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Islamic Inscriptions
A vital reference for everyone interested in Islamic inscriptions on buildings, objects and works of art. This beautifully illustrated book explains the importance of Islamic inscriptions and places them expertly in their historical and cultural context. It shows you how to decipher and interpret inscriptions and provides a standard for recording them. In addition, a fully annotated bibliography provides further reading on all aspects of Islamic epigraphy. Winner of the British Kuwait Friendship Society Al-Mubarak Prize 1999 for the best academic work on the Middle East
The Art and Architecture of Islam 1250-1800
They discuss, for example, how the universal caliphs of the first six centuries gave way to regional rulers and how, in this new world order, Iranian forms, techniques, and motifs played a dominant role in the artistic life of most of the Muslim world; the one exception was the Maghrib, an area protected from the full brunt of the Mongol invasions, where traditional models continued to inspire artists and patrons. By the sixteenth century, say the authors, the eastern Mediterranean under the Ottomans and the area of northern India under the Mughals had become more powerful, and the Iranian models of early Ottoman and Mughal art gradually gave way to distinct regional and imperial styles.
Islamic Calligraphy
Joint Winner of the 2007 British-Kuwait Friendship Society Prize for Middle Eastern StudiesThis stunning book is an important contribution to a key area of non-western art, being the first reference work on the art of beautiful writing in Arabic script.The extensive use of writing is a hallmark of Islamic civilization. Calligraphy, the art of beautiful writing, became one of the main methods of artistic expression from the seventh century to the present in almost all regions from the far Maghrib, or Islamic West, to India and beyond. Arabic script was adopted for other languages from Persian and Turkish to Kanembu and Malay. Sheila S. Blair's groundbreaking book explains this art form to mod...
Islamic Arts
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Text and Image in Medieval Persian Art
Focusing on 5 objects found in the main media from the 10th to the 16th century - ceramics, metalware, painting, architecture and textiles - Sheila S. Blair shows how Greater Iranian artisans played with form, material and decoration to engage their audiences.
Islamic Calligraphy
Sheila S. Blair's groundbreaking book is the first reference work on calligraphy, or the art of beautiful writing, in Arabic script. Calligraphy was one of the main methods of artistic expression from the seventh century to the present from the Islamic West to India and beyond. Using over 250 color and black and white illustrations, Blair explains Arabic calligraphy to modern readers, showing how to identify, understand, and appreciate its varied styles and modes. Her book is designed to offer a standardized terminology for identifying and describing various styles of Islamic calligraphy and to help Westerners appreciate why calligraphy has long been so important in Islamic civilization. She also tells the reader what to look for in determining both style and quality of script. This beautiful new book is an ideal reference for anyone with an interest in Islamic art.
By the Pen and what They Write
Considered by Muslims as the only true art, calligraphy has played a prominent role in Islamic culture since the time of the prophet Muhammad. Exploring this central role of the written word in Islam and how writing practices have evolved and adapted in different historical contexts, this book provides an overview of the enormous impact that writing in Arabic script has had on the visual arts of the Islamic world. Approaching the topic from a number of different perspectives, the essays in this volume include discussions on the relationship between orality and the written word; the materiality of the written word, ranging from the type of paper on which books were written to monumental inscriptions in stone and brick; and the development of Arabic typography and the printed book. Generously illustrated, By the Pen and What They Write is an engaging look at how writing has remained a foundational component of Islamic art throughout fourteen centuries. Distributed for the Qatar Foundation, Virginia Commonwealth University, and Virginia Commonwealth University School of the Arts in Qatar
Islamic Art
A group of renowned scholars, collectors, artists, and curators grapple with the challenging notion of defining "Islamic art."
Text and Image in Medieval Persian Art
Focusing on 5 objects found in the main media from the 10th to the 16th century - ceramics, metalware, painting, architecture and textiles - Sheila S. Blair shows how Greater Iranian artisans played with form, material and decoration to engage their audiences.
Cosmophilia
Issued in conjunction with the exhibition of the same name held at the McMullen Museum of Art, Boston College, Sept. 1-Dec. 31, 2006, and at the Alfred and David Smart Museum of Art, University of Chicago, Feb. 1-May 20, 2007.
