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Whitney Biennial 2022
Presenting the latest iteration of this crucial exhibition, always a barometer of contemporary American art The 2022 Whitney Biennial is accompanied by this landmark volume. Each of the Biennial's participants is represented by a selected exhibition history, a bibliography, and imagery complemented by a personal statement or interview that foregrounds the artist's own voice. Essays by the curators and other contributors elucidate themes of the exhibition and discuss the participants. The 2022 Biennial's two curators, David Breslin and Adrienne Edwards, are known for their close collaboration with living artists. Coming after several years of seismic upheaval in and beyond the cultural, social, and political landscapes, this catalogue will offer a new take on the storied institution of the Biennial while continuing to serve--as previous editions have--as an invaluable resource on present-day trends in contemporary art in the United States.
The Moleskine Project Volume 1
A compendium of fifty full page illustrations and paintings collected from the 2014 and 2015 "Moleskine Project" group show at Spoke Art gallery in San Francisco. Featuring an all-star roster of international artists in an embossed leather bound cover with rounded corners, ribbon bookmark and elastic band closure.
Edward Hopper's New York
Illustrated by over 50 of Edward Hopper's most powerful evocations of New York, Avis Berman's essay explores how Hopper and his work illuminate each other by analyzing what his New York is - and is not. Ever the contrarian, he offers an alternative to what other American artists seized on - the new, the gigantic, the technologically exciting. Hopper stayed away from tourist attractions or landmarks of the city's glamorous skyline. His preference for nondescript vernacular buildings is emblematic of the larger Hopper paradox: he makes emptiness full, silence articulate, banality intense, plainness mysterious, and tawdriness noble.
Anselm Kiefer - für Andrea Emo
Für Andrea Emo brings together around twenty paintings and three vitrines alongside recent diaries of Anselm Kiefer (born 1945). Dedicated to nihilist philosopher Andrea Emo, Kiefer's use of molten lead on painted canvases reflects his interest in the concept of destruction and regeneration.
Art Hiding in New York
Uncover the artistic masterworks hidden across New York City in this charmingly illustrated exploration of one of the world's greatest creative treasure troves. There's so much to love about New York, and so much to see. The city is full of art, and architecture, and history -- and not just in museums. Hidden in plain sight, in office building lobbies, on street corners, and tucked into Soho lofts, there's a treasure trove of art waiting to be discovered, and you don't need an art history degree to fall in love with it. Art Hiding in New York is a beautiful, giftable book that explores all of these locations, traversing Manhattan to bring 100 treasures to art lovers and intrepid New York adv...
Contemporary American Realist Drawings
The Davidsons assembled an extraordinary collection of American drawings dating from 1960 to the present, showcasing the continuing currency of realism and humanism. Featuring such artists as William Bailey, Jack Beal, William Beckman, Rackstraw Downes, Janet Fish, Alex Katz, Alfred Leslie, Michael Mazur, Alice Neel, and Philip Pearlstein, the collection has been given to the Art Institute of Chicago, which is exhibiting 125 of its finest examples. This beautiful volume includes biographies of the artists and an important critical essay by Ruth E. Fine. 126 colour illustrations
Assume Vivid Astro Focus
Punch-out mask with elastic band on flyleaf; 1 folded leaf inserted in pocket attached to inside back cover.
Garmenting
"Garmenting: Costume as Contemporary Art centers on contemporary artists' explorations of how dress both expresses and shapes who we are-our personal, cultural, and political identities-and it is my hope that their work will help stimulate discussion and foster understanding during these troubled times. As the quintessential "outside the box" thinkers, artists have always been on the front lines of driving and processing social change; there is a reason cutting-edge art has long been referred to by a military term, "avant-garde." As society rebuilds, artists' insights about our world and how we inhabit it are more necessary than ever"--
Simone Fattal: Works and Days
Published for the artist's first solo exhibition at an American museum, this catalog highlights a selection of the more than 200 works by Paris- and California-based Lebanese artist and publisher Simone Fattal (born 1942). Over the past 40 years, Fattal has made work encompassing abstract and figurative ceramics, bronzes, paintings, watercolors and collages. These works draw from a range of sources including war narratives, landscape painting, ancient history, mythology and Sufi poetry to explore the impact of displacement as well as the politics of archeology and excavation. The first catalog on her work to be published in the United States, Works and Daysfeatures a selection of color plates tracing the arc of Fattal's career from 1969 to the present, as well as an essay by Ruba Katrib, the exhibition curator.
Inventing Downtown
This enlightening and thought-provoking look at New York City’s postwar art scene focuses on the galleries and the artists that helped transform American art. While the achievements of New York City’s most renowned postwar artists—de Kooning, Pollock, Rothko, Franz Kline— have been studied in depth, a large cadre of lesser-known but influential artists came of age between 1952 and 1965. Also understudied are the early, experimental works by more well- known figures such as Mark di Suvero, Jim Dine, Dan Flavin, and Claes Oldenburg. Focusing on innovative artist-run galleries, this book invites readers to reevaluate the period—uncovering its diversity, creativity, and nuances, and tr...
