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Better Homes
A group exhibition of contemporary artists examining the construction of the interior through design and homemaking. Better Homes is accompanied by a catalog featuring texts by SculptureCenter Director Mary Ceruti, Curator Ruba Katrib and poet Ariana Reines. Featured artists include Jonathas de Andrade, Neïl Beloufa, Keith Edmier, LaToya Ruby Frazier, Robert Gober, Tamar Guimarães, Anthea Hamilton, E'wao Kagoshima, Yuki Kimura, KwieKulik, Paulina Olowska, Kirsten Pieroth, Josephine Pryde, Carissa Rodriguez, Martha Rosler, and Güneş Terkol. Curated by Ruba Katrib.
Where is Production?
Where is Production? is the first instalment of Black Dog Publishing's series Inquiries into Contemporary Sculpture that explores what constitutes, excites, entangles, and necessitates ideas and questions around sculpture. Each volume in the series chooses a different line of inquiry, aided by a select group of artists, curators and historians. Where is Production? is an exploration into the medium's modes and sites of production. It questions the meaning of the word ?production' itself, what it encompasses, and how it informs and leads sculptural practice today. With contributions by SculptureCenter members of staff ? Mary Ceruti, the Executive Director and Chief Curator, and Ruba Katrib, Curator ? alongside artist Carol Bove and Editor-in-chief of Artforum magazine Michelle Kuo, amongst others. Where is Production? is an insightful, thought-provoking look at contemporary sculpture, for those interested in the field and contemporary art as a whole. The SculptureCenter is a not-for-profit arts institution in Long Island City, New York, dedicated to experimental and innovative developments in contemporary sculpture.
A Disagreeable Object
A group exhibition of contemporary artists surveying surrealist impulses, A Disagreeable Object is accompanied by a catalog featuring essays by SculptureCenter Director Mary Ceruti and Curator Ruba Katrib. Featured artists include Alisa Baremboym, Alexandra Bircken, Ian Cheng, Talia Chetrit, Martin Soto Climent, FOS, Aneta Grzeszykowska, Camille Henrot, Alicja Kwade, Charles Long, Sarah Lucas, Ann Cathrin November Hýli, Matthew Ronay, Pamela Rosenkranz, Michael E. Smith, Johannes VanDerBeek, Andro Wekua, Susanne M. Winterling and Anicka Yi. Curated by Ruba Katrib.
Tue Greenfort
Tue Greenfort: Garbage Bay is Tue Greenfort's first US solo exhibition and it deals with the art's role in reaffirming and dismantling assumptions about nature and the environment. The exhibition is accompanied by a catalog with texts by SculptureCenter Curator Ruba Katrib and Adam Kleinman.
Greater New York 2021
Through images, artist writings, roundtable conversations and oral histories highlighting key artists from the fifth edition of Greater New York at MoMA PS1, this book expands core themes in the exhibition, such as the interrelation of the surrealistic and the documentary; New York as site of Indigenous and diasporic cultural production; and the everyday challenges of living as an artist in a rapidly changing city. Central to the book is a wide selection of primary source materials: writings, poetry, notes, sketches and scripts by exhibition artists offering, in their own words, a window into their interdisciplinary processes and approaches.
The Sculptural in the (Post-)Digital Age
Digital technologies have profoundly impacted the arts and expanded the field of sculpture since the 1950s. Art history, however, continues to pay little attention to sculptural works that are conceived and ‘materialized’ using digital technologies. How can we rethink the artistic medium in relation to our technological present and its historical precursors? A number of theoretical approaches discuss the implications of the so-called ‘Aesthetics of the Digital’, referring, above all, to screen-based phenomena. For the first time, this publication brings together international and trans-historical research perspectives to explore how digital technologies re-configure the understanding of sculpture and the sculptural leading into the (post-)digital age. Up-to-date research on digital technologies’ expansion of the concept of sculpture Linking historical sculptural debates with discourse on the new media and (post-)digital culture
Showcaller
Showcaller' is the first book exploring the work of emerging artist Talia Chetrit. It brings together a broad range of her work made between 1994 and 2018 and is linked to a retrospective museum exhibition at the Kölnischer Kunstverein in early 2018. The title 'Showcaller' is a theatrical term which references the performative aspects of Chetrit's work, the power dynamic between subject and photographer, and, ultimately, between the photographer and her audience. The earliest works included were made when Chetrit was a teenager and she adroitly collapses and shuffles images from across 24 years and neutralizes the space between family portraits, teenage friends, intimate sex pictures, self-...
Rirkrit Tiravanija: a LOT of PEOPLE
Four decades of participatory art, films, sculpture and more from the iconic Relational Aesthetics pioneer Accompanying the first US survey and largest exhibition to date dedicated to Thai artist Rirkrit Tiravanija, Rirkrit Tiravanija: A LOT OF PEOPLE traces four decades of Tiravanija's multifaceted practice. Spanning rarely seen early works from the 1980s through recent projects, the publication covers Tiravanija's experimentations with installation, film, works on paper, ephemera, sculpture and participatory works. Designed by Tiffany Malakooti, the publication features over 400 images--many of which are published for the first time--as well as 23 newly commissioned texts. Longform essays ...
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Fashioning Politics and Protests
Through meticulous examinations, this book analyzes how women update their identities and articulate their feelings through clothing and art in protests, politics in the United States in the 20th century. Topics explored include the suffragists and their impact on contemporary art, the significance of the red dress in both The Handmaid’s Tale and the Missing and Murdered Indigenous Women movement, the impact of the Miss America protests, the rising popularity of the pantsuit for women, the recent dominance of the pussyhat, and the way that feminist slogans are disseminated on t-shirts. Movements discussed include craftivism, hashtag culture, feminism, the CROWN act, Pantsuit Nation, socially-committed stores, and more. Interdisciplinary and intersectional at its core, addressing numerous areas, including fashion, sociology, visual culture, art history, feminism, and popular culture; Fashioning Politics and Protests uncovers how women continue to use visual means, explored via their clothing, to change the world.
