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This work charts the author's intellectual journey during the last ten years as an academic teaching Postcolonial literature in a Canadian university. The essays critique the dominant models of Postcolonial theory that emerge from metropolitan centres and ignore the specifics of time and place. Arun Mukherjee tests these theories by applying them to her classroom experience of teaching authors such as Mulk Raj Anand, Dionne Brand, Anita Desai, Claire Harris, Bessie Head, Sky Lee, and many others.
Omprakash Valmiki describes his life as an untouchable, or Dalit, in the newly independent India of the 1950s. "Joothan" refers to scraps of food left on a plate, destined for the garbage or animals. India's untouchables have been forced to accept and eat joothan for centuries, and the word encapsulates the pain, humiliation, and poverty of a community forced to live at the bottom of India's social pyramid. Although untouchability was abolished in 1949, Dalits continued to face discrimination, economic deprivation, violence, and ridicule. Valmiki shares his heroic struggle to survive a preordained life of perpetual physical and mental persecution and his transformation into a speaking subject under the influence of the great Dalit political leader, B. R. Ambedkar. A document of the long-silenced and long-denied sufferings of the Dalits, Joothan is a major contribution to the archives of Dalit history and a manifesto for the revolutionary transformation of society and human consciousness.
In these closely argued essays, taking examples from writing and film, Arun Prabha Mukherjee considers the place of the third world person - both as artistic creator and as a subject of artistic eneavour - in the West. Works of non-mainstream, immigrant artists, she urges, shoul be understood on their own terms. In particular, established Western aethetics, especially the idea of the Universal and its applications, even within the domains of the postcolonial and feminist criticism, are demonstrated as instances of domination and disregard third world experiences and particularities. On the other hand, key canonical texts in the West, blind to these details of the third world lives they portray, are shown to be distortional and even offensive. This important work includes detailed and original considerations of the works of David Lean, Michael Ondaatje, MG Vassanji, Earle Birney, Rohinton Mistry, Neil Bissoondath, Dionne Brand, and numerous others.
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The Present Book Is An Attempt To Analyse Some Of The Outstanding Post-Colonial Writers Like Arundhati Roy (Booker Prize Winner 1997), Vikram Chandra (Commonwealth Prize Winner 1997), Derek Walcott (Nobel Prize Winner), Margaret Atwood (Booker Prize Winner 2000), Jayanta Mahapatra, Dom Moraes, Nissim Ezekiel, Keki N. Daruwalla, Kamala Das, Shiv K. Kumar, Anita Desai, Shashi Deshpande, Ruskin Bond (All Sahitya Akademi Award Winners) In The Light Of Post-Colonial Theory. Apart From Analysing Individual Authors, An Attempt Has Also Been Made To Show The Trends In Post-Colonial Poetry, Indian English Fiction, Orissan Contribution To Post-Colonial Indian English Literature And Above All, Post-Colonial English Studies In India.
Contributors: Vidyut Aklujkar, Meena Alexander, Himani Bannerji, Chitra Divakaruni, Ramabai Espinet, Lalita Gandbhir, Lakshmi Gill, Feroza Jussawalla, Surjeet Kalsey, Farida Karodia, Geeta Kothari, Yasmin Ladha, Arun Prabha Mukherjee, Hema Nair, Tahira Naqvi, Uma Parameswaran, Roshni Rustomji-Kerns, Nazneen Sheikh, Bapsi Sidhwa, and Perviz Walji
An interdisciplinary collection of essays, Reworking Postcolonialism explores questions of work, precarity, migration, minority and indigenous rights in relation to contemporary globalization. It brings together political, economic and literary approaches to texts and events from across the postcolonial world.
This is a study of the literature of trauma focusing on the Holocaust, the Vietnam war, and sexual violence against women.
This book breaks new ground in the study of Dalit Literature, including in its corpus, a range of genres such as novels, autobiographies, pamphlets, poetry, short stories as well as graphic novels. With contributions from major scholars in the field, it critically examines Dalit literary theory and initiates a dialogue between Dalit writing and Western literary theory.