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Postcolonialism
This collection of essays charts the author's intellectual journey as an academic teaching "postcolonial literature" in a Canadian university. Mukherjee challenges and shows the inadequacy of the postcolonial, feminist and postmodern theories that emerge from the metropolitain centres of the West. Using detailed, nuanced and informed readings of a variety of authors from India, Africa, and Canada she demontrates how in their universalizing such theories fail to take account of the specific histories, cultures, and stuggles within the so-called third-world countries as well as the non-European-immigrant and Native communities of North America.
Oppositional Aesthetics
In these closely argued essays, taking examples from writing and film, Arun Prabha Mukherjee considers the place of the third world person - both as artistic creator and as a subject of artistic eneavour - in the West. Works of non-mainstream, immigrant artists, she urges, shoul be understood on their own terms. In particular, established Western aethetics, especially the idea of the Universal and its applications, even within the domains of the postcolonial and feminist criticism, are demonstrated as instances of domination and disregard third world experiences and particularities. On the other hand, key canonical texts in the West, blind to these details of the third world lives they portray, are shown to be distortional and even offensive. This important work includes detailed and original considerations of the works of David Lean, Michael Ondaatje, MG Vassanji, Earle Birney, Rohinton Mistry, Neil Bissoondath, Dionne Brand, and numerous others.
Mareech, the Legend
Arun Mukherjee s Mareech Sambad and Jagannath are highly popular plays in the theatre world of West Bengal. There are probably very few theatre goers in Calcutta, and in the district towns, who have not seen these plays, which have been performed through hundreds of well-attended nights. They have also been presented with success in Canada and the United States. Described as complex and intelligent theatre, these plays are political in the best sense of the word. As Himani Banerji says in her introduction, Never more than now did we need the stories of class and class struggle but told in a way that is worthy of the social and formative complexity, the elusiveness, the many-facedness of the ...
Joothan
Omprakash Valmiki describes his life as an untouchable, or Dalit, in the newly independent India of the 1950s. "Joothan" refers to scraps of food left on a plate, destined for the garbage or animals. India's untouchables have been forced to accept and eat joothan for centuries, and the word encapsulates the pain, humiliation, and poverty of a community forced to live at the bottom of India's social pyramid. Although untouchability was abolished in 1949, Dalits continued to face discrimination, economic deprivation, violence, and ridicule. Valmiki shares his heroic struggle to survive a preordained life of perpetual physical and mental persecution and his transformation into a speaking subject under the influence of the great Dalit political leader, B. R. Ambedkar. A document of the long-silenced and long-denied sufferings of the Dalits, Joothan is a major contribution to the archives of Dalit history and a manifesto for the revolutionary transformation of society and human consciousness.
Critical Essays on Post-colonial Literature
The Present Book Is An Attempt To Analyse Some Of The Outstanding Post-Colonial Writers Like Arundhati Roy (Booker Prize Winner 1997), Vikram Chandra (Commonwealth Prize Winner 1997), Derek Walcott (Nobel Prize Winner), Margaret Atwood (Booker Prize Winner 2000), Jayanta Mahapatra, Dom Moraes, Nissim Ezekiel, Keki N. Daruwalla, Kamala Das, Shiv K. Kumar, Anita Desai, Shashi Deshpande, Ruskin Bond (All Sahitya Akademi Award Winners) In The Light Of Post-Colonial Theory. Apart From Analysing Individual Authors, An Attempt Has Also Been Made To Show The Trends In Post-Colonial Poetry, Indian English Fiction, Orissan Contribution To Post-Colonial Indian English Literature And Above All, Post-Colonial English Studies In India.
Hindu
Reflecting Contemporary Conflicts In India, This Novel, Translated From The Marathi, Set In A Village In Western India, Reveals The End Of Compromise Based On Fear, Which Once Controlled The Untouchables, Who Go All Out To Avenge The Murder Of A Dalit Activist By Upper Castes. It Also Talks Of The Changing Face Of Gender Oppression Within All Castes.
The Gospel of Wealth in the American Novel (Routledge Revivals)
Business and the businessman have had a fundamental place in American society since the inception of the nation. This tenet, the ‘gospel of wealth’, is a central concern in the novels of Theodore Dreiser and his contemporaries. First published in 1987, this study sets this group of writers in their historical context and shows how they elaborated the idea of wealth as an object of quasi-religious quest. What had previously been associated with disease and darkness, avarice and dishonour, now came to emblematise the virtues of thrift, prudence and diligence. The underlying argument is that the dominant group of a society legitimises its power through the appropriation of the vocabulary of religion, and the American business leaders were successful in doing this both in their own practice and through the more insidious medium of art. A detailed analysis, this reissue will be of particular value to students of American literature with an interest in the relationship between linguistic symbols and social order, and historical attitudes towards wealth in literature.
Caste in Life
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English Solved Papers
2023-24 Assistant Professor/GDC English Solved Papers
