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Arthur Stuart-Menteth Hutchinson (2 June 1879 - 14 March 1971), commonly known by his initials A. S. M. Hutchinson, was a British novelist.
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If Winter Comes "is not only a thrilling tale, it is an important work of art" so stated the New York Times review of A.S.M. Hutchinson's novel. A humorous but thoughtful and advanced portrait of an unhappy marriage, this captivating novel deals with death, divorce, and everything inbetween.
Her hands were firm and cool, and his were trembling, trembling; but her eyes were laughing, laughing, and his own eyes burned. Mr. Wriford had caught at her hands. For a brief moment, as one in great agony almost swoons in ecstasy of relief at sudden cessation of the pain, he had felt his brain swing, then float, in most exquisite calm at the peace, at the strength their firm, cool touch communicated to him. Then Mr. Wriford saw the laughing lightness in her eyes, and felt his own—whose dull, aching burn had for that instant been slaked—burn, burn anew; and felt beat up his brain that dreadful rush of blood that often in these days terrified him; and felt that lift and surge through all his pulses that sometimes reeled him on his feet; and knew that baffling lapse of thought which always followed, as though the surge were in fact a tide of affairs that flung him high and dry and left him out of action to pick his way back—to grope back to the thread of purpose, to the train of thought, that had been snapped—if he could!
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'Once Aboard the Lugger' is an adventure novel by A. S. M. Hutchinson. The story begins by introducing us to Mr. Christopher Marrapit, who is dozing in a chair upon the lawn while his darling cat, the Rose of Sharon, is sleeping on his lap. Stiffly beside him sits Mrs. Major, his companion—that masterly woman.
"Gods of Modern Grub Street: Impressions of Contemporary Authors" by Arthur St. John Adcock offers a fascinating glimpse into the literary world of the early 20th century. Through a series of insightful essays, Adcock provides vivid portraits of notable writers of his time, offering readers a window into their lives, works, and literary influences. From established luminaries to up-and-coming talents, Adcock's keen observations shed light on the personalities and motivations that drive these literary figures. With wit and discernment, he navigates topics ranging from literary trends and artistic movements to the societal and cultural forces shaping the literary landscape. "Gods of Modern Grub Street" is an invaluable resource for anyone interested in the writers and thinkers who shaped the literary canon of the early 20th century, providing a nuanced and illuminating perspective on the era's literary giants.
Drawing on a range of texts from the seventeenth century to the present, The Female Body in Medicine and Literature explores accounts of motherhood, fertility, and clinical procedures for what they have to tell us about the development of women's medicine. The essays here offer nuanced historical analyses of subjects that have received little critical attention, including the relationship between gynecology and psychology and the influence of popular art forms on so-called women's science prior to the twenty-first century. Taken together, these essays offer a wealth of insight into the medical treatment of women and will appeal to scholars in gender studies, literature, and the history of medicine.
More than fifty specialists have contributed to the new edition of volume 5 of the Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.