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Islamic Art in Detail
This richly illustrated book allows readers to identify the elements and themes of Islamic art forms, and to examine them in works of painting and metalwork, in calligraphy and manuscripts, ceramics, glass, wood, and ivory.
Islamic Art and Spirituality
This is the first book in the English language to deal with the spiritual significance of Islamic art including not only the plastic arts, but also literature and music. Rather than only dealing with the history of the various arts of Islam or their description, the author relates the form, content, symbolic language, meaning, and presence of these arts to the very sources of the Islamic revelation. Relying upon his extensive knowledge of the Islamic religion in both its exoteric and esoteric dimensions as well as the various Islamic sciences, the author relates Islamic art to the inner dimensions of the Islamic revelation and the spirituality which has issued from it. He brings out the spiritual significance of the Islamic arts ranging from architecture to music as seen, heard, and experienced by one living within the universe of the Islamic tradition. In this work the reader is made to understand the meaning of Islamic art for those living within the civilization which created it.
Islamic Art
A group of renowned scholars, collectors, artists, and curators grapple with the challenging notion of defining "Islamic art."
Islamic Art in the 19th Century
This collection of essays on Islamic art and architecture in the nineteenth century covers a wide geographical area and draws together different regional elements. The essays devote much attention to social, political, economic and intellectual issues, including the role of tradition and responses to European aesthetics, among them the appropriation of orientalism and the rise of revivalist movements.
Islamic Arts and Crafts
Islamic art is justly famed for its technological sophistication, varied approaches to ornament, and innovative employment of the written word. But what do we know about the skilled artisans who spent their lives designing and creating the paintings, objects and buildings that are so admired today? This anthology of written sources (dating from the seventh to the twentieth centuries) explores numerous aspects of the crafts of the Middle East from the processing of raw materials to the manufacture of finished artefacts. You will learn about: the legal and ethical dimensions of the arts and crafts, the organisation of labour in urban and rural contexts, the everyday lives of artisans, the gendered dimensions of making things, and the impact of industrialisation upon traditional methods of manufacture. Each chapter begins with an introduction providing a wider context for the primary sources. There are also suggestions for further reading.
Art of Islam
Islamic art is not the art of a nation or of a people, but that of a religion: Islam. Spreading from the Arabian Peninsula, the proselyte believers conquered, in a few centuries, a territory spreading from the Atlantic to the Indian Ocean. Multicultural and multi-ethnical, this polymorphic and highly spiritual art, in which all representation of Man and God were prohibited, developed canons and various motives of great decorative value. Thorough and inventive, these artists expressed their beliefs by creating monumental masterpieces such as the Al-Aqsa mosque in Jerusalem, the Taj Mahal in Agra and the Alhambra in Granada, architectural works in which one recognises the stylisation of motives of the Muslim ceramics. Lively and coloured, Islamic art mirrors the richness of these people whose common denominator was the belief in one singular truth: the absolute necessity of creating works whose beauty equaled their respect for God.
What is “Islamic” Art?
An alternate approach to Islamic art emphasizing literary over historical contexts and reception over production in visual arts and music.
The Art of the Islamic Garden
The Islamic garden is regarded as one of the highest forms of visual art in the civilization of Islam. The principal elements are water and shade; they are also characterized by the chahar-bagh: a four-fold pattern, constructed around a central pool or fountain, with four streams flowing toward the four corners of the earth. Aesthetically, this design provides a striking feature in itself; however, a true appreciation of an Islamic garden is only ever complete with an understanding of the spiritual symbolism manifested in its design and planting. This lavish book provides both an intellectual guide to the symbolism of the Islamic garden and a practical guide to its component parts, with recommendations for suitable trees, shrubs, and flowers and advice on creating an Islamic garden in cooler climates. Garden designer Emma Clark teaches Visual Islamic and Traditional Arts at The Prince’s Foundation, London.
