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His Father's Disease
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How to Tell the Story of an Insurgency
A former militant is unable to reconcile his tranquil domesticity with his brutal past. A mother walks an emotional tightrope, for her two sons -- a police officer and an underground rebel -- fight on opposite sides of the Assam insurgency. A deaf and mute child who sells locally brewed alcohol ventures into dangerous territory through his interaction with members of the local militant outfit. How to Tell the Story of an Insurgency is an unflinching account of a war India has been fighting in the margins. Written originally in Assamese, Bodo and English, the fifteen stories in this book attempt to humanize the longstanding, bloody conflict that the rest of India knows of only through facts and figures or reports in newspapers and on television channels.
The Bronze Sword of Thengphakhri Tehsildar
Indira Goswami’s last work of fiction, The Bronze Sword of Thengphakhri Tehsildar is the heroic tale of a Bodo freedom fighter who was, arguably, the first woman revenue collector, a tehsildar, in British India. Set in late 19th-century Assam, the novel generated a great deal of interest when it was published. Thengphakhri is a fascinating character that the author recreated from folklore and songs and stories that she’d heard in her childhood. The image of the protagonist, galloping across the plains of Bijni kingdom in lower Assam to collect taxes for the British, is a compelling one and one that inspires awe and admiration. At a time when educated Indians, social reformers and the British government were trying to fight misogynist practices such as sati, child marriage and the purdah system, here was a woman working with the British officers, shoulder to shoulder, as a tax collector who rode a horse, wore a hat and had knee-length black hair. Indira Goswami has woven a complex tale wherein the foundations of the colonial rulers were shaken by insurgents seeking freedom across Assam just before the rise of the Indian National Congress. Published by Zubaan.
The Caste of Merit
How the language of “merit” makes caste privilege invisible in contemporary India. Just as Americans least disadvantaged by racism are most likely to endorse their country as post‐racial, Indians who have benefited from their upper-caste affiliation rush to declare their country post‐caste. In The Caste of Merit, Ajantha Subramanian challenges this comfortable assumption by illuminating the controversial relationships among technical education, caste formation, and economic stratification in modern India. Through in-depth study of the elite Indian Institutes of Technology (IITs)—widely seen as symbols of national promise—she reveals the continued workings of upper-caste privilege...
Midnight's Borders
A Booklist "Top 10 History Book of 2022" The first true people's history of modern India, told through a seven-year, 9,000-mile journey along its many contested borders Sharing borders with six countries and spanning a geography that extends from Pakistan to Myanmar, India is the world's largest democracy and second most populous country. It is also the site of the world's biggest crisis of statelessness, as it strips citizenship from hundreds of thousands of its people--especially those living in disputed border regions. Suchitra Vijayan traveled India's vast land border to explore how these populations live, and document how even places just few miles apart can feel like entirely different...
A Measure of Belonging
A fierce collection of essays that tackle the question, "Who is welcome?" while also uplifting and celebrating the incredible diversity in the contemporary South, by twenty-one of the finest young writers of color living and working there. Essays in A Measure of Belonging: Writers of Color on the New American South, examine issues of sex, gender, academia, family, immigration, health, social justice, sports, music, and more. Kiese Laymon navigates the racial politics of publishing while recording his audiobook in Mississippi. Regina Bradley moves to Indiana and grapples with a landscape devoid of her Southern cultural touchstones, like Popeyes and OutKast. Aruni Kashyap apartment hunts in At...
Songs in Dark Times
A probing reading of leftist Jewish poets who, during the interwar period, drew on the trauma of pogroms to depict the suffering of other marginalized peoples. Between the world wars, a generation of Jewish leftist poets reached out to other embattled peoples of the earth—Palestinian Arabs, African Americans, Spanish Republicans—in Yiddish verse. Songs in Dark Times examines the richly layered meanings of this project, grounded in Jewish collective trauma but embracing a global community of the oppressed. The long 1930s, Amelia M. Glaser proposes, gave rise to a genre of internationalist modernism in which tropes of national collective memory were rewritten as the shared experiences of m...
Bedanabala
Spoken In The First Person, These Reminiscences Of A Woman Whose Mother Was Rescued From A House Of Ill-Repute Construct A History Not Often Documented. A History That Runs Parallel To The Official Narrative Of India`S Modernism And Nationalism: That Of Women Outcast Because They Are `Fallen`. Starting From The Late Nineteenth Century, The Voice Of Bedanabala Bears Witness To The Experiences Of Many Women Who Find Themselves Outside The Safety Of Domestic Walls And Thereafter Make Their Lives In The Only Ways Open To Them In A Society Where Women Did Not Work Except As Domestic Servants-Entertaining Men, Developing Liaisons, Interwining Their Dreams And Passions With The Destiny Of A Country Struggling For Independence And Questioning Oppressive Time-Worn Social Custom. Bedanabala, Written In 1996, Seeks To Empathize With A Segment Of Society Condemned Even By Other Women As Beyond The Bounds Of Decency And Social Acceptance.
Anglo-Indian Food And Customs
East meets West to create a unique cuisine of mixed European and Indian parentage, the Anglo-Indians adopted the religion, manners and clothing of their European forefathers. Yet, over the years, those of them who made India their home successfully integrated into the mainstream of Indian society. And some of the most glorious results of this assimilation took shape in the kitchen, the territory of the memsahib and her trusted khansamah. Anglo-Indian cuisine is a delicious blend of East and West, rich with the liberal use of coconut, yogurt and almonds, and flavoured with an assortment of spices. Roasts And Curries, Pulaos And Breads, Cakes And Sweetmeats, All Have A Distinctive Flavour. The Western Bias For Meats And Eggs Is Offset By The Indian Fondness For Rice, Vegetables, Curds, Papads, Pickles And Chutneys. And There Is A Great Deal Of Innovation And Variety In Soups, Entrees, Side Dishes, Sauces, Salads And Desserts.
