest to theatre scholars, students, and anybody engaged with theatre on a global scale.