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Aldo Iacobelli
This book provides an overview of Iacobelli's work from around 1984 to 2006. It includes his monumental drawings of the '80s, 'Side One' and 'Paintings In Oils, 'New Thinking Is Rare', 'DP', which comments on Australia's refugee politics.
Julie Blyfield
Julie Blyfield is one of Australia's leading contemporary jewellers. Her work has consistently kept pace with investigations of location, identity and cross-cultural understanding, and involves an innovative engagement with traditional jewellery and metalwork techniques sourced from all over the world.
Adelaide Installations
Catalogue to accompany exhibition of installations; vol. 1 includes biographical and background information to the artists and their work; vol. 2 includes photographs of and further information on the installations; Gordon Bennett included in the Negotiating history section; Fiona Foley , David Malangi, Molly Napurrula Martin, Dora Napurrula Long and (Gwanbany) Paddy Carlton combine to mount an exhibition of grand paintings called Moving sands; forward momentum.
Mark Kimber
This work encapsulates the photographic career to date of Mark Kimber, whose track record as an artist has its origins in the early 1980s when, only one year after graduating from art school, six of his prints were collected by the Art Gallery of South Australia. Since that time his photographs have been collected internationally.
Saatchi Gallery in Adelaide
Saatchi Gallery in Adelaide: British Art Now brings together the audacious best of contemporary art straight from London's internationally acclaimed Saatchi Gallery - arguably the biggest influence on contemporary British art over the past 25 years. It features groundbreaking works that challenge conventional artistic sensibilities, created by more than forty of the new generation of daring British contemporary artists. Also featured with Saatchi Gallery in Adelaide is Tracey Emin's controversial My Bed, one of the most iconic works of art of the twentieth century. My Bed sparked a furore as a Turner Prize nomination in 1999 for its confessional revelations of the artist's sexual exploits and self-destructive lifestyle and became a signifier for the 'shock' strategies of the YBAs.
Gerry Wedd
"When I first came across Mambo, I remember looking at the wall of T-shirt designs, at the breadth and wit of the drawing there, and thought: why would they ever use mine?" In the late 1980s the young surfer and artist, Gerry Wedd, came to the attention of Mambo Graphics, the iconoclastic surf-wear company. With his sense of humour, his subject matter, his encyclopaedic knowledge of surfing culture, and his 'scratch board' style of drawing, Wedd found a spiritual home in Mambo and helped build the developing Mambo ethic. But there's more to Gerry Wedd than Mambo. This latest book in the South Australian Living Artists (SALA) series showcases the work of a unique artist who works in a wide range of media, including ceramics, public art, jewellery and fabric design. In a career spanning three decades, Gerry Wedd's works maintain a sardonic wit and thought-provoking charm. In 'Gerry Wedd' author Mark Thomson reveals a man whose life and work is a pleasant shambles of activity, zigzagging in and out of so many subjects and spaces; an artist who makes no apology for not being modernist or post-, post-post-, or any other sort.
Louise Haselton
Louise Haselton offers glimpses of the curious inner lives of everyday and overlooked things. From the domestic to the exotic, the natural to the 'made', she distinctively intuits connections between seemingly disparate material vernaculars. Haselton believes in the invisible forces that bind and repel the world around us. With a witty reverence for the objects and materials she engages with, Haselton explores the communicative possibilities of weight, balance and form within her predominantly sculptural works. Her practice is unexpected, unconventional, and exemplary of an artist especially attuned to the matters which surround us. Louise Haselton: Act natural is a compendium of Haselton's works to date including illustrated essays chronicling the inspirations, influences and ideas behind her extraordinary practice of the last twenty-five years.
2004 Adelaide Biennial of Australian Art
Published to accompany the 2004 Adelaide Biennial of Australian Art: Contemporary Photo-Media, 28th February - 30th May, 2004.
Heart of the Arts
Heart of the Arts: The Adelaide Festival Centre at 40 explains how the Adelaide Festival Centre has moved from making magnificent musicals to capturing the imaginations of all ages on and off the stage in the 21st century. Often this progress has been made against the odds.
